Deep Pockets

One of the most critical skills of any musician is to keep good, solid time - especially bass players. But it doesn’t just end with a metronome. In this in-depth course, we take you through the many faces and facets of groove.

Marty FriedmanTommy EmmanuelSteve VaiEric GalesEric Johnson

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Deep Pockets

About this course

One of the most critical skills of any musician is to keep good, solid time - especially bass players. But it doesn’t just end with a metronome. In this in-depth course, we take you through the many faces and facets of groove.

What you'll learn

  • Navigate chord changes using walking bass techniques
  • Execute a classic bluegrass bass line with proper feel and groove
  • Execute smooth tempo transitions within a song
  • Understand the difference between tempo and feel
  • Develop the ability to play fast tempos with a relaxed feel
Release date: 06/17/2016 • 2h 27m runtime
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Sample lessons
Right On The One
Right On The One
Playing All Four Patterns with the Track
Right On Top
Right On Top
Playing Along with the Track
Groove Study: ROCK
Groove Study: ROCK
Playing Along With The Track
Groove Study: BLUEGRASS
Groove Study: BLUEGRASS
Playing Along With The Track

What's included

49 lessons • 9 charts • 9 Jam Tracks

Slow and Steady
Alex kicks off the series with a methodical approach to getting in the groove. We will practice simple patterns with a metronome, beginning at uncomfortably slow tempos and increasing gradually. We connect this critical exercise to the idea of natural time and playing perfectly on the beat, and lay the groundwork for the idea of ‘feel’.
Slow and Steady
Alex kicks off the series with a methodical approach to getting in the groove. We will practice simple patterns with a metronome, beginning at uncomfortably slow tempos and increasing gradually. We connect this critical exercise to the idea of natural time and playing perfectly on the beat, and lay the groundwork for the idea of ‘feel’.
Slow and Steady
Alex kicks off the series with a methodical approach to getting in the groove. We will practice simple patterns with a metronome, beginning at uncomfortably slow tempos and increasing gradually. We connect this critical exercise to the idea of natural time and playing perfectly on the beat, and lay the groundwork for the idea of ‘feel’.
Slow and Steady
Alex kicks off the series with a methodical approach to getting in the groove. We will practice simple patterns with a metronome, beginning at uncomfortably slow tempos and increasing gradually. We connect this critical exercise to the idea of natural time and playing perfectly on the beat, and lay the groundwork for the idea of ‘feel’.
Slow and Steady
Alex kicks off the series with a methodical approach to getting in the groove. We will practice simple patterns with a metronome, beginning at uncomfortably slow tempos and increasing gradually. We connect this critical exercise to the idea of natural time and playing perfectly on the beat, and lay the groundwork for the idea of ‘feel’.
Slow and Steady
Alex kicks off the series with a methodical approach to getting in the groove. We will practice simple patterns with a metronome, beginning at uncomfortably slow tempos and increasing gradually. We connect this critical exercise to the idea of natural time and playing perfectly on the beat, and lay the groundwork for the idea of ‘feel’.
Slow and Steady
Alex kicks off the series with a methodical approach to getting in the groove. We will practice simple patterns with a metronome, beginning at uncomfortably slow tempos and increasing gradually. We connect this critical exercise to the idea of natural time and playing perfectly on the beat, and lay the groundwork for the idea of ‘feel’.

+ 42 more lessons

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