Uschmed
Verified buyer
04/15/23
Great, invaluable insights and material for a foray into jazz. Recommended.





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David Becker
Educator
Genres
About this course
What you'll learn




49 lessons • 24 charts • 6 Jam Tracks
Hi, I'm David Becker and welcome to Transitions To Jazz.
Jazz is often thought of as extremely difficult and hard to transition to from other styles of music, but jazz (like rock) is actually rooted in the blues. Thus, there's a common thread that will help blues and rock players make an easy transition to jazz; the thread that we'll examine in this course.
I've organized this course into three sections. In the first section, we'll explore the tri-tone, triads and various extensions of the dominant seventh chord. We'll explore ways to comp using two, three, and four note voicings, and I'll also introduce you to the standard 2-5-1 turnaround in the blues.
In the second section, we'll take a look at a concept I call "jazz dialects." We'll work on a variety of jazz applications for the pentatonic information you already possess, also incorporating chromatics and triads as well as rhythmic variations. We'll go over various approaches to comping and soloing over the standard 2-5-1 jazz progression, as well as changing keys with a classic bossa nova form.
Then in the final section of the course, we'll explore three performance studies where I'll demonstrate how to develop a solo based on all the concepts from this course. We'll start out with a jazz blues in G, continuing with a standard 2-5-1 progression which moves through 6 different keys. Lastly, we'll solo over a bossa nova progression in two keys which address the minor 2-5-1 AND major 2-5-1.
For each of the performance examples, I'll explain the various approaches and concepts I used. You'll also get standard notation, tab, and rhythm tracks to work with on your own. Remember, music is sound and a language; you have to hear it to understand it. The more audio references you have, the easier it is to understand what sounds work where. So grab your guitar and let's get swingin'!
The tri-tone, or forbidden interval, is essential to the blues and dominant 7 chords. It will help you unlock some of the mysteries of the blues progression and the standard II-V-I cadence in jazz, helping explain the use of chromatics as well.
Here I'm just using the tri-tone (the forbidden interval) for a three chord blues comp, moving them around chromatically (in half steps).
In this segment, I'm using the tri-tone as a solo motif. Pay close attention to the different inversions and listen to how two notes can actually outline the chord.
Now let's look at some simple solo motifs using the tri-tone interval and one additional note. I've also added in a rhythmic pattern which remains constant throughout the blues form.
In this lesson, I'll show you how to use extended harmony (9th, 11th and 13th) over G7 by using different triad shapes.
In this performance, I'll demonstrate the use of extended harmony notes over the three chord blues progression.
+ 42 more lessons
14 results
Uschmed
Verified buyer
04/15/23
Great, invaluable insights and material for a foray into jazz. Recommended.
bobbe
Verified buyer
03/21/23
Very useful
Jeffrey
11/16/22
Great intro to Jazz
David is a great teacher. There's an old saying, "Small steps lead to great distances." This course offered me the footsteps necessary for a musical journey. Less metaphorically: The course is basic but necessary. It's not suitable for someone who has a grasp on cycle of 5ths, 251s, etc., but, even if you are only tepidly interested in jazz, most everything offered here is broadly applicable to traditional blues as well.
Darren J.
12/04/21
If you think jazz is hard, then buy this course!
Got the blues? Does your guitar need a to be jazzed up? Then buy this course! David Becker is an excellent teacher, and shows you how to take what you already know about the blues, and turn it into jazz. This course helped me to bridge the gap between these two genres. It is a liberating course, that will launch you into fretboard freedom!
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