Jazz Performance

Essential insight & improvisational studies for the performing jazz guitarist

Marty FriedmanTommy EmmanuelSteve VaiEric GalesEric Johnson

Get this course and 1,000+ more with All Access

Try 14 days free. Cancel any time.

Purchase Individual Course for $9.99
Jazz Performance

About this course

Learning, listening and playing jazz is a jouney that takes a lifetime to travel. While every traveller plots their own path, all travelers must pass through the same milestones along the way. Much like how American painter, Thomas Cole depicts childhood, youth, adulthood and maturity in his series of paintings, "The Voyage of Life," American jazz artist, Mimi Fox presents the four key educational milestones that a jazz guitarist must achieve. Mimi's four TrueFire courses: Jazz Anatomy, Graduated Solos, Flying Solo and now Jazz Performance guide the student through the requisite techniques, harmony, improvisational theory and creative skills they'll need for their journey.

In Jazz Anatomy, Mimi broke down the fundamentals of the form, covering both rhythm and soloing over the five most common progressions; major blues, minor blues, modal, and both minor and major 2-5-1 progressions. In Graduated Solos, Mimi guided the student in the art of improvisation focusing on constructing balanced, inventive and engaging solos. Mimi's third course, Flying Solo, revealed the underlying science and art of performing and improvising without a rhythm section.

Now, in Jazz Performance, Mimi demonstrates the culmination of the key learnings from her previous three courses in a very unique educational format. In the first section of the course, the student is treated to live performances of 10 jazz standards in a trio setting. In the second section, Mimi provides an artist commentary for each tune, where she describes her harmonic and creative approach for the entire tune, including the solos. In the third section, Mimi analyzes and demonstrates key chord voicings and phrases from each tune's improvised solos.

Jazz Performance features several jazz standards, as well as Mimi's original tunes: Blues for Two, Stella by Starlight, Pack of Lies, Roses in January, Triste, Polka Dots and Moonbeams, Yardbird Suite, My Romance, Caravan, and Lullaby of the Leaves.

The instructional elements are presented in an interactive video format and include complete tab and notation of the solos. Power tab and Guitar Pro files are also provided.

Whatever path you've chose to take on your journey to becoming a great jazz player, Jazz Performance will help light your way.

What you'll learn

  • How to apply whole tone scale over dominant 7 sharp 5 and flat 5 chords
  • How to create coherent improvisational stories by varying repeated phrases
  • Learn to develop solos thematically from simple to complex
  • Understand how to analyze and integrate transcribed solos into your own vocabulary
  • Learn approaches to dynamic control and contrast in performance
Release date: 07/10/2012 • 4h 45m runtime
Start Course
Sample lessons
Pack of Lies
Pack of Lies
Introduction
Pack of Lies
Pack of Lies
Performance
Pack of Lies
Pack of Lies
Artist's Commentary
Pack of Lies
Pack of Lies
Blues Scales

What's included

87 lessons • 10 charts

Jazz Performance
In Jazz, the proof is in the pudding! I have done 3 courses thus far for True Fire: Jazz Anatomy, Graduated Solos, and Flying Solo. This new course is the culmination of all the information I provided in these other courses. The culmination is not a big theoretical hodgepodge of dense information, rather it is a performance where I actually USE all of the ideas I explained in these other courses on the bandstand in a live performance situation. You can feel the energy and excitement that a packed house provides to me and the trio. I hope you enjoy watching the performance and that the nuggets of information you get will spur you on in your own performances.
Blues for Two
The blues is the mother of jazz, rock, funk, hip-hop, and many other styles of music. The "call and response" found in a blues, the chordal movement, and most of all, the contagious feeling of the blues is something that is very special. I personally feel that if you don't reference the blues somewhere in your own playing, you are missing out on an important opportunity to bring the audience and your fellow musicians on a journey with you. The blues really is a compelling music and I recommend you listen to all the early, great blues artists people like Ida Cox, Ma Rainey, Josh White, Blind Lemon Jefferson, and scores of others. There would be no jazz or rock without these great and inspirational artists.
Blues for Two
I strongly recommend that you learn the melody ("head")to as many blues tunes as you can and eventually start making up your own blues heads. It's common for jazz musicians to make up blues heads right on the spot! This is not as hard as it seems. If you learn many blues heads, pretty soon you will absorb the basic understanding of the blues form and you'll be able to make up your own in the same manner. It's fun! All jazz doesn't have to be an analytical experience the blues takes you to the heart of the music.
Blues for Two
Here's a cool exercise to do with my solos here, or with a recording of your own music: write down notes about what you dig, what you wish was different, other ideas and impressions. Put that piece of paper away somewhere and then do the same thing at a later date and compare notes. You may find that your initial impressions have changed or maybe not! Sometimes with our own playing we are very critical but when you have some distance from the experience your impressions may change. When in doubt, it's good to get advice from trusted musician friends.
Blues for Two
When you have amassed a library of great blues recordings by some of the artists I have mentioned (and others of your choosing), you will hear thematic development through the lyrics and cadence of the vocals. The best way to tell a compelling story (in this case as an instrumentalist) is to learn to phrase as a vocalist would. Remember that the human voice and our heart beats were the first instruments! When I am soloing, I often hear lyrics in my head which grounds me in the original meaning of the piece. This is important!
Blues for Two
If you get my book, "Graduated Soloing: The Mimi Fox Guitar Method"(Mel Bay Publications), you will find many hip diminished exercises to study and play. These can be integrated into your own soloing. The diminished chord, and diminished runs were used a lot by the great Gypsy guitarist Django Reinhardt and his music is really fun to play I recommend you pick up some of his original music to hear how the diminished chord/scales can be used in compositions.
Blues for Two
Dynamics are a subtle but very important aspect of music to learn. You could start by arbitrarily and somewhat randomly trying to play softer/louder. You might try to shape a line or a phrase by starting at one level and then coming up/down in volume as the phrase ends. Notice how this impacts the phrase. Notice the impact on you, the listener! Listen to recordings of Billie Holiday and you will hear a master at using dynamics to color and shade the phrases she is singing.

+ 80 more lessons

Start Course

Reviews

11 results

jeff

12/05/22

great...but

It would have helped a schmuck like me if the chords were in the transcripts. I think only one of the tracks had them. Many of the lines are very outside, This is really for a more advance player who already knows the chords to, for example, Stella By Starlight, Alas, I am not among them!

kgoubs

Verified buyer

08/22/22

Good job! Thank you..

sindibad

04/14/21

Jazz Performance

This great lady is a model of expression and technique of Jazz.

wallstreetsifu

Verified buyer

11/15/20

A remarkable teacher. Peek inside the mind of a master. Mimi is one of the best jazz players in the world today. I can understand why Herb Elis sang her praises. This is not a lick course but allows you into her creative mind and sound. Also, great just to listen to as a concert performance.

trader46

Verified buyer

06/06/20

Inspirational Learning

More than listenable simply as performances. But - for the student an inspiration. Mimi's work is very approachable. A stretch? Yes but she helps get you there in practical steps with good explanation.

Stop searching. Start improving with All Access.

Try 14 days free. Cancel any time.