Chord Studies: Jazz Turnarounds Vol. 1

Theory and harmony instructionals filled with chord construction strategies and applications

Marty FriedmanTommy EmmanuelSteve VaiEric GalesEric Johnson

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Chord Studies: Jazz Turnarounds Vol. 1

About this course

In this first volume of Jazz Turnaround Studies, you'll play your way through 15 powerful studies designed to enhance both your voice leading skills and your sense of melody. Throughout the course, you'll explore versatile options for playing jazz staple I-vi-ii-V and iii-vi-ii-V turnarounds that are applicable in any key. You'll gain technical efficiency, empower your understanding of jazz harmony and learn valuable approaches for playing along with walking bass lines.

About the Chord Studies Series

If Forest Gump’s shrimp-loving Bubba played guitar, his take on chords might go something like this, ”You can strum ‘em, fingerpick ‘em, arpeggiate ‘em, mute ‘em, alternate tune ‘em, voice lead ‘em. Dey’s uh, barre chords, altered chords, extended chords, moveable chords, cluster chords, slash chords, inversions, triads, diads. There’s jazz chords, power chords, blues chords, cowboy chords, block chords, open chords…”

Bubba would be right — there’s a wide and wonderful world of chords for we guitarists to explore. But what’s the best way to do that? Chord dictionaries might be handy references but there’s no context (and really, when’s the last time you looked at one of those?).

Theory and harmony instructionals are filled with chord construction strategies and applications and we highly recommend digging as deep into the science of chords as your left brain will allow you.

However, learning new chords, progressions, applications and right-hand techniques in a musical context (songs, etudes, jamming with other players, etc.) is the most popular approach and that is the educational premise behind Brad’s Carlton’s Chord Studies course seres.

Each edition of Chord Studies features 15 play-along and jammable chord studies, which are focused on a particular chord type, chord progression or chord application. While Brad does touch on rhythmic qualities, this is not a rhythm guitar course — these studies are specifically designed to significantly expand your chord know-how and vocabulary.

Brad covers a range of styles, levels , chord types and progressions across 10 editions: CAGED Chords, Jazz Blues Progressions, Open String Chords, Rock and Pop Progressions, Slow Blues Progressions, Evolving Blues, Evolving Triads, Slash Chords, Power Chords and Beginner Chords.

Each of the 15 Studies within an edition includes an overview from Brad followed by a performance and play-along of the chord study over a rhythm track. Chord grid charts and a chord lead sheet accompanies each study. Plus, you’ll get all of the practice rhythm tracks to work with on your own.

Reference the chord charts to become familiar with the voicings and their fingerings, and then use the lead sheet to play-along with Brad’s video performance. Try different rhythmic patterns over the supplied rhythm tracks and then take it all to your own playlist of songs and jam tracks.

What you'll learn

  • Play complex jazz chord voicings with proper finger technique
  • Apply guide finger technique for smooth chord transitions
  • Create leaner, more manageable jazz voicings using inner strings only
  • Apply rootless voicing concepts to avoid frequency conflicts
  • Make practical arranging decisions based on ensemble context
Release date: 12/14/2015 • 1h 14m runtime
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Sample lessons
Jazz Turnarounds Vol. 1
Jazz Turnarounds Vol. 1
Overview
Melodic Stroll
Melodic Stroll
Overview
Melodic Stroll
Melodic Stroll
Playalong
Lucky 9s
Lucky 9s
Overview

What's included

32 lessons • 15 charts • 3 Jam Tracks

Chord Studies: Jazz Turnarounds Vol. 1
Hi this is Brad Carlton, and welcome to Chord Studies: Jazz Turnarounds Vol. 1. In this first volume of Jazz Turnaround Studies, you'll play your way through 15 powerful studies designed to enhance both your voice leading skills and your sense of melody. Throughout the course, you'll explore versatile options for playing jazz staple I-vi-ii-V and iii-vi-ii-V turnarounds that are applicable in any key. You'll gain technical efficiency, empower your understanding of jazz harmony and learn valuable approaches for playing along with walking bass lines.
Jazz Turnarounds Vol. 1
In this first volume of Jazz Turnaround Studies, you'll play your way through 15 powerful studies designed to enhance both your voice leading skills and your sense of melody. Throughout the course, you'll explore versatile options for playing jazz staple I-vi-ii-V and iii-vi-ii-V turnarounds that are applicable in any key. You'll gain technical efficiency, empower your understanding of jazz harmony and learn valuable approaches for playing along with walking bass lines.
Melodic Stroll
This jazz turnaround is a I - vi - ii - V in the key of F, with the chords being Fmaj7 - Dm7 - Gm7 - C7. After the Fmaj7, your first finger will act as a guide finger as you move to the Dm7. Take note of the melody on the second string (E - F - F - E), as we always want our upper voices in these turnarounds to be melodic.
Melodic Stroll
This jazz turnaround is a I - vi - ii - V in the key of F, with the chords being Fmaj7 - Dm7 - Gm7 - C7. After the Fmaj7, your first finger will act as a guide finger as you move to the Dm7. Take note of the melody on the second string (E - F - F - E), as we always want our upper voices in these turnarounds to be melodic.
Lucky 9s
This turnaround is a I - vi - ii -V in the key of F, but here we'll be using add9 voicings. Since the Dmadd9 chord is a little stretched, drop the shoulder to accommodate and eliminate any intonation issues. Your second finger will be a pivot on the ii - V change that wraps up the progression.
Lucky 9s
This turnaround is a I - vi - ii -V in the key of F, but here we'll be using add9 voicings. Since the Dmadd9 chord is a little stretched, drop the shoulder to accommodate and eliminate any intonation issues. Your second finger will be a pivot on the ii - V change that wraps up the progression.
Cross Finger
This is a I - vi - ii - V in the key of F, and we've got some extended chords here. You'll notice that I utilize a cross-fingering for the Fmaj9 instead of the traditional fingering. The reason for this is that so when I move to the Gmadd9, my second finger is a prepared guide finger. You'll see that in the third pass I demonstrate the traditional fingering, and you'll notice that there is extra motion involved. Quick note: I refer to the last chord as a C7/6 and not as a C13 because I do not have the 9 in there.

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Reviews

3 results

jeff k.

12/01/22

great, simple effect with nice substitutions

Iluvguitar

Verified buyer

07/21/22

Great Course

Awesome. Informative. Easy to understand.

dang4

02/20/19

Excellent course!

Another great course from Brad Carlton. Very practical info, well laid out and demonstrated perfectly. Nice sounding voicings with a few challenging fingerings to stretch your technique.

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