Roots Recharge

A Genre-Bending, Artistic Soloing Masterclass

Marty FriedmanTommy EmmanuelSteve VaiEric GalesEric Johnson

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Roots Recharge

About this course

“One of the greatest soloists I’ve ever heard! Fluid, technical, inventive, and soulful — Guthrie Trapp is the kind of guitarist that makes other players go home to either burn their axe or practice real hard.” - John Oates

Once every other blue moon, an artist emerges on the scene and pushes the art and craft of guitar to a whole new world. The moon must be blue because Guthrie Trapp is ‘recharging’ roots music with spellbinding chops and his soulful musicality.

“A force ready to be reckoned with, Guthrie’s gone to school on many great players, forging his own alchemy which is very complex. THE GUY to watch in the next few years!” - Jerry Douglas

A member of dobro legend Jerry Douglas’ band for five years, Trapp has also played and recorded with a ‘Who’s Who’ list of marquee artists including Garth Brooks, John Oates, Trisha Yearwood, Vince Gill, Travis Tritt, Dolly Parton, Tim O’Brien, Delbert McClinton, Randy Travis, George Jones, Alison Krauss, Sam Bush, Tony Rice, Earl Scruggs, Lyle Lovett, and many others.

“Guthrie Trapp is the ‘Man For All Season’s on the guitar!” -Delbert McClinton

Fortunately for we students of guitar, Guthrie is as passionate about music education as he is about writing, recording and playing. His top-rated video exchange learning experience, from our sister company ArtistWork, focuses on his exemplary country rhythm and soloing techniques.

We’re now thrilled to welcome Guthrie to the TrueFire side of the family with his Roots Recharge Masterclass and its companion jamming experience, In The Jam with Guthrie Trapp!

Guthrie’s Roots Recharge Masterclass digs deep and wide into the full spectrum of Guthrie’s musicianship, which spans every popular style and genre of roots music. Using 10 tracks from his own catalogue as the framework for this masterclass, Guthrie will demonstrate and breakdown his ‘recharged’ rhythm and soloing techniques for a variety of roots-based genres and feels.

”I love to write and play music across all of the different genres and styles of roots music. Whatever style I’m playing on the stage or in the studio, — Blues, Rock, Country, Americana, Jazz— I’m thinking about energy, color, emotion, and most importantly, how to express myself and connect with the audience.

This is the focus of Roots Recharge — I call it ‘the true spirit of making music.’ I’ll show you the rhythm concepts, soloing techniques and creative approaches that I use all of the time to open up the fretboard to give myself the creative freedom to express myself however I wish.

You’ll play your way through the course. We’ll work with a mixed-genre variety of 10 backing tracks. I’ll perform and breakdown all of the rhythm and lead parts to demonstrate key concepts and techniques in a musical context. Using TrueFire’s learning tools, we’ll practice those parts together, and then jam on them together.

I designed my Roots Recharge edition of In The Jam to stand on its own or serve as a companion to this Masterclass. You can mix, mute or solo any of the instrument tracks. You play rhythm and I’ll solo, or I’ll play rhythm and you solo.

I hope your Roots Recharge learning experience helps you unlock your own creative freedom so that you can express with your music what you feel in your heart.”


You’ll have all of TrueFire’s advanced learning tools at your finger tips to personalize your workspace and learn at your own pace.

You can loop, slow down, or speed up any section of a lesson. Plus, all of the tab and notation is synced to the videos for the optimal learning experience. You’ll also get tab and standard notation files to print out, Guitar Pro files, and all of the backing tracks to practice with.

Grab your guitar, and let’s ‘recharge’ our roots with Guthrie Trapp!

P.S. Jump in the band with Guthrie’s Roots Recharge edition of In The Jam, which also features all of the Masterclass backing tracks. Switch camera angles and mix, mute, or solo any of the audio tracks for complete control of the jamming experience.

What you'll learn

  • Navigate chord progressions using pentatonic scales in different positions
  • Use chord voicing variations (maj7, 6th, 9th) for rhythmic interest
  • Target chord tones (root, third, fifth) to create melodic solos
  • Blend rhythm and lead playing in a single-note melodic approach
  • Understand soloing as musical communication with intentional phrasing
Release date: 05/30/2023 • 4h 33m runtime
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Sample lessons
Brews Blues
Brews Blues
Song Story & Overview
Brews Blues: Rhythm
Brews Blues: Rhythm
Performance
Brews Blues: Rhythm
Brews Blues: Rhythm
Breakdown
Brews Blues: Lead
Brews Blues: Lead
Performance

What's included

52 lessons • 21 charts • 16 Jam Tracks

Roots Recharge
Hey, Guthrie Trapp here!

I personally love to write and play music from all genres and all different styles. When I pick up the guitar to make music, whether it's on the stage or in the studio, I'm thinking about things like energy, color, emotion, and what I wanna say on this instrument. This is the same approach I take to my teaching, I call it the true spirit of making music.

In this course, I'm gonna show you the concepts, techniques, and methods that I use to open up the fingerboard and get you playing music and truly express yourself.

On this instrument, we're taking 10 tracks from my own personal recordings, demonstrating lead and rhythm parts, and breaking it all down for you. We're gonna talk about things like influences, techniques, gear, and much, much more.

Are you ready? Grab your guitar and Let's go!
Brews Blues
Now we're going to pull up a slow blues track from my first record. This track is based on a dominant seven, going from A to the five. The progression features a quick five with just three chords: A, D, and E. Essentially, it's an improvisational slow blues piece that we recorded, I believe, at the end of a tracking session just for fun.

I think it's called "Bruise Blues." The focus here is to start really nice and simple, then build and build. You don't want to paint yourself into a corner. We'll explore a bit of the dynamics, such as beginning with the front pickup and concluding with a more aggressive back pickup and some overdrive. The main emphasis is on dynamics and how to build a solo, gradually ramping it up when given this much time. Let's take a look at this track, and I hope you find it valuable.
Brews Blues: Rhythm
Now we're going to pull up a slow blues track from my first record. This track is based on a dominant seven, going from A to the five. The progression features a quick five with just three chords: A, D, and E. Essentially, it's an improvisational slow blues piece that we recorded, I believe, at the end of a tracking session just for fun.

I think it's called "Bruise Blues." The focus here is to start really nice and simple, then build and build. You don't want to paint yourself into a corner. We'll explore a bit of the dynamics, such as beginning with the front pickup and concluding with a more aggressive back pickup and some overdrive. The main emphasis is on dynamics and how to build a solo, gradually ramping it up when given this much time. Let's take a look at this track, and I hope you find it valuable.
Brews Blues: Rhythm
Essentially, this is my approach to playing the rhythm part or chord comping, as we often call it, behind a singer or soloist in a slow blues context, just like you heard. The way I think about this, and most importantly, in every musical situation I find myself in, I genuinely want to listen to the other instruments as closely as possible.
Brews Blues: Lead
Now let's jump into a performance of the lead!
Brews Blues: Lead
All right, so that's my interpretation of playing over slow blues. As a big fan, I'm familiar enough with the blues vocabulary to maintain some of the traditional elements that work well in a slow blues context. Then, you can branch out into your own territory.

As you saw, I incorporated some country licks and bends. If you want to label them as "country," they are essentially multiple-string bends played on the back pickup of the Telecaster.
Hybrid Picking
Okay, so we're going to delve into my perspective and approach on hybrid picking. This technique involves playing with the pick held between your thumb and first finger while using the other three fingers to pluck the strings. I play various styles and techniques, which makes it quite enjoyable. Let me run through a few quick examples for you.

+ 45 more lessons

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Reviews

18 results

Tracylee001

Verified buyer

05/18/26

Roots recharge

Theres a lot of good instructional playing in this course I am very pleased with. Thank you guthrie trapp !!!

markseiler

Verified buyer

05/15/26

Great content, clearly delivered by an incredible talent!

Q3l$zHF!aMepcf

Verified buyer

05/14/26

Guthrie keeps it real

This course is seriously solid. Guthrie keeps it real—less theory talk, more actual music and feel. You’re learning from real tracks, so it clicks fast and doesn’t feel like boring practice. Helped me break out of autopilot and actually sound musical. Definitely worth it.

playaxeman

Verified buyer

05/14/26

Great lessons that makes you a beter guitarist

I bought this course because i really dig the lessons. They are very good in a way that it shows me all the cool stuff which makes a blues very good. If I put the things he shows in my playing this will that it to a higher level. And that means more satisfaction playing guitar.

arpeggio5

Verified buyer

05/06/26

very down to earth guitar player explains very well.

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