90% of all rock and pop progressions use the same handful of chord progressions. The keys, tempos, feels and of course melodies may change but the progressions repeat over and over again across thousands of hit songs. These 15 progressions will feed your rock and pop compositions for a lifetime.
About the Chord Studies Series
If Forest Gump’s shrimp-loving Bubba played guitar, his take on chords might go something like this, ”You can strum ‘em, fingerpick ‘em, arpeggiate ‘em, mute ‘em, alternate tune ‘em, voice lead ‘em. Dey’s uh, barre chords, altered chords, extended chords, moveable chords, cluster chords, slash chords, inversions, triads, diads. There’s jazz chords, power chords, blues chords, cowboy chords, block chords, open chords…”
Bubba would be right — there’s a wide and wonderful world of chords for we guitarists to explore. But what’s the best way to do that? Chord dictionaries might be handy references but there’s no context (and really, when’s the last time you looked at one of those?).
Theory and harmony instructionals are filled with chord construction strategies and applications and we highly recommend digging as deep into the science of chords as your left brain will allow you.
However, learning new chords, progressions, applications and right-hand techniques in a musical context (songs, etudes, jamming with other players, etc.) is the most popular approach and that is the educational premise behind Brad’s Carlton’s Chord Studies course seres.
Each edition of Chord Studies features 15 play-along and jammable chord studies, which are focused on a particular chord type, chord progression or chord application. While Brad does touch on rhythmic qualities, this is not a rhythm guitar course — these studies are specifically designed to significantly expand your chord know-how and vocabulary.
Brad covers a range of styles, levels , chord types and progressions across 10 editions: CAGED Chords, Jazz Blues Progressions, Open String Chords, Rock and Pop Progressions, Slow Blues Progressions, Evolving Blues, Evolving Triads, Slash Chords, Power Chords and Beginner Chords.
Each of the 15 Studies within an edition includes an overview from Brad followed by a performance and play-along of the chord study over a rhythm track. Chord grid charts and a chord lead sheet accompanies each study. Plus, you’ll get all of the practice rhythm tracks to work with on your own.
Reference the chord charts to become familiar with the voicings and their fingerings, and then use the lead sheet to play-along with Brad’s video performance. Try different rhythmic patterns over the supplied rhythm tracks and then take it all to your own playlist of songs and jam tracks.
What you'll learn
Navigate upper position chord voicings (10th position)
Execute syncopated rhythm by pushing chords on the 'and' beats
Execute smooth transitions between extended chord voicings
Apply pivot finger technique for smooth chord changes
Use guide bar technique to maintain position reference
Hi this is Brad Carlton. Welcome to this Guitar Lab edition focused on rock and pop progressions. Each individual edition of this Guitar Lab series features 15 studies focused on a particular application of chords. I designed this series to provide you with creative options for crafting interesting and compelling rhythm guitar parts. Across the series we'll explore essential and exotic chord voicings, all purpose substitutions, creative approaches, and performance techniques. This pack a chord progressions will cover the rock and pop styles. You'll get a lot of great new voicings and you'll cover different areas of the fingerboard with unique fingerings that you may not be accustomed to but you will find very valuable in your playing. I'll break down and demonstrate the chord studies over rhythm tracks in a variety of styles using chord progressions commonly encountered in that style. You'll also get chord diagrams that will clearly give you the left hand fingerings and you'll get the jam tracks for you to work with on your own.
2Rock and Pop Progressions Vol. 1
This pack of chord progressions will cover the rock and pop styles. You'll get a lot of great new voicings and you'll cover different areas of the fingerboard with unique fingerings that you may not be accustomed to, but you'll find very valuable in your playing. You're going to learn to use altered dominant chords, chords involving open strings, pedal tones, guide tones, good voice leading, and we'll also talk about how to approach playing like a keyboard player over the groove.
3Less is More
Progressions don't have to be complex to be cool! This two chord vamp proves that very point by barring an open A chord with your first finger and then dropping your second and third fingers down to get your D/A. Takes a standard chord change and makes it more interesting!
4Less is More
Progressions don't have to be complex to be cool! This two chord vamp proves that very point by barring an open A chord with your first finger and then dropping your second and third fingers down to get your D/A. Takes a standard chord change and makes it more interesting!
5Up Rock
This progression has you playing an E chord in the 7th position. Using the "A form" barre chord allows you to then keep your first finger barred on the 7th fret and reach just a bit to cover the 5th string as well - giving you a D/E chord. This one is "pushed" timing wise, meaning it comes in on the and of 4. Use a little "dirt" on your sound for this one and it will rock!
6Up Rock
This progression has you playing an E chord in the 7th position. Using the "A form" barre chord allows you to then keep your first finger barred on the 7th fret and reach just a bit to cover the 5th string as well - giving you a D/E chord. This one is "pushed" timing wise, meaning it comes in on the and of 4. Use a little "dirt" on your sound for this one and it will rock!
7Miles to Go
Some "Popular" chord changes are called that for a simple reason - you see them time and time again! This is one that will be sure to keep coming at you, so make sure you can switch these fluidly. Use your 3rd finger as a "pivot" to go between all three chords - it never leaves the 2nd string 3rd fret!