- E♭maj7
- A♭maj7
Everything about the Eb Major 7 chord: How to play it, what it's built from, the chords it pairs with, and examples of pros using it in real performances.
Eb Major 7 is a four-note chord built from an Eb major triad (Eb, G, B♭) plus the major seventh (D), creating a bright, sophisticated sound that feels open and jazzy without the tension of a dominant seventh. The chord has a warm, uplifting character—elegant and slightly dreamy—that works beautifully in jazz, R&B, soul, and contemporary pop. You'll find it anchoring smooth chord progressions and adding harmonic color to ballads and funk grooves. The standard voicing sits at the 11th fret as a barre chord and demands solid finger strength and hand stretch, making it a challenging shape for intermediate players but rewarding once locked in.
Ebmaj7 spells out as Eb (1), G (M3), Bb (P5), and D (M7). The major seventh interval—that bright, open D sitting above the root—is what gives this chord its sophisticated, almost floating quality that sets it apart from a standard major triad.
Ebmaj7 typically appears as the I chord in Eb major keys, anchoring jazz standards, R&B, and contemporary ballads. It also works beautifully as a color chord in funk and soul progressions, lending sophistication without demanding movement.
Ebmaj7 uses a major seventh (D natural), while Eb7 flattens that seventh to Db, creating a dominant sound that pulls toward resolution. The maj7 feels resolved and luminous; the dom7 feels restless and bluesy.
Ebmaj7 radiates calm confidence and elegance—think late-night sophistication rather than urgency. Reach for it when you want a major sound that feels complete and refined, or when you need a warm, open voicing that doesn't push the harmony forward.
Four ways to play it using the same four notes. Pick a voicing below to hear it on the fretboard.
Hear how the chord works in context of songs.
Handpicked lessons from TrueFire courses that lean on this chord.
We're hand-picking TrueFire lessons that feature Ebmaj7. Check back soon — or explore the full library now.
Try 7 days free. Cancel any time.
An Ebmaj7 chord contains four notes: Eb (the root), G (a major third above), Bb (a perfect fifth above), and D (a major seventh above). On the guitar, this voicing uses D#, G, A#, and D across the strings. The major seventh interval—that half-step below the octave—is what gives this chord its bright, open, sophisticated sound compared to a basic Eb major triad.
Ebmaj7 is difficult because it requires a barre chord shape at the 11th fret. You need to press your index finger across all six strings at fret 11, then add three more fingers to frets 12 and 13. This demands significant finger strength, precise pressure to avoid muting strings, and good hand positioning. If you're new to barre chords, start with easier shapes at lower frets and build your strength before tackling this one.
The voicing shown here is a barre chord, and it's the primary standard form. If you're struggling with the barre, you can practice it in stages: first get the barre clean, then add one finger at a time. Alternatively, you might explore partial voicings or inversions on fewer strings, though these won't give you the full, ringing sound of the complete chord. Building barre strength is worth the effort—it opens up hundreds of chords across the fretboard.
In the key of Eb major, Ebmaj7 is the I chord—the tonic. It's built on the root note Eb with intervals of 1, M3, P5, and M7. The major seventh interval creates a smooth, unresolved quality that works well as an opening or resting point, especially in jazz and contemporary music. You'll often hear it in chord progressions where it moves to other seventh chords or back to simpler triads.
In the key of Eb major, Ebmaj7 pairs naturally with Fm7 (ii), Gm7 (iii), Abmaj7 (IV), Bb7 (V), Cm7 (vi), and Dm7b5 (vii). A common smooth progression is Ebmaj7 to Abmaj7, which moves up a fourth. You can also use Ebmaj7 to Bb7 for a more traditional jazz sound. Experimenting with these combinations will help you hear how the major seventh chord fits into different musical contexts.