Guitar Lab: Modern Harmonic Guitar Vol. 2

Intensive Examination of Technical & Harmonic Approaches for the ii7 - Imaj7 vamp in D Major

Marty FriedmanTommy EmmanuelSteve VaiEric GalesEric Johnson

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Guitar Lab: Modern Harmonic Guitar Vol. 2

About this course

Hi, I'm Brad Carlton. In this second volume of Guitar Lab: Modern Harmonic Guitar, we'll be exploring different approaches for comping and soloing over a ii7 - Imaj7 vamp in D major. Some of the topics discussed are close voicings, drop 2 voicings, open strings, thinking off the third of the chord, intervals, and modal options.

What you'll learn

  • Target thirds and fifths in harmonic soloing
  • Prepare for exploring various chord voicings over a Latin groove
  • Convert close voicings to drop-2 voicings by dropping the second voice down an octave
  • Review foundational concepts from Volume 1 including guide tones and voice leading
  • Expand harmonic vocabulary for contemporary soloing
Release date: 03/01/2019 • 1h 36m runtime
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Sample lessons
Volume 1 Review
Volume 1 Review
Track Analysis
Voicings Pt. 1
Voicings Pt. 1
Close Voicings
Voicings Pt. 2
Voicings Pt. 2
Drop 2 Voicings

What's included

12 lessons • 10 charts • 1 Jam Tracks

Modern Harmonic Guitar Vol. 2
Hi, I'm Brad Carlton. In this second volume of Guitar Lab: Modern Harmonic Guitar, we'll be exploring different approaches for comping and soloing over a ii7 - Imaj7 vamp in D major. Some of the topics discussed are close voicings, drop 2 voicings, open strings, thinking off the thrid of the chord, intervals, and modal options.
Volume 1 Review
This lesson will review the Em7 - Dmaj7 jam tracks in terms of rhythm and harmonic implications.
Voicings Pt. 1
Close voicings are worthy of study as they provide a keyboard type sound and they are also aligned with the theoretical formulas for chords.
Voicings Pt. 2
This lesson will explain and demonstrate drop 2 voicings which are a basic tool for the modern harmonic guitarist.
Voicings Pt. 3
Open strings can provide notes in chord voicings which would not ordinarily be available. This lesson will provide several examples of this technique.
Extending the Harmony Pt. 1
Because of the tertiary nature of harmony, it's efficient to think off of the third of a chord when extending the harmony.
Extending the Harmony Pt. 2
This lesson will demonstrate several voicings and how they are constructed.

+ 5 more lessons

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