Guitar players love to jam. Call out a key, lay down a one or two chord vamp, the rhythm section kicks in and everybody starts to get their groove on - simple enough for seasoned players with monster improv chops and big ears. Not so easy for most intermediate and early advanced players who tend to run out of ideas and struggle communicating musically with the other members of the band.
Vamps, Jams and Improvisation illustrates dozens of approaches for developing solid melodic and rhythmic ideas for soloing or comping over one and two-chord vamps. You'll first learn how to think melodically and then how to best express those ideas, in a vamp or jam setting, with the other band members.
Your vamp, jam and improvisation guide is the inimitable Frank Vignola. Frank is one of the most accomplished, multi-dimensional players walking the planet today. Monster player, composer and improviser, Frank’s pedigree is a mile long, a quick Google will illustrate why there’s no one better qualified to shape your jamming skills.
Vamps, Jams and Improvisation fills your toolbox with creative devices like melodic patterns, call and response, stutter picking, guide tones, horizontal lines, tone targeting, muffled arpeggios, chromatics, expressions, passing tones and other techniques for generating ideas on the fly. You’ll also learn how to develop ideas around unusual scales like the Super Locrian, Bartok minor and harmonic minor scales. Rhythm and comping are also covered with equal emphasis; clave rhythms, inversions, rhythmic alteration, quartal harmony, bubble parts, chord punches and how to clearly communicate and then lock up with the band is demonstrated in detail.
Here's how Vamps, Jams and Improvisation is presented …
Frank has prepared ten one- and two-chord vamps, in a variety of styles. You'll play your way through the course, applying key learnings, in context using these tracks.
All of the rhythm lessons demonstrate a particular approach for comping in a particular style, feeding ideas to the soloist, and locking up with the rhythm section.
The solo lessons likewise demonstrate a particular device or harmonic approach for developing original ideas and improvising interesting lines, melodies and solos.
Vignola presents all of the material starting first with basic concepts and then progresses on to more advanced concepts and performances.
The baseline solos and comps, along with select advanced lines and comps are transcribed and presented in Power Tab, so you can “see” and “hear” the tab played out at any tempo.
What you'll learn
Execute funk-style muffled picking technique on chord tones
Use chromatic scales to connect modal ideas in solos
Create rhythmic variation using offbeat patterns and syncopation
Create tension and release with chromatic passing tones
Welcome to Vamps, Jams and Improvisation! I'll be introducing you to dozens of approaches for developing solid melodic and rhythmic ideas for soloing or comping over one and two-chord vamps. We'll focus first on learning how to think melodically and then how to best express those ideas, in a vamp or jam setting, with the other band members.
The course is presented across ten grooves, all of which are broken up into basic and advanced rhythm concepts and then basic and advanced solo parts. It's important for you to follow the sequence, always starting with and then getting a grip on the comping lessons before digging in to the soloing sections.
IMPORTANT! Use the jam tracks frequently to apply each new concept in context!
2Dmin7 Smooth Jam
We start the course with a laid back D minor 7th groove. I introduce D minor 7th inversions on the 1st and 2nd sets of 4 strings and then introduce a couple of different rhythmic patterns including the famous Doobie Brothers' Long Train Runnin' rhythm part. We play each note in the chord so as to play the chord cleanly and learn how to muffle the notes using the palm of our picking hand in the style of the Police. We also discuss ways to listen in and connect with the other players in the rhythm section and ways to listen in to support the soloist.
3Dmin7 Smooth Jam
We start the course with a laid back D minor 7th groove. I introduce D minor 7th inversions on the 1st and 2nd sets of 4 strings and then introduce a couple of different rhythmic patterns including the famous Doobie Brothers' Long Train Runnin' rhythm part. We play each note in the chord so as to play the chord cleanly and learn how to muffle the notes using the palm of our picking hand in the style of the Police. We also discuss ways to listen in and connect with the other players in the rhythm section and ways to listen in to support the soloist.
4Dmin7 Smooth Jam
In this D minor 7th jam solo section, I introduce the Dorian Scale going over derivation and construction as well as ways to use this scale and scalar patterns in your solos. How to "think melodically" is the theme of this lesson segment.
I introduce my way of building a solo with a variety of techniques, all of which I use very effectively to this day. Players must strive to play melodically and get out of the bad habit that many guitarists fall into; playing pre-determined patterns and relying on speed to play solos instead of thinking melodically.
Using expressions such as bends and vibrato are also introduced. The "question and answer" technique, 2 and 3 note ideas, and rhythmic alteration with scale patterns are also discussed along with some very effective ways to use double stops. Cool materials!
5Dmin7 Smooth Jam
In this D minor 7th jam solo section, I introduce the Dorian Scale going over derivation and construction as well as ways to use this scale and scalar patterns in your solos. How to "think melodically" is the theme of this lesson segment.
I introduce my way of building a solo with a variety of techniques, all of which I use very effectively to this day. Players must strive to play melodically and get out of the bad habit that many guitarists fall into; playing pre-determined patterns and relying on speed to play solos instead of thinking melodically.
Using expressions such as bends and vibrato are also introduced. The "question and answer" technique, 2 and 3 note ideas, and rhythmic alteration with scale patterns are also discussed along with some very effective ways to use double stops. Cool materials!
6E minor 9th Funky Vamp
In this E min7 jam, we discuss minor 9 chord, chord clusters (three note chords based on the upper part of the scale) and 16th note rhythm patterns. Again we work on playing chords clean and crisp. I introduce a few different inversions of the minor 9th chord.
The chord cluster material includes printed chord grids of the different chord clusters that I use. This is a great way to support the soloist's ideas by staying out of the way of the particular tonal center the soloist may choose.
I also introduce an exercise similar to how drummers will practice playing a drum roll real slowly and then incrementally speed up the tempo until the drum roll is up to a very fast tempo. Then they'll slow it back down incrementally to a slow tempo. This is a great way to build strength and accuracy in your picking hand.
7E min 9 Funky Vamp
In this E min7 jam, we discuss minor 9 chord, chord clusters (three note chords based on the upper part of the scale) and 16th note rhythm patterns. Again we work on playing chords clean and crisp. I introduce a few different inversions of the minor 9th chord.
The chord cluster material includes printed chord grids of the different chord clusters that I use. This is a great way to support the soloist's ideas by staying out of the way of the particular tonal center the soloist may choose.
I also introduce an exercise similar to how drummers will practice playing a drum roll real slowly and then incrementally speed up the tempo until the drum roll is up to a very fast tempo. Then they'll slow it back down incrementally to a slow tempo. This is a great way to build strength and accuracy in your picking hand.
This was a really fun class and instantly translates to the bandstand. There are some vid insertions in which Frank magically changes clothes, which is a bit odd, but who cares?! The course is great. If you are a newbie or just want to deepen yr chops, go for it!
K
krvavi
07/15/21
Frank at his best
Frank is one of my favorite teacher, this course will push you up on the next level. Don't have to take care of chord progression, improve your solo and rhythm technique, play and have fun! Great one!
I
ibanezjs20
Verified buyer
04/05/21
This is a great vamp course it has a lot información about how to approach an improvisaron and how to target the chords and the sweet notes, its going to take sometime to finish it all
P
patrick m.
Verified buyer
03/25/21
the course was excellent.
The course was excellent. I learned a lot. More jazz rhythm guitar please !
i
M
mccambda
Verified buyer
03/14/21
Vamps Jams and Improvisation
Frank Vignola is one of my favorite instructors and this is another of his high standard courses.
Probably not for beginners but there is a lot of good play along exercises for everyone if they take the time to practice.
Lots of chord inversions to play in context with a variety of groove and rhythms.
I found it difficult applying scales and melody to the grooves so a lot of practice is required by me.