Chord Studies: Double-Stops Vol. 1

Theory and harmony instructionals filled with chord construction strategies and applications

Marty FriedmanTommy EmmanuelSteve VaiEric GalesEric Johnson

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Chord Studies: Double-Stops Vol. 1

About this course

In this first volume of Chord Studies: Double-Stops, you'll be exposed to 15 double-stop applications that will open your eyes and ears to an endless variety of ideas and harmonic possibilities. Apply these ideas liberally, using just two notes on the guitar in any of your preferred styles.

About the Chord Studies Series

If Forest Gump’s shrimp-loving Bubba played guitar, his take on chords might go something like this, ”You can strum ‘em, fingerpick ‘em, arpeggiate ‘em, mute ‘em, alternate tune ‘em, voice lead ‘em. Dey’s uh, barre chords, altered chords, extended chords, moveable chords, cluster chords, slash chords, inversions, triads, diads. There’s jazz chords, power chords, blues chords, cowboy chords, block chords, open chords…”

Bubba would be right — there’s a wide and wonderful world of chords for we guitarists to explore. But what’s the best way to do that? Chord dictionaries might be handy references but there’s no context (and really, when’s the last time you looked at one of those?).

Theory and harmony instructionals are filled with chord construction strategies and applications and we highly recommend digging as deep into the science of chords as your left brain will allow you.

However, learning new chords, progressions, applications and right-hand techniques in a musical context (songs, etudes, jamming with other players, etc.) is the most popular approach and that is the educational premise behind Brad’s Carlton’s Chord Studies course seres.

Each edition of Chord Studies features 15 play-along and jammable chord studies, which are focused on a particular chord type, chord progression or chord application. While Brad does touch on rhythmic qualities, this is not a rhythm guitar course — these studies are specifically designed to significantly expand your chord know-how and vocabulary.

Brad covers a range of styles, levels , chord types and progressions across 10 editions: CAGED Chords, Jazz Blues Progressions, Open String Chords, Rock and Pop Progressions, Slow Blues Progressions, Evolving Blues, Evolving Triads, Slash Chords, Power Chords and Beginner Chords.

Each of the 15 Studies within an edition includes an overview from Brad followed by a performance and play-along of the chord study over a rhythm track. Chord grid charts and a chord lead sheet accompanies each study. Plus, you’ll get all of the practice rhythm tracks to work with on your own.

Reference the chord charts to become familiar with the voicings and their fingerings, and then use the lead sheet to play-along with Brad’s video performance. Try different rhythmic patterns over the supplied rhythm tracks and then take it all to your own playlist of songs and jam tracks.

What you'll learn

  • Play 6th intervals derived from mixolydian mode
  • Integrate thirds, sixths, and fourths into a complete harmonic vocabulary
  • Understand how to use perfect fourths to complete chord voicings with double stops
  • Learn how to move through all three notes of a chord using intervals
  • Recognize when thirds transition to fourths in chord tone movement
Release date: 12/21/2015 • 1h 13m runtime
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Sample lessons
Double Stops Vol. 1
Double Stops Vol. 1
Overview
Third Place
Third Place
Overview
Third Place
Third Place
Playalong
Less Is More
Less Is More
Overview

What's included

32 lessons • 15 charts • 1 Jam Tracks

Chord Studies: Double Stops Vol. 1
In this first volume of Chord Studies: Double-Stops, you'll be exposed to 15 double-stop applications that will open your eyes and ears to an endless variety of ideas and harmonic possibilities. Apply these ideas liberally, using just two notes on the guitar in any of your preferred styles.
Double Stops Vol. 1
In this first volume of Chord Studies: Double-Stops, you'll be exposed to 15 double-stop applications that will open your eyes and ears to an endless variety of ideas and harmonic possibilities. Apply these ideas liberally, using just two notes on the guitar in any of your preferred styles.
Third Place
This double stop study involves the interval of a third, which simply means we're playing a note from the scale, skipping the next note, and then hitting the note after that. We're in the key of A, and our first double stop is A and C♯. We move both of those notes to the next note in the scale (A moves to B, C# moves to D) giving us a Bm chord over an A bass. Then we have D and F♯ outlining a D/A, and we resolve back to an A chord.
Third Place
This double stop study involves the interval of a third, which simply means we're playing a note from the scale, skipping the next note, and then hitting the note after that. We're in the key of A, and our first double stop is A and C♯. We move both of those notes to the next note in the scale (A moves to B, C# moves to D) giving us a Bm chord over an A bass. Then we have D and F♯ outlining a D/A, and we resolve back to an A chord.
Less Is More
Again here we'll use the interval of a third in the key of A major. This first double stop you can clearly see is derived out of our A barre chord form. All we're doing here is playing adjacent intervals of thirds out of the major scale in double stop form. You could play these as full chords, but sometimes less is more so try this one out.
Less Is More
Again here we'll use the interval of a third in the key of A major. This first double stop you can clearly see is derived out of our A barre chord form. All we're doing here is playing adjacent intervals of thirds out of the major scale in double stop form. You could play these as full chords, but sometimes less is more so try this one out.
Feelin' Blue
This example is also in the key of A, but this time we've changed our tonality. In the first two examples, you heard a very major scale sound but now we are getting a bit of a bluesier sound. This is because we are in A Mixolydian - a fancy way of saying "the key of A Major with a flatted seventh." We start with a double stop of C♯ and E and then move up to the next two notes in the A mixolydian mode, namely D and F♯. We then move up to the next two notes again, this time E and G. It is the G in the voicing which gives you the A7 sound and creates the bluesy flavor here. Notice the difference between the third chords of this progression and the "Less Is More" progression. We only changed one fret but it makes a world of difference! See if you can use them together.

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Reviews

7 results

jpeck

Verified buyer

05/04/25

Double Stops

course work is laid out in a clear progression of incremental steps. The instructor provides slow, clear demonstration of content with lots of opportunities for the student to play a long and/or practice with a backup track.

Retrofocus

Verified buyer

09/05/22

Double Stops Vol 1

Well structured and well presented with working examples.

mccambda

Verified buyer

05/19/21

Chord Studies Double Stops Vol 1

I found this course useful as it teaches you how to apply double stops to your rhythm and solo playing. This extends your possibilities for riffs and interesting variations on a chord. Plenty of examples and exercises. Brad is very precise in his teaching so he will tighten up any slackness in your technique. Probably more useful for intermediate players although everyone will find something useful. The playalongs are very useful.

newGIT

Verified buyer

04/15/21

Great basis

This course provides me with a great basis in Double-Stops. I have to adapt it and to think about it to get it into my playing. But ist very making-small-Steps-ish.

Nolamight57

Verified buyer

06/29/20

It is a start

I was having trouble understanding where and how double stop where built. I now have a better understanding but practice and time will make them useable to me.over and over watched it a couple of times and slow motion helps

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