NeilES335
Verified buyer
11/08/21
A good basic overview of soloing techniques.
Play Jazz Guitar 6: Soloing Principles
Energize Your Jazz Guitar Solos with this Jazz Learning Path Core Course
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TrueFire
Educator
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About this course
Welcome to Play Jazz Guitar 6: Soloing Principles for intermediate to late Intermediate students of Jazz guitar.
This Jazz Learning Path core course is presented by 2 top TrueFire educators: Sheryl Bailey and Fareed Haque.
The Soloing Principles curriculum is comprised of select Jazz guitar lessons from the educators’ existing TrueFire course libraries.
Solid rhythm chops may get you the gig but it's your soloing chops that gets you the spotlight and the opportunity to electrify the audience with your musicality. Creativity, technique, and vocabulary are the essential skills you’ll need to master the art of improvisation and develop into a great soloist. The video guitar lessons in this core course will equip you with the requisite tools and guidance to take your soloing skills to the next level.
Play Jazz Guitar 6: Soloing Principles is organized into 5 sections. Fareed Haque presents the first 4 sections, which are focused on bebop soloing principles. You’ll be guided through a series of applications for turning chord into arpeggios, arpeggios into scales, and soloing over specific chord types. In Section 5, Sheryl Bailey guides you through 3 playalongs and 1 performance studies.
When you’ve completed the lessons here in Soloing Principles, you’ll find more lessons focused on soloing in Soloing Approaches, also a Play Jazz Guitar 6 core course.
The educators demonstrate all of the key examples over jam tracks (where and when applicable) to simulate a real-world application, in a musical context. All of the key examples are also tabbed and notated for your practice, reference and study purposes.
You’ll also get Guitar Pro files so that you can play, loop or slow down the tab and notation as you work through the lessons. Plus, you’ll have all of the available jam tracks to work with on your own.
Take as much time as you need to work through each video guitar lesson before moving on to the next lesson. If you want to dig deeper or wider into any of the topics covered in this core course, check out the recommended supplementary courses in your learning path where you’ll find more examples, techniques and insight from top TrueFire educators.
Grab your guitar and let’s get started!
This Jazz Learning Path core course is presented by 2 top TrueFire educators: Sheryl Bailey and Fareed Haque.
The Soloing Principles curriculum is comprised of select Jazz guitar lessons from the educators’ existing TrueFire course libraries.
Solid rhythm chops may get you the gig but it's your soloing chops that gets you the spotlight and the opportunity to electrify the audience with your musicality. Creativity, technique, and vocabulary are the essential skills you’ll need to master the art of improvisation and develop into a great soloist. The video guitar lessons in this core course will equip you with the requisite tools and guidance to take your soloing skills to the next level.
Play Jazz Guitar 6: Soloing Principles is organized into 5 sections. Fareed Haque presents the first 4 sections, which are focused on bebop soloing principles. You’ll be guided through a series of applications for turning chord into arpeggios, arpeggios into scales, and soloing over specific chord types. In Section 5, Sheryl Bailey guides you through 3 playalongs and 1 performance studies.
When you’ve completed the lessons here in Soloing Principles, you’ll find more lessons focused on soloing in Soloing Approaches, also a Play Jazz Guitar 6 core course.
The educators demonstrate all of the key examples over jam tracks (where and when applicable) to simulate a real-world application, in a musical context. All of the key examples are also tabbed and notated for your practice, reference and study purposes.
You’ll also get Guitar Pro files so that you can play, loop or slow down the tab and notation as you work through the lessons. Plus, you’ll have all of the available jam tracks to work with on your own.
Take as much time as you need to work through each video guitar lesson before moving on to the next lesson. If you want to dig deeper or wider into any of the topics covered in this core course, check out the recommended supplementary courses in your learning path where you’ll find more examples, techniques and insight from top TrueFire educators.
Grab your guitar and let’s get started!
What you'll learn
- Expanding beyond basic blues scale improvisation
- Implementing jazz improvisation strategies
- Understanding bebop improvisation structure
- develop jazz soloing creativity
- improve improvisation skills
Release date: 09/14/2016 • 2h 33m runtime
Sample lessons
Turning Arpeggios Into Scales
Overview
Adv. Bebop Soloing Example
Playing 'outside' the changes
Outlining Ab7
Overview
Ebmin7 to Ab7 to Dbmaj7
Slow Playalong
What's included
42 lessons • 20 charts • 11 Jam Tracks
Play Jazz Guitar 6: Soloing Principles
Welcome to Play Jazz Guitar 6: Soloing Principles for intermediate to late Intermediate students of Jazz guitar.
This Jazz Learning Path core course is presented by 2 top TrueFire educators: Sheryl Bailey and Fareed Haque.
The Soloing Principles curriculum is comprised of select Jazz guitar lessons from the educators' existing TrueFire course libraries.
Solid rhythm chops may get you the gig but it's your soloing chops that gets you the spotlight and the opportunity to electrify the audience with your musicality. Creativity, technique, and vocabulary are the essential skills you'll need to master the art of improvisation and develop into a great soloist. The video guitar lessons in this core course will equip you with the requisite tools and guidance to take your soloing skills to the next level.
Play Jazz Guitar 6: Soloing Principles is organized into 5 sections. Fareed Haque presents the first 4 sections, which are focused on bebop soloing principles. You'll be guided through a series of applications for turning chord into arpeggios, arpeggios into scales, and soloing over specific chord types. In Section 5, Sheryl Bailey guides you through 3 playalongs and 1 performance studies.
When you've completed the lessons here in Soloing Principles, you'll find more lessons focused on soloing in Soloing Approaches, also a Play Jazz Guitar 6 core course.
The educators demonstrate all of the key examples over jam tracks (where and when applicable) to simulate a real-world application, in a musical context. All of the key examples are also tabbed and notated for your practice, reference and study purposes.
You'll also get Guitar Pro files so that you can play, loop or slow down the tab and notation as you work through the lessons. Plus, you'll have all of the available jam tracks to work with on your own.
Take as much time as you need to work through each video guitar lesson before moving on to the next lesson. If you want to dig deeper or wider into any of the topics covered in this core course, check out the recommended supplementary courses in your learning path where you'll find more examples, techniques and insight from top TrueFire educators.
Grab your guitar and let's get started!
This Jazz Learning Path core course is presented by 2 top TrueFire educators: Sheryl Bailey and Fareed Haque.
The Soloing Principles curriculum is comprised of select Jazz guitar lessons from the educators' existing TrueFire course libraries.
Solid rhythm chops may get you the gig but it's your soloing chops that gets you the spotlight and the opportunity to electrify the audience with your musicality. Creativity, technique, and vocabulary are the essential skills you'll need to master the art of improvisation and develop into a great soloist. The video guitar lessons in this core course will equip you with the requisite tools and guidance to take your soloing skills to the next level.
Play Jazz Guitar 6: Soloing Principles is organized into 5 sections. Fareed Haque presents the first 4 sections, which are focused on bebop soloing principles. You'll be guided through a series of applications for turning chord into arpeggios, arpeggios into scales, and soloing over specific chord types. In Section 5, Sheryl Bailey guides you through 3 playalongs and 1 performance studies.
When you've completed the lessons here in Soloing Principles, you'll find more lessons focused on soloing in Soloing Approaches, also a Play Jazz Guitar 6 core course.
The educators demonstrate all of the key examples over jam tracks (where and when applicable) to simulate a real-world application, in a musical context. All of the key examples are also tabbed and notated for your practice, reference and study purposes.
You'll also get Guitar Pro files so that you can play, loop or slow down the tab and notation as you work through the lessons. Plus, you'll have all of the available jam tracks to work with on your own.
Take as much time as you need to work through each video guitar lesson before moving on to the next lesson. If you want to dig deeper or wider into any of the topics covered in this core course, check out the recommended supplementary courses in your learning path where you'll find more examples, techniques and insight from top TrueFire educators.
Grab your guitar and let's get started!
Bebop Concepts
In this section, Fareed Haque explores the architecture of bebop and demonstrates how to turn chord into arpeggios and arpeggios into scales. Both of these skills are the building blocks of bebop improvisation and will prepare you for the following sections in this core course.
What is Bebop?
What is Bebop? - SECTION 1 is a video guitar lesson presented by Fareed Haque and is sourced from Bebop Improv Survival Guide.
Bebop is a style of jazz playing that developed in the early 1950s. Check out Charlie 'Bird' Parker, Dizzy Gillespie, Bud Powell. Early jazz musicians improvised by creating variations on a songs melody [ check out Louis Armsrong] , and later on improvised by building melodies thru arpeggiating or outlining the chords of a given tune [ check out Coleman Hawkins version of Body and Soul].
BeBop musicians took this a step further.
Not only did they play on the chords of a song, they had enough facility with arpegiating chords to arpeggiate more complex chords, and eventually began to add chords to the basic chord progressions, outlining substitute chords extra chords etc etc creating ever more complex and interesting melodic lines, often simply called "lines".
Another characteristic of the Bebop style is the increased use of chromatics to lead to and from chord tones, especially chromatics around 9ths, 11ths and 13ths [called 'Extensions'], and even altered 9ths, 11s or 13ths.
Bebop is a style of jazz playing that developed in the early 1950s. Check out Charlie 'Bird' Parker, Dizzy Gillespie, Bud Powell. Early jazz musicians improvised by creating variations on a songs melody [ check out Louis Armsrong] , and later on improvised by building melodies thru arpeggiating or outlining the chords of a given tune [ check out Coleman Hawkins version of Body and Soul].
BeBop musicians took this a step further.
Not only did they play on the chords of a song, they had enough facility with arpegiating chords to arpeggiate more complex chords, and eventually began to add chords to the basic chord progressions, outlining substitute chords extra chords etc etc creating ever more complex and interesting melodic lines, often simply called "lines".
Another characteristic of the Bebop style is the increased use of chromatics to lead to and from chord tones, especially chromatics around 9ths, 11ths and 13ths [called 'Extensions'], and even altered 9ths, 11s or 13ths.
The Architecture of Bebop
The Architecture of Bebop - Overview is a video guitar lesson presented by Fareed Haque and is sourced from Bebop Improv Survival Guide.
There are many benefits to learning to improvise thru the arpeggio approach.
First off, it's historical. You will be learning the same way the jazz 'greats' did. Arpeggios allow you to put together chords and scales based on what your ear tells you…so you will naturally explore, by ear, different musical possibilities that appeal to you. As such you will naturally create your own choices and embark on the path to your own unique and individual style.
Monk chose different notes than Bird did...and so will you! As a guitarist, this approach is also empowering. Make sure you create an arpeggio fingering to go along with every chord grip you know. As you learn more chord grips, you learn more chord arpeggios. Once you have a chord arpeggio you like, fill in the notes in between BY EAR.
An arpeggio is ussually 4 notes 1,3,5,7 ...thats already 4 notes out of the usual 7 note scale! So all you need is to add in BY EAR the remaining 3. You will find different possibilities. They are ALL Correct.
Some will be harsh ["dissonant"], some more sweet ["consonant"], some downright UGLY! Explore! The next step is to start leading to notes in each chord chromatically from above or below.
Once you have many grips and lines you'll start to find that you can add chords thru arpeggios to any progression. C Maj7 goes to Dmin7 to G7 and back to C Maj7. This is a typical I-ii-V-I jazz prgression. We can add chords to this progression. A common example is adding a Dominant chord to lead to another chord. Typical in this case might be to add an A7 to lead to D min and then add a D7 to lead to G7. These chords will clash a bit with the basic chords. That is the desired effect! You are playing 'outside' the chords and leading back 'inside'. That's what makes it cool.
There are many benefits to learning to improvise thru the arpeggio approach.
First off, it's historical. You will be learning the same way the jazz 'greats' did. Arpeggios allow you to put together chords and scales based on what your ear tells you…so you will naturally explore, by ear, different musical possibilities that appeal to you. As such you will naturally create your own choices and embark on the path to your own unique and individual style.
Monk chose different notes than Bird did...and so will you! As a guitarist, this approach is also empowering. Make sure you create an arpeggio fingering to go along with every chord grip you know. As you learn more chord grips, you learn more chord arpeggios. Once you have a chord arpeggio you like, fill in the notes in between BY EAR.
An arpeggio is ussually 4 notes 1,3,5,7 ...thats already 4 notes out of the usual 7 note scale! So all you need is to add in BY EAR the remaining 3. You will find different possibilities. They are ALL Correct.
Some will be harsh ["dissonant"], some more sweet ["consonant"], some downright UGLY! Explore! The next step is to start leading to notes in each chord chromatically from above or below.
Once you have many grips and lines you'll start to find that you can add chords thru arpeggios to any progression. C Maj7 goes to Dmin7 to G7 and back to C Maj7. This is a typical I-ii-V-I jazz prgression. We can add chords to this progression. A common example is adding a Dominant chord to lead to another chord. Typical in this case might be to add an A7 to lead to D min and then add a D7 to lead to G7. These chords will clash a bit with the basic chords. That is the desired effect! You are playing 'outside' the chords and leading back 'inside'. That's what makes it cool.
Turn Major Scales Into Chords
Turn Major Scales Into Chords - Overview is a video guitar lesson presented by Fareed Haque and is sourced from Bebop Improv Survival Guide.
Any scale can be turned into chords. Any scale - really!
Since chords in our western musical system are usually built in 3rds, we usually start by building chords on each degree of a scale by 'Stacking Thirds'. Of course we can also build chords by stacking 4ths, 5ths, 6ths, 2nds or any interval you choose...they just aren't that practical tho some are verty beautiful! Once you have a handle on the chords built in 3rds by all means EXPLORE!
Any scale can be turned into chords. Any scale - really!
Since chords in our western musical system are usually built in 3rds, we usually start by building chords on each degree of a scale by 'Stacking Thirds'. Of course we can also build chords by stacking 4ths, 5ths, 6ths, 2nds or any interval you choose...they just aren't that practical tho some are verty beautiful! Once you have a handle on the chords built in 3rds by all means EXPLORE!
Turning Chords Into Arpeggios
Turning Chords Into Arpeggios - Overview is a video guitar lesson presented by Fareed Haque and is sourced from Bebop Improv Survival Guide.
Any chord can be turned into an arpeggio.
For now lets start with simple 4 note arpeggios. Once that is comfortable feel free to create arpeggios of 5,6, 7 (or more!) notes. Eventually you want to build arpeggios that LAY on top of your chords and convey the sound of that chord.
For guitarists this is essential. Try to visualize the arpeggio as laying on top of the chord, and eventually the scale as laying on top of the arpeggio. That way chord /arpeggio/scale are all connected visually, physically and eventually musically! {CHART}
Any chord can be turned into an arpeggio.
For now lets start with simple 4 note arpeggios. Once that is comfortable feel free to create arpeggios of 5,6, 7 (or more!) notes. Eventually you want to build arpeggios that LAY on top of your chords and convey the sound of that chord.
For guitarists this is essential. Try to visualize the arpeggio as laying on top of the chord, and eventually the scale as laying on top of the arpeggio. That way chord /arpeggio/scale are all connected visually, physically and eventually musically! {CHART}
Turning Arpeggios Into Scales
Turning Arpeggios Into Scales - Overview is a video guitar lesson presented by Fareed Haque and is sourced from Bebop Improv Survival Guide.
As we mentioned earlier, this is one if the great benefits of an arpeggio based approach. No fancy Greek names needed. I see G7, arpeggiate G7, fill in to create multiple G7 scales….all using (and developing) my ear and simultaneously developing my own style.
Check it out! A scale for G7?? Gee , I dunno, how 'bout we call it a 'G7 Scale'. Yea, that oughta impress 'em. A scale for G7#5??? Hmmm, I'm thinking, thinking, thinking...Got it! Let's call it a 'G7#5 scale" Brilliant! Awesome! Total GENIUSNESS!!
As we mentioned earlier, this is one if the great benefits of an arpeggio based approach. No fancy Greek names needed. I see G7, arpeggiate G7, fill in to create multiple G7 scales….all using (and developing) my ear and simultaneously developing my own style.
Check it out! A scale for G7?? Gee , I dunno, how 'bout we call it a 'G7 Scale'. Yea, that oughta impress 'em. A scale for G7#5??? Hmmm, I'm thinking, thinking, thinking...Got it! Let's call it a 'G7#5 scale" Brilliant! Awesome! Total GENIUSNESS!!
+ 35 more lessons
Reviews
3 results
Christian F.
11/05/21
Jazz guitar soloing principles
I got this course thinking it would be great tool for an intermediate to advance player like me, but unfortunately is not. It is very basic material. Not useful for advance students for sure.
JacobMadsen
Verified buyer
04/26/21
Love this series!
I have most of the courses in this series. I love it!
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