CAGED Commander

Fretboard mastery for the improvising guitarist

Marty FriedmanTommy EmmanuelSteve VaiEric GalesEric Johnson

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CAGED Commander

About this course

The guitar fretboard is an enigma. Western music is comprised of only 12 notes but there’s so many different ways to play them on guitar. There’s only one way to play middle C on most instruments, but there’s five ways to play that note on guitar. We can play scales horizontally, vertically or a combination of both. No wonder guitarists get locked into just one or two positions on the fretboard leaving the other 80% of the fretboard untouched. If only we had a decoder ring…

Commander Dave Celentano to the rescue with his CAGED Commander Decoder Ring! OK, there’s no actual ring BUT Dave will indeed decode the entire next of the guitar and show you how to play the major scale, in any key, in all positions, up and down the fretboard, with ease and amazing speed. Learn how to do this with the major scale and simply tweak the system to do it with any scale.
"Dave takes the CAGED concept and breaks it into very easily understood, bite-sized pieces and explains it in a way that will help you to make it an integral part of your own playing." - Ron H., TrueFire Student
The system is easy. You will not need an enigma machine to get a quick grip on Dave’s CAGED Commander system. CAGED refers to the C chord, A chord, G chord, E chord and the D chord. You know them in open position and now you will learn them as moveable barre chords. You likely already know the A and the E moveable barre chords so learning the other three will be a snap. Learning these simple five barre chord shapes is the first step.

After learning these moveable shapes, Dave will teach you the corresponding major scale patterns associated with that shape. One you learn the major scale patterns, Dave will show you their associated arpeggios. Five shapes, five major scale patterns, five arpeggio patterns. Easy stuff.

These five arpeggio shapes are the secret ingredients of CAGED Commander. Those arpeggios are the chord tones that you will want to target while soloing and improvising. Learning these five arpeggio patterns translates to you being able to play the chord tones — your soloing target tones — for any major chord, in any key, in five locations up and down the neck. Powerful stuff.

Now buckle up… there’s a whole other side to this course that you will find to be of priceless value to you even if you don't take the time to learn the five sets of patterns and shapes.

You’ve probably heard about using scales and arpeggios to solo and improvise with since the time you first picked up the guitar. And try as you might, every time you tried using scales and arpeggios in your solos and improvisations they just kept sounding like… well, scales and arpeggios. Right?! Happens to all of us.

Throughout CAGED Commander, Dave shows you a variety of melodic devices and creative applications to use with your new-found and very powerful arpeggios. You’l learn how to apply framing, trills and double-stops to make your arpeggio-based solos sound very musical and not like you’re just running scales and arpeggios.

Dave tops the course off by showing you how to connect all of the shapes, forms and patterns linearly - up and down the fretboard, on one and two strings, and diagonally - from the low E string/5th fret up to the high E string/17th fret and back down. You’ll learn how to apply single-string triplets, single-string legato, 6th triplets and then how to connect diagonally-descending and diagonally-ascending.

Dave also shows you how transpose the patterns and forms so you can apply his system in any key, over any set of major chords. All of the key demonstrations, performances and examples are tabbed and notated for your practice, reference and study purposes. You’ll also get Guitar Pro files so that you can loop and/or slow any section down as you work through the lessons. Plus, you’ll get all of the rhythm tracks to work with on your own.

You now have full command of the mothership. No decoder ring or enigma machine required. Click now to reveal the rest of the fretboard…

What you'll learn

  • Execute ascending and descending arpeggio patterns with double stops
  • Navigate smoothly between all five CAGE positions using thirds
  • Apply the note reassignment formula to move notes to higher strings
  • Understand how to construct thirds from any scale degree
  • Understand how to relocate intervals across strings within CAGED forms
Release date: 10/08/2014 • 3h 32m runtime
Start Course
Sample lessons
CAGED Chord Shapes
CAGED Chord Shapes
Demonstration
C Form Applications
C Form Applications
Overview
C Form: Major Scale
C Form: Major Scale
Demonstration
C Form: Arpeggio
C Form: Arpeggio
Demonstration

What's included

59 lessons • 50 charts • 34 Jam Tracks

CAGED Commander
Thanks for checking out my "CAGED Commander" course! The purpose of this tutorial is to help you learn the major scale in all positions, up and down the fretboard, quickly and efficiently. There are loads of melodic exercises and soloing concepts presented here to help you digest and retain the abundant information. To get the most out of this course you should start at the beginning and work through the exercises and short solo for each scale pattern before moving on to the next. The grand finale is a long solo connecting all five of the CAGED scale patterns using many of the soloing concepts presented here. Let's get started!
The Major Scale
A scale is comprised of a predetermined set of whole "W" and half "H" step intervals called a 'scale formula'. In this course the spotlight is on the major scale, which is the heart of basic music theory. The formula for the major scale is W,W,H,W,W,W,H (see the attached neck diagram and tablature charts). On the neck diagrams the scale degrees are represented by numbers indicating their interval distance from the root note "R". Example - the second note in the major scale is a 'major 2nd', the fourth note is a 'perfect 4th', etc. The tablature chart places the numeric names between the music and tablature staffs (because of limited space the numeric names are reduced to just the number - maj 2nd is '2', maj 3rd is '3', etc, on all tab charts. Although playing the scale on a single string helps to visualize it's interval structure (much like a piano), it's not too efficient. The second example on the neck diagram and tab charts shows a practical fingering for the major scale. Notice how compact and easy it is to play.
Major Scale Intervals
The interval distance between any to notes can be measured in half step (one fret on guitar) and whole step (two frets) increments with a numeric name assigned to each. The interval from the first (root) to second note in the major scale is called a 'major 2nd' (whole step/two frets), first to third is a 'major 3rd' (two whole steps/four frets), first to fourth is a 'perfect 4th' (two and a half steps/five frets), first to fifth is a 'perfect 5th' (three and a half steps/seven frets), first to sixth is a 'major 6th' (four and a half steps/nine frets), first to seventh is a 'major 7th' (five and a half steps/eleven frets), and first to eighth (root) is an 'octave/perfect 8th' (six whole stepps/twelve frets). Here's a great ear training exercise - complete the assiciated melodies given for each interval (see attached charts).
CAGED Chord Shapes
The barre chord shapes from the "CAGED" system refer to the five chord shapes (C major, A major, G major, E major, and D major) that reside in the five major scale positions/patterns (one chord shape per scale pattern). The entire course is in C major and at the conclusion is a discussion on how to apply the "CAGED" information to any other key. Your objective is to memorize and master the chord shape and the major scale pattern that surrounds it. Let's start by learning the five chord shapes. The 'A' and 'E' forms are quite possibly the two most common barre chords in a guitar players vocabulary. The 'C' form barre chord is used a bit less, while the 'G' and 'D' forms almost never. The point here is to recognize the chord tones (the money notes to resolve to) in each scale pattern and an easy way is to associate each scale pattern with a unique chord shape.
C Form Applications
The first scale pattern in the "CAGED" system is the 'C form', which depicts the C major scale surrounding the 'C form' barre chord shape. The scale pattern is at the 12th fret position with the lowest root note on the A string/15th fret.
C Form: Major Scale
The neck diagram chart shows the shape of the 'C form' scale pattern and barre chord shape, and the tab chart illustrates an exercise for learning the pattern and chord shape. Listen to each note individually over the backing track and observe it's unique quality ('R', '3', and '5' are chord tones and are sturdy and safe notes. '2' and '6' are not as strong, but sound open and okay (whole step or more from nearest chord tone). '4' and '7' create dissonance against the backing track chord (half step from nearest chord tone) and sound unsturdy and need to be resolved up or down to the nearest chord tone.
C Form: Arpeggio
When the notes of a chord are played individually this is called an 'arpeggio'. In this course we'll look speciffically at the C major 'triad' arpeggio. A triad is a three note chord consisting of the 1st, 3rd, and 5th notes from the major scale. Sometimes a particular chord grip won't allow every available note in the chord to sound - either two chord tones are on the same string or not enough fingers to play all available notes. Playing arpeggio style allows all chord tones in a particular scale pattern to be heard. The charts attached show the 'C form' arpeggio shape and exercise for developement. If the tempo is too fast, try playing quarter notes (one note per beat).

+ 52 more lessons

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Reviews

38 results

fnirta

Verified buyer

12/11/24

Very good for Beginner or Intermediate players

Very useful if you want to learn the basics of the CAGED system for soloing. Certainly much more musical and melodic than pentatonic

mgipper

Verified buyer

12/05/24

CAGED Pro Instructer

Great lessons and teacher. Lots of info and easy to follow. There are ample systematic lessons to learn and practice the CAGED system.

Steve B.

07/16/24

MINOR

I think that this is a good course, as far as it goes _ but what about the minor key side. I have heard reference to this whole other side referred to as the EDCAG system, to treat minor key needs, and as a blues aficionado, this is surely required. Will there be a follow- up course,

JahnnyB

07/12/24

Kia ora from New Zealand!

I love Dave Celentano's course on the caged system and have been alternating between his Caged Commander course and Eric Haugen's Guitar Zen caged course. Both are fantastic educators and are easy to follow. Truefire is far and away the best value for money out there.

MichaelMuldawer

Verified buyer

07/10/23

CAGED Commander

I’ve worked with several other programs designed to teach the fingerboard. And while I’ve learned from each of them, this program does more than the others in integrating how the various segments of the guitar fingerboard join together to allow for soloing anywhere. Most importantly, the program is logical in its progression and easily followed. This is a winner.

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