Pentatonic scales are at the core of most guitar players’ improvisational vocabulary for blues, rock, funk, fusion and even country. While there are 5 moveable pentatonic shapes, players tend to use only 1 or 2 of them. There are also many ways to embellish a pentatonic scale, and many other pentatonic scales to choose from, yet most players stick to the typical 5-note minor and major pentatonic only.
David Walliman’s Pentatonics edition of Guitar DNA will expand your pentatonic universe exponentially.”I’ll start by showing you all five moveable shapes of the minor and major pentatonic scale so that you can stay in a single position to play over any chord changes. You’ll also learn how to add color to your pentatonic lines by using chromatic passages.
Adding just two notes to your minor and major pentatonic scales help you create expressive modal lines in your improvisations. In addition to minor and major pentatonic scales, I’ll show you how to create and apply your own custom pentatonic scales derived from the modes themselves.”
Born in France, David Walliman is a multi-talented composer, recording artist and educator. He earned a full scholarship to the CMA School of Modern Music and also won first place in the Tal Farlow French Jazz Contest. A passionate teacher with a massive YouTube following, David is extraordinarily gifted at conveying sophisticated concepts in a very accessible manner. We’re excited to welcome David to the family with his first TrueFire course, Guitar DNA: Pentatonics.
David organized the course into three main sections. In the first section he describes the minor and major pentatonic formula, demonstrates all 5 shapes and positions, shows you how to fill your pentatonic lines with chromatic notes, and more: The Minor Pentatonic Formula, Positions 1 & 5, Positions 3 & 4, Position 2, Getting Comfortable in the Positions, The Major Pentatonic Formula, Sliding Minor Pentatonic Paths, Filling with Chromatic Notes, Chromatic Notes in Position, Narrow Modulation Zones, Selecting Positions for Soloing: 1, and Selecting Positions for Soloing: 2.
In the second section, David presents Pentatonic Scales & Modes: The Major Modes, The Minor Modes, The Secret Modal Order, Traditional Pentatonics & Modes, Ionian Jamming, Lydian Jamming, Mixolydian Jamming, Dorian Jamming, Phrygian, and Aeolian Jamming.
In the third section, David shows you how to build your own custom Pentatonic Scales and how to solo with them: Custom Dorian Pentatonic, Custom Phrygian Pentatonic, Custom Aeolian Pentatonic, Custom Ionian Pentatonic, Custom Lydian Pentatonic, Custom Mixolydian Pentatonic, and Custom Mixolydian Pentatonic.
In the fourth and final section, David demonstrates musical applications using many of the key learnings from the previous three sections: Dorian Floyd Overview and Performance, and Major Sweetness Overview and Performance.
David will explain and demonstrate all of the key concepts and approaches along the way. You’ll get standard notation, tabs, and diagrams for each example, AND all of the rhythm tracks to work with on your own. In addition, you’ll be able to loop or slow down any of the performances so you can work with the materials at your own pace.
So grab your guitar and let's expand our pentatonic prowess with David Walliman!
What you'll learn
Create a custom Ionian pentatonic scale that highlights characteristic modal tones
Apply the focused approach using positions in frets 5-8 area
Apply two-notes-per-string approach to facilitate phrasing
Improvise using custom Ionian pentatonic scale
Improvise over Mixolydian backing tracks using multiple pentatonic scales
Hi, I'm David Wallimann, and welcome to the pentatonic edition of Guitar DNA! In this course, we'll learn how to embellish pentatonic scales in all positions, how to target the right notes to highlight the chords we play over, add interesting passing tones, and so much more.
Make sure you study this course in the provided order and practice all the provided examples. By the end of the course, you'll be able to play so much more than what you thought the pentatonic had to offer.
Let's get started!
2The Minor Pentatonic Formula
A pentatonic scale is a 5 note scale. As you'll discover in this course, there are many pentatonic scales to choose from.
What makes a pentatonic scale unique is its formula. We'll start with the minor pentatonic scale, for which the formula is 1-b3-4-5-b7. In the next segments, you'll learn how to play the minor pentatonic scale in 5 positions.
3Positions 1 & 5
The first and fifth positions start with the 1st and 5th note of the minor pentatonic scale. As you memorize those two positions, notice how both positions surround a root on the 6th string.
Being aware of where the root is in relation to the position you are playing is very important, as you'll discover later in the course.
4Positions 3 & 4
Let's continue learning all the minor pentatonic positions with the 3rd and 4th positions. This time, we'll consider the root on the 5th string.
5Position 2
The second position of the minor pentatonic scale uses the root on the 4th string. You can use the convenient octave shape to find that visual reference point.
6Getting Comfortable in the Positions
Let's now combine all 5 positions of the minor pentatonic scale in this study that is tabbed out for you. Make sure you practice over the provided backing track.
Have fun!
7The Major Pentatonic Formula
Now that you are comfortable with the minor pentatonic scale, let's study the Major pentatonic scale! Before memorizing the 5 positions, take a look at the Major pentatonic scale formula: 1-2-3-5-6. Notice that the 3rd is Major. The 3rd determines the nature of a musical element.
Playing the Major pentatonic positions should come very naturally to you because the Major pentatonic scale and the minor pentatonic scales are related to each other. Practice over the provided backing track and master those positions!
An awesome course that helps building solid foundation
This course will give you a All-round perspective about how to memorize and apply pentatonic shape. The most impressive part is, it integrates pentatonic shape into the system for seven modes(dorian, mixlydian, etc) in an appoachable way. So that anyone can explore it more easily based on the course's content.
C
cst24
Verified buyer
09/16/24
Great
T
tomac
Verified buyer
04/04/22
Great course
A
Andre
10/16/21
Right Balance between theory and practice
Some instructors go straight to playing without laying the foundation appropriately. David strikes the right balance between theory and practice