In this third volume of Chord Studies: CAGED Chords, you'll work through a series of 4-measure progressions to further develop interesting voicing options using the CAGED and EDCAG systems of chord forms. As you progress, you'll utilize changes that embody sound fingering principles like barres, rolls, dampening, and creating melodies for more effective rhythm guitar parts.
About the Chord Studies Series
If Forest Gump’s shrimp-loving Bubba played guitar, his take on chords might go something like this, ”You can strum ‘em, fingerpick ‘em, arpeggiate ‘em, mute ‘em, alternate tune ‘em, voice lead ‘em. Dey’s uh, barre chords, altered chords, extended chords, moveable chords, cluster chords, slash chords, inversions, triads, diads. There’s jazz chords, power chords, blues chords, cowboy chords, block chords, open chords…”
Bubba would be right — there’s a wide and wonderful world of chords for we guitarists to explore. But what’s the best way to do that? Chord dictionaries might be handy references but there’s no context (and really, when’s the last time you looked at one of those?).
Theory and harmony instructionals are filled with chord construction strategies and applications and we highly recommend digging as deep into the science of chords as your left brain will allow you.
However, learning new chords, progressions, applications and right-hand techniques in a musical context (songs, etudes, jamming with other players, etc.) is the most popular approach and that is the educational premise behind Brad’s Carlton’s Chord Studies course seres.
Each edition of Chord Studies features 15 play-along and jammable chord studies, which are focused on a particular chord type, chord progression or chord application. While Brad does touch on rhythmic qualities, this is not a rhythm guitar course — these studies are specifically designed to significantly expand your chord know-how and vocabulary.
Brad covers a range of styles, levels , chord types and progressions across 10 editions: CAGED Chords, Jazz Blues Progressions, Open String Chords, Rock and Pop Progressions, Slow Blues Progressions, Evolving Blues, Evolving Triads, Slash Chords, Power Chords and Beginner Chords.
Each of the 15 Studies within an edition includes an overview from Brad followed by a performance and play-along of the chord study over a rhythm track. Chord grid charts and a chord lead sheet accompanies each study. Plus, you’ll get all of the practice rhythm tracks to work with on your own.
Reference the chord charts to become familiar with the voicings and their fingerings, and then use the lead sheet to play-along with Brad’s video performance. Try different rhythmic patterns over the supplied rhythm tracks and then take it all to your own playlist of songs and jam tracks.
What you'll learn
Apply hybrid picking to chord melody passages
Create melodic movement within chord progressions
Use chord inversions to craft sophisticated rhythm parts
Apply crossed fingering technique for smooth voice leading
Control dynamics to emphasize melody notes in chord voicings
In this third volume of Chord Studies: CAGED Chords, you'll work through a series of 4-measure progressions to further develop interesting voicing options using the CAGED and EDCAG systems of chord forms. As you progress, you'll utilize changes that embody sound fingering principles like barres, rolls, dampening, and creating melodies for more effective rhythm guitar parts.
2CAGED Chords Vol. 3
In this third volume of Chord Studies: CAGED Chords, you'll work through a series of 4-measure progressions to further develop interesting voicing options using the CAGED and EDCAG systems of chord forms. As you progress, you'll utilize changes that embody sound fingering principles like barres, rolls, dampening, and creating melodies for more effective rhythm guitar parts.
3Four Voice Frenzy
This is a I - V - vi - IV progression in the key of D. The first chord is a D chord using a C form out of the CAGED system. Our next chord is A/C♯, which is the V chord with the 3rd in the bass, utilizing the G form. Next we move to a Bm using the Am form, and then a G chord coming out of the E form. We are using four voicings throughout on strings two through five.
4Four Voice Frenzy
This is a I - V - vi - IV progression in the key of D. The first chord is a D chord using a C form out of the CAGED system. Our next chord is A/C♯, which is the V chord with the 3rd in the bass, utilizing the G form. Next we move to a Bm using the Am form, and then a G chord coming out of the E form. We are using four voicings throughout on strings two through five.
5Maximum Efficiency
We're sticking with the same progression as the first example, but switching up our CAGED voicings. The first chord is the D chord with the A form. Try hyper extending with your pinky and then using your first finger as a guide finger when going to the A/C♯. Our Bm chord is coming out of the Gm form, followed by G chord with the D form. Keep your fingers on the strings as you make your changes to increase your efficiency.
6Maximum Efficiency
We're sticking with the same progression as the first example, but switching up our CAGED voicings. The first chord is the D chord with the A form. Try hyper extending with your pinky and then using your first finger as a guide finger when going to the A/C♯. Our Bm chord is coming out of the Gm form, followed by G chord with the D form. Keep your fingers on the strings as you make your changes to increase your efficiency.
7Thumbs Down
The first chord of this progression is the is a D chord coming from the G form. Take note that your pinky should be muting the fifth string. Our A/C♯ is coming out of the D form, we're just putting the 3rd of the chord in the bass. For the Bm chord, try using your thumb to grab the B note on the first string. We wrap things up with a G chord coming out of the C form of the CAGED system.
One piece of a total library from brads volumes! Highly recommend
R
rafahc
Verified buyer
05/24/23
Muy Completo
Perfecto para completar los dos volúmenes anteriores :1 y 2
W
wholmer
12/27/20
Best class I have taken for the Caged System
I give this class 5 stars because I have had trouble in the past trying to learn chords and strumming progressions all over the neck. The structure is well planned and progress is from easy to not so easy but you are ready for it if you follow along and practice!