50 Jump Blues Licks You MUST Know

50 jump blues licks you must know inspired by the greats

Marty FriedmanTommy EmmanuelSteve VaiEric GalesEric Johnson

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50 Jump Blues Licks You MUST Know

About this course

Back in the early 40's, blues and jazz were pretty much synonymous. The big bands were exciting audiences with their new stomping jump blues performances, which Billboard recommended for "hepsters who go for swing and boogie, and beats in a loud, hot unrelenting style." Jump Blues combined the popular boogie-woogie rhythms of the day with gritty swing solos and "playful lyrics laced with jive talk." More than seven decades later, Jump Blues still pulls listeners out of their seats and onto the dance floor with its boogie-woogie grooves and heavy, insistent beats.

Matt Brandt's 50 Jump Blues Licks You MUST Know covers the stylings of all of the major jump blues guitar players, from originators like Charlie Christian, T-Bone Walker, Clarence Gatemouth Brown and Freddie King to modern players like Duke Robillard, Ronnie Earl, Hollywood Fats, Rick Holmstrom and Brian Setzer. Even more poppy or rocky oriented bands and players like The Black Keys and Joe Bonamassa use jump blues elements in their guitar solos and backup parts.
"I find this course one of the best 50 licks courses I own. Why? Because it makes you a better and more awaresome player, because it focuses on basic principles and then embellish these in many different ways. I have played the blues for many years, and have and ongoing quest to move away from any pattern and play more melodic and interesting. I find this course is good for this purpose. I find a lot of inspiration and insight here, that can be applied in many blues concepts." Torben L., TrueFire Student
Throughout these 50 Jump Blues licks, Matt Brandt helps players develop two simple tools that every blues guitar player should have solid command of and which he refers to as the Standard Riff and Inner Logic. Matt will teach you how to identify the target tones of any underlying chord progression to enhance the harmonic structure of your solos. Spice your blues licks up with these tools and you'll open up the fretboard to the even more uptown sounds that emerged in the Big Bands of the late forties and early fifties. And because Rockabilly, Rock and Roll, Swing, Jump Blues and Jazz are all dialects of the same musical language, you can use this collection of licks across all of those styles.

50 Jump Blues Licks You MUST Know is the cream of the crop of the library of jump blues solos Matt Brandt has collected over a period of 25 years; analyzing albums, bootlegging concerts and studying with some of the giants of Jump Blues. Be sure to play them with a smile.
"Matthieu Brandt’s 50 Jump Blues Licks is exactly what you need if you want to get that cool jazzy West-Coast blues sound, without wasting time anywhere else or going after it piece-meal. Everything you need to become a real-life player of this special genre is right here: what scale to use; the chops you use; how to apply the chops in various areas of the guitar neck (in fact, linking them end-to-end covers all the useable notes of a wide expanse of the neck vertically, and fills it up horizontally); and whatever theory you might need. In addition extra applications are provided for extending the basic forms and special situations. He gives you some good turn-arounds, too. You will be a playing expert in no time at all with Matthieu’s masterful course. He has a dry wit and is seriously funny too, on a couple of occasions." John S., TrueFire Student

What you'll learn

  • Apply the standard riff concept to find chord tones across the fretboard
  • Navigate circle of fifths chord changes smoothly
  • Create solos with clear harmonic logic that audiences can hear
  • Learn the voice leading formula: major 3rd of I chord moves to b7 of IV chord
  • Balance theoretical concepts with musical phrasing using embellishments
Release date: 02/07/2013 • 3h 07m runtime
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Sample lessons
Raking Fours
Raking Fours
Lick 4
Inner Tension
Inner Tension
Lick 6
Ronnie On Four
Ronnie On Four
Lick 14
Forward Five
Forward Five
Lick 20

What's included

52 lessons • 50 charts • 49 Jam Tracks

50 Jump Blues Licks
Jump Blues is a juicy gumbo of several blues styles, mixed with swing and jazz elements. It can be as tough as a Texas Longhorn, deep as the Mississippi Delta and gut wrenching like a Chicago winter. But Jump Blues also has a west coast groove that makes you want to get up and dance. It's mostly played at a foot stomping hip shaking tempo and gives you all the harmonic options of swing without having to study till your fingers bleed. These 50 licks cover all the major jump blues guitar players, from originators like Charlie Christian, T-Bone Walker, Clarence Gatemouth Brown and Freddie King to modern players like Duke Robillard, Ronnie Earl, Hollywood Fats, Rick Holmstrom and Brian Setzer.

Even more poppy or rocky oriented bands and players like The Black Keys, Joe Bonamassa uses jump blues elements in their guitar solos and backup parts. These licks also illustrate the two simple tools every blues guitar player needs to have up his/her sleeve: The Standard Riff and Inner Logic. They will help you target the sweet notes of all the underlying chords in the backup and add a solid structure to your solos. Spice your blues licks up with these tools and you'll open up your fretboard to the more uptown sounds that emerged in the Big Bands of the late forties and early fifties. And because rockabilly, rock and roll, swing, jump blues and jazz are all dialects of the same musical language, you can use this collection of licks in all these styles. These 50 licks are the cream of the crop of the library of jump blues solos I collected over a period of 25 years; analyzing albums, bootlegging concerts and studying with some of the giants of jump blues.

Be sure to play them with a smile.
Standard Riff
The standard riff is an easy and versatile tool to get out of the blues box and target the chords in the backing track. The lick is played relative to the chord and targets chord tones and notes from the mixolydian scale. When the chord changes, the underlying mixolydian scale changes. In jump blues solos you move with the chords and the standard riff is the quickest way to learn how to do this.
Extended Standard
The standard riff contains the most important notes of the mixolydian scale of the chord you are soloing on and the blues scale. It's an ideal tool to quickly locate the essential notes of the mixolydian scale on each individual chord of a blues progression. The standard riff can be extended to contain all the possible notes you can target on each individual chord.

Combi Extended Standard
In jump blues you combine the best of both worlds; the roughness of the blues scale and the mellow notes of the mixolydian scale. When the chords change in the backing track you'll need to move to the corresponding mixolydian scale. You have to move with the chords. Lick #3 makes it easier to find notes to target on each individual dominant seventh chord in the backing track.
Raking Fours
Lick #4 incorporates two basic elements every jump blues player, rock & roll guitarist and rockabilly ace needs to have up his sleeve. This lick covers two important techniques every jump blues player needs to get up his sleeve; playing a rake and approaching the major third of the target chord from above. This second tool will give your licks a more open, major type sound in contrast to the more edgy sound the blues scale provides.
Sliding From The One
The standard riff can be played in many areas across the neck of the guitar. Being able to slide through these positions and keeping an eye on the chord tones, blues scale and underlying mixolydian scale is a quality every jump blues player needs to have. This lick will help you glide from one area to the other, keeping all these things in sight.
Inner Tension
Many blues players are satisfied with wailing up and down the fretboard, playing licks that disregard the logic that lies beneath a 12 bar blues progression. This inner logic is a simple principle - formula if you will - that will give your solos a solid backbone. You will follow the internal harmonic progression more closely by incorporating this principle in your solos. You will move with the chords in a logical way. The formula: when you are moving from the I chord to the IV chord the major third of the I chord in your solo wants to move down to the flatted seventh of the IV chord. On top of that the flatted seventh of the I chord wants to move down to the major third of the IV chord.

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Reviews

25 results

Michael B.

03/09/25

Lean jump blues AND theory AND the fretboard

This is such a brilliant course!!! The licks are super cool and it's great to lean them, but I wasn't expecting to also learn so much theory and get better at fretboard navigation along the way. Matthieu weaves these elements together really well so that it all seems accessible. As someone else mentioned, the demos are played at a very fast tempo, but you can slow them down a bit and follow the tab so I'm not finding that a problem.

FranticFelix

Verified buyer

02/13/25

This course really rocks!

One of the best purchases I have made on this platform and I wish I'd had these lessons when I was 16! The licks are very fast, so I love TrueFire as it allows me to slow things down. Once you get the licks down you get faster over time. I'll probably treat myself to the other Rhythm & Blues course afterwards. If you want to rock old-school, you should pick this up!

Curt454

Verified buyer

01/15/25

Jump Blues Licks you should know

A great way to increase your jump blues vocabulary. Presented in a clear and concise manner. A very fun learning tool!

pmorey

Verified buyer

06/30/22

Some catchy licks!

tomac

Verified buyer

06/27/22

Good old school

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