It was inevitable that from the moment of his birth his life would be filled wall-to wall with music (his father having listed his religion as “musician” on Dweezil’s birth certificate). Dweezil’s early years were spent largely away from the spotlight—something of a rarity for the child of a celebrity, but perfect for cultivating a close relationship with his family. Having watched his father perform concerts from the side of the stage since he was in diapers it was no surprise that he began to show an interest in music early on. At 6 years old he received his first guitar, a Fender Music Master from his dad.
It wasn't until he was 12 that he began to show a serious interest in manipulating the instrument to make music. Having primarily heard the music his father was working on or listening to at home while growing up, Dweezil soon found himself exposed to some new sounds on the radio. Besides his father's music he began listening to the Beatles, Queen, AC/DC, Led Zeppelin, Black Sabbath, The Who and Jimi Hendrix. Like many aspiring guitarists of his generation, Dweezil ‘s ear was caught in a stranglehold by the trailblazing guitar styles of Edward Van Halen and Randy Rhoads.
To gain more fundamental knowledge of technique and scales Dweezil was fortunate to have some assistance from one of the musicians in his father's band at that time, Steve Vai. Dweezil became remarkably proficient in a very short amount of time due to his intense practicing sessions.
"Steve made a notebook, which I still have, of scales and exercises and I practiced the stuff from that book at least 5 hours a day." In 1982, at the age of 12 he made his first onstage appearance with his father’s band at the Hammersmith Odeon in London. "That was a great experience. I was so excited to have been asked to play but I was incredibly nervous. Since I could only really play lead in the key of A, Frank devised a hand signal for the band to modulate the song 'Stevie's Spanking' down to A from it's original key of B. After I finished my solo he gave the cue for the band to modulate back up. It was so cool how he had so much control over the music, it almost seemed like a magic trick to me. It made a big impression on me and has stuck with me my whole life."
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