50 Soul Guitar Licks You Must Know

An inspired collection of soul guitar licks inspired by the genre's greats.

Marty FriedmanTommy EmmanuelSteve VaiEric GalesEric Johnson

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50 Soul Guitar Licks You Must Know

About this course

All we need is a drummer
For people who only need a beat yeah
I'm gonna add a little guitar
And make it easy to move your feet


It can happen anytime, anyplace. The car next to you at the stop light has their radio blaring, the soundtrack of the movie your watching, some dude’s beat box on the beach — if you’re within earshot of some good old soul music, your feet will start tapping involuntarily and your brain will start receiving urgent neuro messaging commanding you to DANCE!

I'm gonna add some bottom
So that the dancers just won't hide
You might like to hear my organ
I said, "Ride Sally ride"


Soul music may have burst on the scene in the 60’s but it’s powered virtually every style of music to follow and lives on to this day. If you can dance to it, its likely spiced with a little soul respectfully borrowed from the kings of 60’s soul; and their guitar players like Steve Cropper (Booker T and the MGs), Mabon Lewis ‘Teenie’ Hodges (Hi Records rhythm section), Jimmy Johnson (Muscle Shoals rhythm section), Willie Hale (Little Beaver), Leo Nocentelli (Meters) and Freddie Stone (Sly and The Family Stone).

Listen to me
Cynthia and Jerry got a message they're sayin'
"All the squares, go home!"


Listen carefully to more contemporary players like Rick Robinson, Robert Cray, John Fogerty, Rory Gallagher, Prince, John Scofield and even John Mayer — no question whose licks and guitar stylings they studied coming up to put the soul in their own music. And that’s exactly what Jay Williams has planned for you — his cherry-picked collection of 50 Soul Guitar Licks You MUST Know will deliver a truckload of the spice directly to the front door of your practice room.

Jay demonstrates each lick over a soulful rhythm track for optimal musical context, and then he’ll break it down for you with special emphasis on the techniques required to perform it. All 50 licks are tabbed and notated, plus you’ll get Guitar Pro files as well (Windows & Mac compatible). All of the rhythm tracks are also included for you to work with on your own.

Dance to the music...

What you'll learn

  • Play syncopated rhythm guitar patterns in the style of James Brown
  • Execute palm muting technique for dark, crunchy tone
  • Play syncopated rhythm patterns locked with bass line
  • Execute precise down and upstroke patterns for funk rhythm
  • Incorporate quarter rests into rhythm patterns
Release date: 09/11/2014 • 2h 15m runtime
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Sample lessons
Soul Food
Soul Food
Lick 17
I Can Change My Mind
I Can Change My Mind
Lick 23
Cissy's Step
Cissy's Step
Lick 29
Soul Power Machine
Soul Power Machine
Lick 31

What's included

52 lessons • 50 charts • 50 Jam Tracks

50 Soul Licks
Hi I’m Jay Williams. Welcome to 50 Soul Licks you MUST know. In the early sixties a new sound was created by a young generation of musicians. Happy dance music with major chords, an open sound and with deceptively simple guitar parts. Mostly young African Americans in southern cities like Memphis, Tennessee and Muscle Shoals, Alabama, started to mix the popular R&B style with Afro-American Gospel.This culminated in what became known as Southern Soul. House bands like Booker T. & the MG’s of Stax Records and the Hi Rhythm Section of Hi Records, were exponents of the soul sound featuring melancholic horns, organ and hard edged guitars. In the later sixties and early seventies, funk music, with it’s interlocking rhythms based on soul, became more and more popular. These styles were developed by James Brown, Sly & the Family Stone and The Meters, among others. In this 50 Soul Licks course we will take a closer look at the guitar-playing styles of Steve ‘The Colonel’ Cropper of Booker T. and the MG’s Mabon ‘Teenie’ Hodges of the Hi Rhythm Section. , Jimmy Johnson of the Muscle Shoals Rhythm Section and Willie ‘Little Beaver’ Hale. We will also dig into the styles of pre funk guitarists Leo Nocentelli and Freddie Stone. A special kind of soul guitar featured the tremolo sound. These broad melancholic and romantic guitar parts, enflavoured with rich harmonies were very popular at late night dance parties and in the bedroom. This period of Soul also had a strong impact on contemporary music styles and on a lot of great guitarists such as the Black Crowes' Rick Robinson, Robert Cray, John Fogerty, Rory Gallagher, Prince, John Scofield and John Mayer to name but a few. Just listen to their cover versions of soul classics. We will provide tabs, backing tracks and extra information with all these 50 licks. I wish you lots of fun in studying the material and hope it will inspire you in your own style of playing.
Walkin' The Soul Dog
This lick is an example of a blues riff in an early 60ties R&B style. It’s similar to the riffs used in a few songs of the late Rufus Thomas. Listen to songs like ‘Walking the Dog’ or ‘Somebody stole my Dog’. The first one was covered by bands like the Rolling Stones, The Who and Aerosmith.Even Stevie Ray Vaughan played it early in his career.Let’s check out Lick number 1
Strong Enough
This lick is an example of how to use double stops to glue the chords of a song together in a harmonic way. We're using a lot of sliding in lick number 2. This one uses a I - V- IV - I chord progression. Although it sounds a little dramatic, which suggest it’s in a minor key, it’s all in major.
No Time To Lose
This lick is another example of how to use double stops. This time it’s a harmonized melody line for a chorus part and also the hook of the song. Steve Cropper used a lot of these double stop ideas.
Go-Getter
Lick number 4 is another example of a blues riff in an early 60ties R&B style. It uses the Dorian scale and it’s a syncopated 8th feel that gives it a jumpy feeling. Listen to Sam & Dave’s version of it. Mabon Lewis Hodges better known as ‘Teenie’ Hodges, guitarist of the HI Rhythm Section, was co-writer of the song. And Rory Gallagher also covered it.
Soul Dressing
This Steve Cropper chordal lick is a descending passage from Booker T. and the MG’s tune ‘Soul Dressing’. The lick outlines a chord progression from Gm to Gm/maj7 to Gm7 to C9. The lick itself is in G Dorian.This chord progression is often used and I call it the Michelle bridge. The Beatles used it in that song in 1965, the same year as ‘Soul Dressing’ was released.Also listen to the bridge in ‘Oye Como Va’ of Carlos Santana or the verse of Gary Moore’s ‘Story of the Blues’. Let’s check out lick number 5.
Knock, Knock Who’s There?
One of the most famous Stax hits is of course Knock on Wood. In the verse it uses a very recognizable and typical ‘on the beat’ riff over the tonic and sub-dominant chord. The chords are combined through double stop fills at the end of each section. Let’s check out lick number 6.

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Reviews

22 results

NDL

Verified buyer

11/24/25

very good course, tasteful licks

This course is very good and I doubt that there are not more courses with Jay Williams. He is very good at teaching the playing styles he demonstrates, and I rarely have any unanswered questions. The best thing is that the licks are really very tasteful (which I find is often not the case with guitar courses) and that makes them much more fun to play.

uribaranes

Verified buyer

11/22/25

50 Soul Guitar Licks

ב"ה Great course and wonderful teacher! Get your soul chops under your fingers with this course!

VanCampos

Verified buyer

10/05/25

GOAT

the best

Gordmac

Verified buyer

12/15/24

Great, very useful, interesting and well explained.

nbiron123

Verified buyer

09/02/24

Cool

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