In this second volume of Open Chord Studies, you'll continue to expand your chord vocabulary with these lush, full-sounding harmonic options. These 15 studies further reveal the underlying magic of open chords and will help you build a more legato approach for your rhythm playing.
About The Chord Studies Series
If Forest Gump’s shrimp-loving Bubba played guitar, his take on chords might go something like this, ”You can strum ‘em, fingerpick ‘em, arpeggiate ‘em, mute ‘em, alternate tune ‘em, voice lead ‘em. Dey’s uh, barre chords, altered chords, extended chords, moveable chords, cluster chords, slash chords, inversions, triads, diads. There’s jazz chords, power chords, blues chords, cowboy chords, block chords, open chords…”
Bubba would be right — there’s a wide and wonderful world of chords for we guitarists to explore. But what’s the best way to do that? Chord dictionaries might be handy references but there’s no context (and really, when’s the last time you looked at one of those?).
Theory and harmony instructionals are filled with chord construction strategies and applications and we highly recommend digging as deep into the science of chords as your left brain will allow you.
However, learning new chords, progressions, applications and right-hand techniques in a musical context (songs, etudes, jamming with other players, etc.) is the most popular approach and that is the educational premise behind Brad’s Carlton’s Chord Studies course seres.
Each edition of Chord Studies features 15 play-along and jammable chord studies, which are focused on a particular chord type, chord progression or chord application. While Brad does touch on rhythmic qualities, this is not a rhythm guitar course — these studies are specifically designed to significantly expand your chord know-how and vocabulary.
Brad covers a range of styles, levels , chord types and progressions across 10 editions: CAGED Chords, Jazz Blues Progressions, Open String Chords, Rock and Pop Progressions, Slow Blues Progressions, Evolving Blues, Evolving Triads, Slash Chords, Power Chords and Beginner Chords.
Each of the 15 Studies within an edition includes an overview from Brad followed by a performance and play-along of the chord study over a rhythm track. Chord grid charts and a chord lead sheet accompanies each study. Plus, you’ll get all of the practice rhythm tracks to work with on your own.
Reference the chord charts to become familiar with the voicings and their fingerings, and then use the lead sheet to play-along with Brad’s video performance. Try different rhythmic patterns over the supplied rhythm tracks and then take it all to your own playlist of songs and jam tracks.
What you'll learn
Execute proper fingering technique to avoid muting strings
Apply hybrid picking to Latin-style chord progressions
Use guide fingers effectively for smooth chord transitions
Mute unwanted bass notes using either picking or fretting hand
Maintain harmonic clarity in complex chord progressions
In this second volume of Open Chord Studies, you'll continue to expand your chord vocabulary with these lush, full-sounding harmonic options. These 15 studies further reveal the underlying magic of open chords and will help you build a more legato approach for your rhythm playing.
2Open String Chords Vol. 2
In this second volume of Open Chord Studies, you'll continue to expand your chord vocabulary with these lush, full-sounding harmonic options. These 15 studies further reveal the underlying magic of open chords and will help you build a more legato approach for your rhythm playing.
3Do Not Disturb
This progression is based around a descending chromatic bassline. The descending line is going from D down to B. When playing these open chord progressions it is critical to keep your fingers upright so that you do not disturb the open strings. Letting those open strings ring will help you maintain a legato sound throughout.
4Do Not Disturb
This progression is based around a descending chromatic bassline. The descending line is going from D down to B. When playing these open chord progressions it is critical to keep your fingers upright so that you do not disturb the open strings. Letting those open strings ring will help you maintain a legato sound throughout.
5Melodic Movement
This progression is a I-IV progression in the key of G. It is using the G and C chord, but we have got a moving line in the third voice. Notice in the G5 chord we are muting both E strings, and we begin our melody with the open D. That voicing then moves up to an E with our Cadd9. Now our bass note goes back to G and we have the natural 7th with F♯ on the D string carrying that melodic movement. For the last chord we return back to the Cadd9.
6Melodic Movement
This progression is a I-IV progression in the key of G. It is using the G and C chord, but we have got a moving line in the third voice. Notice in the G5 chord we are muting both E strings, and we begin our melody with the open D. That voicing then moves up to an E with our Cadd9. Now our bass note goes back to G and we have the natural 7th with F♯ on the D string carrying that melodic movement. For the last chord we return back to the Cadd9.
7Top Voice
This progression is in the key of G. on our first chord, G5, make sure you don't let the first string sound because we want the D note on our second string to be our top voice here. Your fourth finger is going to act as a pivot when you move to the Dsus2. On the C chord we mute the fourth string because we will need our second and fourth fingers for the next chord. For the last chord come down with those second and fourth fingers and you'll notice we are grabbing the root and third of a D chord, so we have a D/C5.
Excellent examples and great for inspiring new and creative musical ideas.
W
whiticker
Verified buyer
08/16/22
excited about the courses
Ive only just bought these and downloaded and messed with them , but at the price of a coffee or two, how could you go wrong? Truefire presents the courses exceptionally well. At this stage highly recommended.
M
mccambda
Verified buyer
05/14/21
Chord studies Vol 2.
This is a very interesting lesson and a great way of extending chord knowledge and how to apply the open chords.
Plenty of examples with charts and practice playalongs.
Maybe this course would suit intermediate players so try Brads vol 1 course as well.