10 Rock & Pop Progressions You MUST Know

An Ear-Opening Exploration of Chord Progressions & Chord Theory for Composition & Performance

Marty FriedmanTommy EmmanuelSteve VaiEric GalesEric Johnson

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10 Rock & Pop Progressions You MUST Know

About this course

Ravi’s 10 Rock & Pop Progressions reveals the underlying theory and harmonic application of what is commonly referred to as the Nashville numbering system. So much more than just a way to communicate a series of changes, the system also guides your understanding of the harmonic relationship of the chords to the progression being played.

As a reference guide, 10 Rock & Pop Progressions presents 10 of the most popular progressions used in rock and pop music. You hear them all the time in hit songs. Working with this course will allow you to identify and play them yourself.

"I'll dissect the common variations and chord substitutions ultimately yielding 10 very popular chord progressions. As a player or accompanist, your ear will more easily learn to identify chord progressions through reason and deduction (and muscle memory) rather than memorizing arbitrary sequences of chords. Moreover, this will also help you understand songwriters' tendencies so that you can better anticipate chord movements.”

You’ll learn: the I - V chord progression, the I - V - I - IV chord progression, the I - III - VI - IV chord progression, the I - V - IV chord progression, the I - V - IV - V Bass chord progression, the I - V - II chord progression, the VI -V - IV chord progression, the I - V -VI -IV chord progression, the V - IV chord progression, and the V - IV - I chord progression.

Powered by TrueFire, you’ll get standard notation and tabs for all of the performance studies. Plus, you’ll be able to use TrueFire’s learning tools to sync the tab and notation to the video lesson. You can also loop or slow down the videos so that you can work with the lessons at your own pace.

Whatever your level of play or preferred style, if your understanding of chord progressions is a little rough around the edges, 10 Rock & Pop Progressions will open your eyes and ears in a hurry!

What you'll learn

  • Play the progression in multiple keys using open chords
  • Apply bass note strumming patterns to chord progressions
  • Transpose I-V progressions across different keys
  • Understand the I-V chord progression in multiple keys
  • Recognize this progression in popular songs
Release date: 10/11/2011 • 1h 04m runtime
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Sample lessons
The I - V
The I - V
Progression #1

What's included

12 lessons • 10 charts

10 Rock and Pop Progressions You MUST Know
When it comes to chord progressions, many musicians familiarize themselves with a number system independent of any key, commonly referred to as "The Nashville Number System." For example, on stage someone might yell out, "it's a one-six-four-two-five in E" which gives the seasoned player enough information to follow along. Moreover, he can quickly transpose that to any key, such as playing a "one-six-four-two-five in G." Each video is titled using this standard numbering system so that you can best analyze chords within a key, transpose them, and effectively communicate with fellow musicians. However, I have organized the overall course from a songwriting point of view. I see all western songs built around the primary chords of the key: the I, the IV, and the V (chords are always noted in Roman Numerals, uppercase for major and lower case for minor). This harmonic relationship is what our western ears crave. However, songwriters often then employ the relative minor chords of those three major chords to add more interest and tonal coloring.<br><br>What does all this mean? Spend some time on the next segment, "Theory Primer," to really grasp this concept. If you find it daunting, skip it for now and get right into playing the chord progressions. However, be sure to download the guides linked to the Theory Primer as well as the chord charts with selected videos (I'm not providing charts for every progression as you shouldn't need the "crutch" after the first half of the course). These will help guide you without digging into the theory. Once you have played through several of the progressions, come back to the "Theory Primer" and it will make more sense. This course isn't about mastering theory; it's about giving you the fundamental tools to play, arrange/interpret, and write great songs. However, the more theory you know, the better equipped you will be.<br><br>The course explores chord progressions in four sections those that begin with I-IV, I-V, V-IV, and then a few odd balls! Within each section, I'll dissect the common variations and chord substitutions ultimately yielding 30 unique progressions. As a songwriter, this structure will help you incorporate proven architecture as well as some more interesting variations into your music. As a player or accompanist, your ear will more easily learn to identify chord progressions through reason and deduction (and muscle memory) rather than memorizing arbitrary sequences of chords. Moreover, this will also help you understand songwriters' tendencies so you can better anticipate chord movements. By also learning the guitar centric techniques in each video, you'll have an entire toolbox at your disposal as you play your favorite songs on your own, jam with the band, or write the next big hit!
The I - V
The I-IV progression is probably the most popular chord progression in western music. So many songs use these two major chords together. Use down and up strums to create more movement. Also, explore switching between playing the I-IV as open and barre chords (which are fingered in the same fret, making the barre form easy to remember and transpose). You can also play with tempos, and even divide the chord by playing the bass note on beat 1 and 3 and the rest of the chord on beats 2 and 4. It's not always about perfectly copying the original, but sometimes just capturing the overall feel and making the song your own.<br><br>Examples: You Can't Always Get What You Want, I've Been Working on the Railroad, Amazing Grace, Ain't Too Proud to Beg, Domino, Angels of Harlem, Lady Madonna, Should I Stay or Should I Go, Feeling Alright, I Can't Get No Satisfaction, Start Me Up
The I - V - I - IV
Combining the two most popular progressions of I-V and I-IV brings about an extended progression that really captures so much of popular music. Try using the V7 (dominant) in place or in addition to the V chord to delay the change and add harmonic interest.<br><br>Examples: When I'm 64, Hey Jude, Joy To The World, Happy Birthday, Happy And You Know It.
The I - III - VI - IV
To add real interest and more movement to the combined chord progression of I-V-I-IV, try relative minor substitutions for the middle two chords. By substituting the V with the iii and the I with the vi, the progression becomes much richer harmonically. In the key of C, this progression permits you to keep one finger down in each chord change, making it easier to play and more fluid in sound. Play the rock G when going to or from G in order to keep the third finger down.<br><br>Examples: Oh Baby I love Your Way, Doctor My Eyes, Tell Her About It
The I - V - IV
These two chord progressions are great in both open and barre chord formats. In the open positions, the chords have a "looser" quality to them depending on the key, but in the barre chord format there is more consistency from key to key, and sliding around the neck is kept to a minimum. Also try anticipating chords in the rhythm to give certain songs a sense of urgency.<br><br>Examples: Small Town, Jack and Diane, First Cut is the Deepest, Bad Moon Rising
The I - V - IV - V Bass
This progression is similar to the previous one, but by playing the first V chord with another note from that chord in the bass, we create a step-wise descending bass line. In order to make the second V chord function that way, in the key of G play the D chord but with an F# in the bass by hooking your thumb over the neck, in the key of D play an A chord with your first finger and add a C# in the bass with your third finger, and in the key of C play a G chord with a B as your bass note played with your first finger (don't strum the sixth string at all). The V chord at the end brings us back up a half step, halting the descent.<br><br>Examples: Wonderful Tonight, All Out of Love
The I - V - II
Here we substitute the IV chord with its relative minor, the ii. By doing so, it creates a nice variation on the I-V-IV by ending the progression with a minor chord. The key of G works nicely on the guitar for this progression. You can also add the low F# with your thumb while playing the D chord (V) and create a step-wise movement in the bass. This is also true in the key of C, where you can avoid the sixth string in the G chord (V) and put the note B in the bass of the G chord.<br><br>Examples: Knocking on Heaven's Door, Oh Baby I love Your Way, With a Little Help From My Friends

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