In this second volume of Jazz Turnaround Studies, you'll continue your exploration of the I-vi-ii-V turnaround by utilizing powerful substitution principles for harmonic variety. You'll apply a variety of iii chords in place of a I chord and work out flat-five substitutions for both the vi and the V chord. These approaches will expand your harmonic vocabulary not only for jazz, but in any other style you play.
About the Chord Studies Series
If Forest Gump’s shrimp-loving Bubba played guitar, his take on chords might go something like this, ”You can strum ‘em, fingerpick ‘em, arpeggiate ‘em, mute ‘em, alternate tune ‘em, voice lead ‘em. Dey’s uh, barre chords, altered chords, extended chords, moveable chords, cluster chords, slash chords, inversions, triads, diads. There’s jazz chords, power chords, blues chords, cowboy chords, block chords, open chords…”
Bubba would be right — there’s a wide and wonderful world of chords for we guitarists to explore. But what’s the best way to do that? Chord dictionaries might be handy references but there’s no context (and really, when’s the last time you looked at one of those?).
Theory and harmony instructionals are filled with chord construction strategies and applications and we highly recommend digging as deep into the science of chords as your left brain will allow you.
However, learning new chords, progressions, applications and right-hand techniques in a musical context (songs, etudes, jamming with other players, etc.) is the most popular approach and that is the educational premise behind Brad’s Carlton’s Chord Studies course seres.
Each edition of Chord Studies features 15 play-along and jammable chord studies, which are focused on a particular chord type, chord progression or chord application. While Brad does touch on rhythmic qualities, this is not a rhythm guitar course — these studies are specifically designed to significantly expand your chord know-how and vocabulary.
Brad covers a range of styles, levels , chord types and progressions across 10 editions: CAGED Chords, Jazz Blues Progressions, Open String Chords, Rock and Pop Progressions, Slow Blues Progressions, Evolving Blues, Evolving Triads, Slash Chords, Power Chords and Beginner Chords.
Each of the 15 Studies within an edition includes an overview from Brad followed by a performance and play-along of the chord study over a rhythm track. Chord grid charts and a chord lead sheet accompanies each study. Plus, you’ll get all of the practice rhythm tracks to work with on your own.
Reference the chord charts to become familiar with the voicings and their fingerings, and then use the lead sheet to play-along with Brad’s video performance. Try different rhythmic patterns over the supplied rhythm tracks and then take it all to your own playlist of songs and jam tracks.
What you'll learn
Execute chromatic voice movement in the top voice of chord progressions
Use voice leading to create smooth chord transitions
Play a 1-6-2-5 progression with tritone substitutions
Apply rootless voicings to jazz progressions
Explore multiple fingering options for the same chord voicing
Hi this is Brad Carlton, and welcome to Chord Studies: Jazz Turnarounds Vol. 2. In this second volume of Jazz Turnaround Studies, you'll continue your exploration of the I-vi-ii-V turnaround by utilizing powerful substitution principles for harmonic variety. You'll apply a variety of iii chords in place of a I chord and work out flat-five substitutions for both the vi and the V chord. These approaches will expand your harmonic vocabulary not only for jazz, but in any other style you play.
2Jazz Turnarounds Vol. 2
In this second volume of Jazz Turnaround Studies, you'll continue your exploration of the I-vi-ii-V turnaround by utilizing powerful substitution principles for harmonic variety. You'll apply a variety of iii chords in place of a I chord and work out flat-five substitutions for both the vi and the V chord. These approaches will expand your harmonic vocabulary not only for Jazz, but in any other style you play.
3Substitute Teacher
This progression is a I-vi-ii-V in the key of F, looking at how to apply the flat-five substitution principle to the vi and v chords. Our first chord is an Fmaj9, double stopping the third and fourth strings with your ring finger (or using a barre if you aren't comfortable doing that). Then we'll move up to an Ab13, coming from a D7(#5#9). For the ii chord we'll play a G13, then going down a half-step to the G#13 to finish up. This progression is easy to play, but also very effective!
4Substitute Teacher
This progression is a I-vi-ii-V in the key of F, looking at how to apply the flat-five substitution principle to the vi and v chords. Our first chord is an Fmaj9, double stopping the third and fourth strings with your ring finger (or using a barre if you aren't comfortable doing that). Then we'll move up to an Ab13, coming from a D7(#9). For the ii chord we'll play a G13, then going down a half-step to the G#13 to finish up. This progression is easy to play, but also very effective!
5Comping For Days
You'll see in this video that I'm playing what I did in the previous lesson, this time with the I-vi-ii-V bassline. You can mix and match this and the previous lesson if you are comping for someone or playing by yourself.
6Comping For Days
You'll see in this video that I'm playing what I did in the previous lesson, this time with the I-vi-ii-V bassline. You can mix and match this and the previous lesson if you are comping for someone or playing by yourself.
7Moving Top Voices
Here I'll show you how to put a melody on the first string that moves with each chord. We'll start off with our Fmaj9 without the bassnote, which frees up our fourth finger to put in the 13. Our fourth and first fingers will act as a guide as we move into the next chord, the D7(#5#9), then lift up your little finger to get to the D7(#5b9), then down a half step to go to the G13. Again, you can mix and match these with our previous progressions.
Made sense to get the second instalment of this series and it did not disappoint.I can recommend this course.
5
5peter5000
Verified buyer
09/24/20
Chord Studies: Jazz Turnarounds Vol. 2
Brad presents several chord studies including chord substitutions for more variety. These are followed by a performance and then a play-along of the chord study over a rhythm track. A good way to combine theory with practice and remember the stuff you learn.
A
Anto
07/14/20
easy to understand
perfect series to going deeper into the world of jazz....regards from spain