Improv Target Practice

Targeting Chord Tones For Solos & Improvisation

Marty FriedmanTommy EmmanuelSteve VaiEric GalesEric Johnson

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Improv Target Practice

About this course

One of the biggest challenges every guitarist faces while developing their improvisation skills is learning how to play over chord changes. Its one thing to work your pentatonic box all day long over a blues or 2-chord vamp, its quite another to solo over a series of chord changes, tonalities and keys. For intermediate players in particular, soloing over chord changes seems to be where the brakes get slammed on. At the same time, this skill is precisely where the rubber really hits the road on the path to musicianship.

The biggest misconception about learning how to play over changes is that you have to learn volumes about theory and harmony, or enroll full-time in a music college. While both of those options are certainly desirable, life gets in the way and few of us have the time to invest in either of those avenues. There are other options — and good ones at that!

Jon Finn’s Target Practice is one such option. Jon has been teaching guitar for over 26 years privately and at Berklee. Jon is a extraordinarily experienced, highly skilled and very well respected educator known for his inventive teaching methodologies that have proven themselves across thousands of students.
"Target Practice takes you to places you would not have thought to explore apart from the masterful instruction of Jon Finn. Your musicianship and fretboard skills will significantly improve if you follow him in this course designed for intermediate to late intermediate guitarists. You will find yourself targeting sounds far beyond the standard chord tones and arpeggios while you add spice and adventure to your playing. I have been buying TrueFire courses for many years and I have seen them introduce many innovations or improvements to their products, but this is the first course I have seen wherein they take advantage of the third split screen section to focus on the targeted notes during the playalong lessons. The use of the split screen in this manner is another of the many elements of genius found within this excellent, cutting-edge course. - Ron H., TrueFire Student
“I’ve had a lot of opportunity to teach improvisation concepts, in particular how to play over chord changes. I’ve developed a system that has worked very effectively for all of my students. It’s by no means a fad-oriented shortcut, but rather a no-nonsense proven method that works. I call it Improv Target Practice.”

“Learning your arpeggios and scales is certainly important, but just playing arpeggios and scales doesn’t sound very musical and you’ve probably discovered that already. Arpeggios and scales gives you the necessary information -- specifically, the correct target notes to play, but you also need an effective way to practice targeting those notes during your improvisation if you want to sound more musical -- and thats what Improv Target Practice is all about.”

In this edition of Improv Target Practice, Jon prepared 13 practice rhythm tracks, each featuring a chord progression with elevating levels of difficulty. For each chord within the progression, Jon gives you target notes to play and then challenges you to improvise using those target notes to connect your phrases as the chords change. You’ll start simply and then build your way up to more complex progressions with more target notes to work with.

The rhythm tracks that you’ll be playing over represent a variety of styles, levels of difficulty, tempos and keys. You’ll work on a funky track in the key of D Minor as well as a Pink Floyd-inspired E Minor rock jam. You’ll get bluesy in the key of G and the big and orchestral in the key of C# Minor. You’ll ‘target practice’ over a progressive track in Eb Minor and then get funky and jazzy with a track in A Minor. Those are just six of the thirteen tracks Jon includes in the course.

For each of the Improv Target Practice sessions, Jon will first show you the chords, target notes and scales. You’ll also get charts and diagrams to work with, as well as standard notation and tab of all of Jon’s improvised demonstration solos. And of course, you’ll get all of the Target Practice rhythm tracks to work with, both with and without the target notes.

Ready to release that emergency brake and finally start learning how to play over the changes?! Grab your guitar, click it and stick it!

What you'll learn

  • Apply chord-scale theory to improvisation over complex progressions
  • Practice improvising while following specific target notes
  • Learn to maintain rhythmic flexibility while staying on track
  • Develop ability to match melodic phrases during improvisation
  • Build skills for structured improvisation practice
Release date: 05/07/2015 • 2h 19m runtime
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Sample lessons
What is Target Practice?
What is Target Practice?
Overview
How to Use The Program
How to Use The Program
Overview
Em Slow Rock Jam: Overview
Em Slow Rock Jam: Overview
Chords, Targets & Scales
Em Slow Rock: Improvisation
Em Slow Rock: Improvisation
Demonstration

What's included

46 lessons • 39 charts • 13 Jam Tracks

Improv Target Practice
Target Practice is a method I've been teaching for many years. In short, you learn to "target" certain notes while improvising as a means of creating a more focused presentation. You stop "shredding" for it's own sake and start creating memorable melodies on the spot! Students of this course will learn how to improvise with an improved sense of intent, melodicism and direction as the result of mastering this course material.
SECTION 1: Guidance & Tips
This clip is an overview of what's included in Section 1 of Target Practice
What is Target Practice?
This is a more "in-depth" description of the concept of Target Practice. Essentially, you "map" out which notes to focus on within a chord progression ahead of time. By doing this in practice, eventually you learn how to do this "on the fly".
How to Use The Program
This clip gives an overview of the course, how the material is presented, and how to practice it. Each of the 13 chord progressions are presented in three clips: 1) an overview of the chords, scales and target notes, 2) an example of improvisation (with transciption included) using the Target Notes, and 3) A guided exercise that allows you to practice using the Target Notes. Lastly, it makes suggestions about how to take this information to the next level; continuing on after you've mastered this course!
Avoiding Pitfalls
Here are a few suggestions of what NOT to do when studying this material. A few stories are told that underscore the concepts.
SECTION 2: Target Practice
This is a descripion of the format of section two and it's materials.
D9 Funky: Overview
Here, the chords, scales and Target Notes are shown, described and Demonstrated for "D9 Funky". This is the only track that uses only one chord. Several scales are listed and suggested for experimentation.

+ 39 more lessons

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Reviews

8 results

rapayan200

Verified buyer

05/03/26

Great instructor!!

I am really learning a lot and improving my guitar skills with this program. 100% recommended.

PangeaDestructor

Verified buyer

07/10/25

Good

MikeAlan

Verified buyer

01/03/21

Target Practice Is Preparation for Real Situations

Jon Finn's "Improv Target Practice" is a really interesting system. I studied the topic with an excellent jazz instructor in my area. As well, I watched / read / listened to many others' takes on the subject. Mr. Finn's take is refreshing. Following a road map that consists of chordal tones or targets is very unique relative to what I learned from others. How I'm looking to take my soloing to new levels from my first pass of his course is to construct an extremely basic melody over a given chord progression. In solo mode, I'm adding content (chord, scale, passing tones) in the moment and hopefully conveying my emotions well enough to tell the listener a moving story. I enjoy the various scales that he shares, always related to specific chords. Several scales were new to me, which I appreciate, as well as learning context in where to apply them. If the theory at times seems a bit much, just remind yourself that there is no need to incorporate everything that he shares and certainly not all at once. This is definitely a course to continue returning to!

Jason123

Verified buyer

11/08/20

Jon Finn

Jon does a fantastic job with this one in describing how to target specific notes and areas on the fretboard to get more out of your playing.

MCARCILO

10/23/20

In the aim

A great course to reach our goal in the art of improvisation, by stimulating the exploration of the possibilities that we will have to explore the fretboard

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