justme21
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12/13/25
Easy to follow course.
Play Jazz Guitar 8: Advanced Rhythm Approaches
Fire Up Your Jazz Guitar Rhythm Chops with this Jazz Learning Path Core Course
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TrueFire
Educator
Genres
About this course
Welcome to Play Jazz Guitar 8: Advanced Rhythm Approaches for late intermediate to advanced students of Jazz guitar.
This Jazz Learning Path core course is presented by 4 top TrueFire educators: Frank Vignola, John Stowell, Brad Carlton, and Sheryl Bailey.
The Advanced Rhythm Approaches curriculum is comprised of select Jazz guitar lessons from the educators’ existing TrueFire course libraries.
Guitarists with advanced rhythm guitar skills write their own ticket with respect to paying or playing opportunities. Other musicians love to round out their rhythm section with solid, versatile rhythm guitarists. Pros will always get the most lucrative gigs, and amateurs will always get to play with the very best. The video guitar lessons in this core course will focus on strengthening and broadening your rhythm skills to an advanced level.
Play Jazz Guitar 8: Advanced Rhythm Approaches is organized into 4 sections. The first section focuses on chord melody with 3 chord melody arrangements from Frank Vignola and 1 modern chord melody from John Stowell. In Section 2, Frank Vignola presents an extensive series of C major chord inversions just to get you started -- this section includes an 800-page manual containing over 2,500 Root, 1st inversion, 2nd inversion and 3rd inversion chords. Brad Carlton passes on 15 jazz turnarounds in Section 3. Frank Vignola and Sheryl Bailey each present a chord solo performance study in Section 4.
When you’ve completed the lessons here in Advanced Rhythm Approaches, you’ll find more lessons focused on rhythm in Advanced Rhythm Principles, also a Play Jazz Guitar 8 core course.
The educators demonstrate all of the key examples over jam tracks (where and when applicable) to simulate a real-world application, in a musical context. All of the key examples are also tabbed and notated for your practice, reference and study purposes.
You’ll also get Guitar Pro files so that you can play, loop or slow down the tab and notation as you work through the lessons. Plus, you’ll have all of the available jam tracks to work with on your own.
Take as much time as you need to work through each video guitar lesson before moving on to the next lesson. If you want to dig deeper or wider into any of the topics covered in this core course, check out the recommended supplementary courses in your learning path where you’ll find more examples, techniques and insight from top TrueFire educators.
Grab your guitar and let’s get started!
This Jazz Learning Path core course is presented by 4 top TrueFire educators: Frank Vignola, John Stowell, Brad Carlton, and Sheryl Bailey.
The Advanced Rhythm Approaches curriculum is comprised of select Jazz guitar lessons from the educators’ existing TrueFire course libraries.
Guitarists with advanced rhythm guitar skills write their own ticket with respect to paying or playing opportunities. Other musicians love to round out their rhythm section with solid, versatile rhythm guitarists. Pros will always get the most lucrative gigs, and amateurs will always get to play with the very best. The video guitar lessons in this core course will focus on strengthening and broadening your rhythm skills to an advanced level.
Play Jazz Guitar 8: Advanced Rhythm Approaches is organized into 4 sections. The first section focuses on chord melody with 3 chord melody arrangements from Frank Vignola and 1 modern chord melody from John Stowell. In Section 2, Frank Vignola presents an extensive series of C major chord inversions just to get you started -- this section includes an 800-page manual containing over 2,500 Root, 1st inversion, 2nd inversion and 3rd inversion chords. Brad Carlton passes on 15 jazz turnarounds in Section 3. Frank Vignola and Sheryl Bailey each present a chord solo performance study in Section 4.
When you’ve completed the lessons here in Advanced Rhythm Approaches, you’ll find more lessons focused on rhythm in Advanced Rhythm Principles, also a Play Jazz Guitar 8 core course.
The educators demonstrate all of the key examples over jam tracks (where and when applicable) to simulate a real-world application, in a musical context. All of the key examples are also tabbed and notated for your practice, reference and study purposes.
You’ll also get Guitar Pro files so that you can play, loop or slow down the tab and notation as you work through the lessons. Plus, you’ll have all of the available jam tracks to work with on your own.
Take as much time as you need to work through each video guitar lesson before moving on to the next lesson. If you want to dig deeper or wider into any of the topics covered in this core course, check out the recommended supplementary courses in your learning path where you’ll find more examples, techniques and insight from top TrueFire educators.
Grab your guitar and let’s get started!
What you'll learn
- Master advanced jazz chord voicing techniques
- Learn open string chord techniques
- Learn how to create melodic lines through chord progressions
- Creating jazzy turnaround techniques
- Develop left-hand flexibility and voicing techniques
Release date: 09/14/2016 • 3h 15m runtime
Sample lessons
C Major Chord Inversions
Introduction
C Major Chord Inversions
1st 2nd 3rd Strings Lesson
C Major Chord Inversions
1st 2nd 3rd Strings Perf
Jazz Turnarounds Vol. 4
Overview
What's included
70 lessons • 31 charts • 11 Jam Tracks
Play Jazz Guitar 8: Advanced Rhythm Approaches
Welcome to Play Jazz Guitar 8: Advanced Rhythm Approaches for late intermediate to advanced students of Jazz guitar.
This Jazz Learning Path core course is presented by 4 top TrueFire educators: Frank Vignola, John Stowell, Brad Carlton, and Sheryl Bailey.
The Advanced Rhythm Approaches curriculum is comprised of select Jazz guitar lessons from the educators' existing TrueFire course libraries.
Guitarists with advanced rhythm guitar skills write their own ticket with respect to paying or playing opportunities. Other musicians love to round out their rhythm section with solid, versatile rhythm guitarists. Pros will always get the most lucrative gigs, and amateurs will always get to play with the very best. The video guitar lessons in this core course will focus on strengthening and broadening your rhythm skills to an advanced level.
Play Jazz Guitar 8: Advanced Rhythm Approaches is organized into 4 sections. The first section focuses on chord melody with 3 chord melody arrangements from Frank Vignola and 1 modern chord melody from John Stowell. In Section 2, Frank Vignola presents an extensive series of C major chord inversions just to get you started -- this section includes an 800-page manual containing over 2,500 Root, 1st inversion, 2nd inversion and 3rd inversion chords. Brad Carlton passes on 15 jazz turnarounds in Section 3. Frank Vignola and Sheryl Bailey each present a chord solo performance study in Section 4.
When you've completed the lessons here in Advanced Rhythm Approaches, you'll find more lessons focused on rhythm in Advanced Rhythm Principles, also a Play Jazz Guitar 8 core course.
The educators demonstrate all of the key examples over jam tracks (where and when applicable) to simulate a real-world application, in a musical context. All of the key examples are also tabbed and notated for your practice, reference and study purposes.
You'll also get Guitar Pro files so that you can play, loop or slow down the tab and notation as you work through the lessons. Plus, you'll have all of the available jam tracks to work with on your own.
Take as much time as you need to work through each video guitar lesson before moving on to the next lesson. If you want to dig deeper or wider into any of the topics covered in this core course, check out the recommended supplementary courses in your learning path where you'll find more examples, techniques and insight from top TrueFire educators.
Grab your guitar and let's get started!
This Jazz Learning Path core course is presented by 4 top TrueFire educators: Frank Vignola, John Stowell, Brad Carlton, and Sheryl Bailey.
The Advanced Rhythm Approaches curriculum is comprised of select Jazz guitar lessons from the educators' existing TrueFire course libraries.
Guitarists with advanced rhythm guitar skills write their own ticket with respect to paying or playing opportunities. Other musicians love to round out their rhythm section with solid, versatile rhythm guitarists. Pros will always get the most lucrative gigs, and amateurs will always get to play with the very best. The video guitar lessons in this core course will focus on strengthening and broadening your rhythm skills to an advanced level.
Play Jazz Guitar 8: Advanced Rhythm Approaches is organized into 4 sections. The first section focuses on chord melody with 3 chord melody arrangements from Frank Vignola and 1 modern chord melody from John Stowell. In Section 2, Frank Vignola presents an extensive series of C major chord inversions just to get you started -- this section includes an 800-page manual containing over 2,500 Root, 1st inversion, 2nd inversion and 3rd inversion chords. Brad Carlton passes on 15 jazz turnarounds in Section 3. Frank Vignola and Sheryl Bailey each present a chord solo performance study in Section 4.
When you've completed the lessons here in Advanced Rhythm Approaches, you'll find more lessons focused on rhythm in Advanced Rhythm Principles, also a Play Jazz Guitar 8 core course.
The educators demonstrate all of the key examples over jam tracks (where and when applicable) to simulate a real-world application, in a musical context. All of the key examples are also tabbed and notated for your practice, reference and study purposes.
You'll also get Guitar Pro files so that you can play, loop or slow down the tab and notation as you work through the lessons. Plus, you'll have all of the available jam tracks to work with on your own.
Take as much time as you need to work through each video guitar lesson before moving on to the next lesson. If you want to dig deeper or wider into any of the topics covered in this core course, check out the recommended supplementary courses in your learning path where you'll find more examples, techniques and insight from top TrueFire educators.
Grab your guitar and let's get started!
Chord Melody
In this first section, you'll drill down on 4 chord melody studies. The first 3 from Frank Vignola are the advanced versions of Take Me Out To The Ball Game, Peg O' My Heart, and Lady Be Good (the easier versions were presented by Frank in an earlier core course). John Stowell will definitely take you to school with his extensive set of lessons for Ghost In The Corner, which includes embellished melodies and extended performance studies.
Take Me Out To The Ballgame
Take Me Out To The Ballgame - Performance is a video guitar lesson presented by Frank Vignola and is sourced from 1-2-3 Jazz Chord Melody.
This is the sophisticated arrangement I came up with for "Take Me Out to the Ballgame".
This is the sophisticated arrangement I came up with for "Take Me Out to the Ballgame".
Peg O' My Heart
Peg O' My Heart - Performance is a video guitar lesson presented by Frank Vignola and is sourced from 1-2-3 Jazz Chord Melody.
This is a more embellished performance of the classic tune "Peg O' My Heart".
This is a more embellished performance of the classic tune "Peg O' My Heart".
Lady Be Good
Lady Be Good - Performance is a video guitar lesson presented by Frank Vignola and is sourced from 1-2-3 Jazz Chord Melody.
The last of our bonus videos is a more sophisticated jazz chord melody approach to "Lady Be Good".
The last of our bonus videos is a more sophisticated jazz chord melody approach to "Lady Be Good".
Ghost In The Corner
Ghost In The Corner - Introduction is a video guitar lesson presented by John Stowell and is sourced from Modern Chord Melody.
Ghost In the Corner
The melody as written employs a mixed meter, using 6/4 and 4/4 time signatures. I don't consider myself really fluent in the use of odd meters, so it's ironic that several of my tunes in this course use multiple time signatures. Like anything else in music, repeated exposure to odd meters will create an affinity for them. I still often find myself counting the beats in my head as I'm improvising in 6/4 or 7/4, but over time you will feel the pulse in these meters as you would in 4/4. Listen to bassist Dave Holland's quintet to get a tutorial in applications of a wide variety of different time signatures.
This melody uses a number of different dominant chords with tensions, the so-called altered sounds (raised and lowered 5th and 9ths). I'm employing open strings in many of the chords of the melody. There's quite a bit of space and "breathing" in this particular theme.
The melody played on the guitar tuned a major third down is the embellished version. It took me some time to be able to feel comfortable with hearing anything with this lower pitch, but I now enjoy the sound; I'll often use my lower-tuned instrument when playing solo or in a duo without bass. Some care is required with the right hand, as the open strings tend to sustain longer than open strings tuned to concert pitch.
Ghost In the Corner
The melody as written employs a mixed meter, using 6/4 and 4/4 time signatures. I don't consider myself really fluent in the use of odd meters, so it's ironic that several of my tunes in this course use multiple time signatures. Like anything else in music, repeated exposure to odd meters will create an affinity for them. I still often find myself counting the beats in my head as I'm improvising in 6/4 or 7/4, but over time you will feel the pulse in these meters as you would in 4/4. Listen to bassist Dave Holland's quintet to get a tutorial in applications of a wide variety of different time signatures.
This melody uses a number of different dominant chords with tensions, the so-called altered sounds (raised and lowered 5th and 9ths). I'm employing open strings in many of the chords of the melody. There's quite a bit of space and "breathing" in this particular theme.
The melody played on the guitar tuned a major third down is the embellished version. It took me some time to be able to feel comfortable with hearing anything with this lower pitch, but I now enjoy the sound; I'll often use my lower-tuned instrument when playing solo or in a duo without bass. Some care is required with the right hand, as the open strings tend to sustain longer than open strings tuned to concert pitch.
Breakdown
Breakdown - Ghost In The Corner is a video guitar lesson presented by John Stowell and is sourced from Modern Chord Melody.
Ghost In the Corner Breakdown - This melody employs a few interesting devices. The opening bars use a progression that moves down chromatically with a simple repeated theme. I'm utilizing some tensions over the dominant chords, in several cases using the high E string to do so (over the A flat7#9#5 and the G 13#11). I've taken a cue from great composers in the past by trying to create basic variations on a motif to tie things together compositionally; ostinatos and repetition of a melody line with small displacements can be very effective.
Note the use of close intervals (the E natural and E flat together in the A maj#11 w/perfect 5th), and extended fingerings (B7#9#5). The chords that encompass these large stretches aren't comfortable for everyone. If a fingering isn't playable for you, it may become easier with practice. You may also play only a portion of the chord, or find an application higher up the neck in another key.
Ghost In the Corner Breakdown - This melody employs a few interesting devices. The opening bars use a progression that moves down chromatically with a simple repeated theme. I'm utilizing some tensions over the dominant chords, in several cases using the high E string to do so (over the A flat7#9#5 and the G 13#11). I've taken a cue from great composers in the past by trying to create basic variations on a motif to tie things together compositionally; ostinatos and repetition of a melody line with small displacements can be very effective.
Note the use of close intervals (the E natural and E flat together in the A maj#11 w/perfect 5th), and extended fingerings (B7#9#5). The chords that encompass these large stretches aren't comfortable for everyone. If a fingering isn't playable for you, it may become easier with practice. You may also play only a portion of the chord, or find an application higher up the neck in another key.
+ 63 more lessons
Reviews
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paulorsilva
Verified buyer
11/27/25
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JacobMadsen
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08/11/22
Looking forward to getting into this
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