This is one of my original compositions, which I wrote for my group Spirit of Django years ago while living in France. I named it 'Mirette' after my house. It has a nice Bossa Nova feel, featuring those popular turnaround chord changes characteristic of Bossa Nova.
Let's walk through the chord changes together. We are in the key of E major. The sequence starts with an E major seventh for two bars, followed by D sharp minor seventh, G seventh, and C minor seventh. Then, B minor seventh, E seventh, A seventh, D nine, G sharp 13—a little move to F sharp 13, then an A with an A over B, back to E Major seven, D minor seven, G sharp seven, C sharp minor seven, and B minor seventh. This repeats similar patterns as before. The bridge features an F sharp minor 7 over B, with an A at the bottom, then G sharp minor 7th, C sharp minor 7th, F sharp minor 7th with a flat 9, and E major 7th followed by C sharp 7 with a flat 9, leading into a 2-5-1 progression back into E.
We play the A section again, which includes D sharp minor seven, G sharp seven, C sharp minor seven, B minor seven, E seven, A major seven, D nine, G sharp 13, and a rundown to C sharp seven, F sharp 13, A over B, and finishes on an E major 7th. When we reach the turnaround, it includes another A over B.
This lesson will cover the entire chord sequence, starting with laying down the sequence, then adding a lead line on top. I'll also demonstrate a combined chord and melody solo version of the tune. This integrated approach helps deepen your understanding of how the music comes together, enhancing your performance and knowledge, even if you don't perform the piece solo.