Chord Studies: Evolving Blues Vol. 2

Theory and harmony instructionals filled with chord construction strategies and applications

Marty FriedmanTommy EmmanuelSteve VaiEric GalesEric Johnson

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Chord Studies: Evolving Blues Vol. 2

About this course

This second volume of Evolving Blues studies adds many new chord voicings, substitutions, and progression formats to your blues chord vocabulary and comping bag. The progressions range in keys and tonality, featuring two very cool minor blues progressions.

About the Chord Studies Series

If Forest Gump’s shrimp-loving Bubba played guitar, his take on chords might go something like this, ”You can strum ‘em, fingerpick ‘em, arpeggiate ‘em, mute ‘em, alternate tune ‘em, voice lead ‘em. Dey’s uh, barre chords, altered chords, extended chords, moveable chords, cluster chords, slash chords, inversions, triads, diads. There’s jazz chords, power chords, blues chords, cowboy chords, block chords, open chords…”

Bubba would be right — there’s a wide and wonderful world of chords for we guitarists to explore. But what’s the best way to do that? Chord dictionaries might be handy references but there’s no context (and really, when’s the last time you looked at one of those?).

Theory and harmony instructionals are filled with chord construction strategies and applications and we highly recommend digging as deep into the science of chords as your left brain will allow you.

However, learning new chords, progressions, applications and right-hand techniques in a musical context (songs, etudes, jamming with other players, etc.) is the most popular approach and that is the educational premise behind Brad’s Carlton’s Chord Studies course seres.

Each edition of Chord Studies features 15 play-along and jammable chord studies, which are focused on a particular chord type, chord progression or chord application. While Brad does touch on rhythmic qualities, this is not a rhythm guitar course — these studies are specifically designed to significantly expand your chord know-how and vocabulary.

Brad covers a range of styles, levels , chord types and progressions across 10 editions: CAGED Chords, Jazz Blues Progressions, Open String Chords, Rock and Pop Progressions, Slow Blues Progressions, Evolving Blues, Evolving Triads, Slash Chords, Power Chords and Beginner Chords.

Each of the 15 Studies within an edition includes an overview from Brad followed by a performance and play-along of the chord study over a rhythm track. Chord grid charts and a chord lead sheet accompanies each study. Plus, you’ll get all of the practice rhythm tracks to work with on your own.

Reference the chord charts to become familiar with the voicings and their fingerings, and then use the lead sheet to play-along with Brad’s video performance. Try different rhythmic patterns over the supplied rhythm tracks and then take it all to your own playlist of songs and jam tracks.

What you'll learn

  • Master the technique of partial barring to avoid string interference
  • Apply extended dominant chords in a funky blues context
  • Apply proper hand positioning by rolling the palm to isolate strings
  • Understand proper elbow positioning for different chord shapes
  • Understand and execute smooth voice leading between complex chords
Release date: 07/08/2015 • 1h 09m runtime
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Sample lessons
Evolving Blues: Vol. 2
Evolving Blues: Vol. 2
Overview
G On Top
G On Top
Overview
G On Top
G On Top
Playalong
Straight Ahead Blues
Straight Ahead Blues
Overview

What's included

32 lessons • 15 charts • 15 Jam Tracks

Chord Studies: Evolving Blues: Vol. 2
This second volume of Evolving Blues studies adds many new chord voicings, substitutions, and progression formats to your blues chord vocabulary and comping bag. The progressions range in keys and tonality, featuring two very cool minor blues progressions.
Evolving Blues: Vol. 2
This second volume of Evolving Blues studies adds many new chord voicings, substitutions, and progression formats to your blues chord vocabulary and comping bag. The progressions range in keys and tonality, featuring two very cool minor blues progressions.
G On Top
This group of four chords is in a C blues format. We start off with a C7 chord using the A7 form. Then we go up to the F9 which we fret not with our second, first and third finger, but in this case we use our second, third and fourth fingers. The reason we use this fingering is so that when we slide down to the E♭9 you can rotate your hand diagonally so that you can clear the first string with the fourth finger barre. Notice that throughout the progression we have a constant G note in the top register of the chords.
G On Top
This group of four chords is in a C blues format. We start off with a C7 chord using the A7 form. Then we go up to the F9 which we fret not with our second, first and third finger, but in this case we use our second, third and fourth fingers. The reason we use this fingering is so that when we slide down to the E♭9 you can rotate your hand diagonally so that you can clear the first string with the fourth finger barre. Notice that throughout the progression we have a constant G note in the top register of the chords.
Straight Ahead Blues
This is a slow blues with a triplet or 12/8 feel with a bass line that goes E, G, A and C. We start off a pianistic voicing of E7♯9 that might not be familiar to a lot of guitarists. This progression is pretty straightforward, so just make sure your chords sound cleans and balanced and you'll have a good sound. Also note that like the previous example we have a G note as our top voicing throughout.
Straight Ahead Blues
This is a slow blues with a triplet or 12/8 feel with a bass line that goes E, G, A and C. We start off a pianistic voicing of E7♯9 that might not be familiar to a lot of guitarists. This progression is pretty straightforward, so just make sure your chords sound cleans and balanced and you'll have a good sound. Also note that like the previous example we have a G note as our top voicing throughout.
Chordal Clashing
This is a blues-based 12/8 or triplet feel with a bassline that comes straight out of the Am pentatonic scale: A, G, C, D. Our first chord is the A 6/7, make sure you take notice that the 6 and ♭7 are side by side giving us a minor second interval. Thinking enharmonically the C9sus4 could also be thought of as B♭/C. In our last chord, the D9add4, take note of the clashing tension between the natural third and the fourth.

+ 25 more lessons

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Reviews

5 results

Miba73

Verified buyer

08/22/23

Great!

Ohio5665

Verified buyer

04/15/23

Chord Studies: Evolving Blues Vol. 2

Learned alot from this course and the preceding volume. This volume has alot of challenging chord fingerings! Another great course from Brad Carlton!

wholmer

01/04/21

A whole new way for me to look at chords.

Brads Guitar Lab series is awesome! He takes an element of every aspect of guitar playing and dissects it, laying open so you can easily understand it. The bite size lessons and his teaching method are really very well thought out and very comprehensive. I am always pleased with the outcome. This is the way to learn chords, not from a chart!

tonylaurent

Verified buyer

05/30/19

Jay P 30 cutting edge grooves

Simply outstanding technique and demo of how we all want to play

thegoat

02/18/19

chord studies evolving blues

Great Course as usual Brad Carlton.

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