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These double stop sixths sound amazing over this Bmi7 chord vamp. I'm sliding into the minor 6th to start and descending through a series of diatonic 6ths from the key of Bmi/Dma.

You'll see the triad shapes as I play through them. Letting the double stops sustain for the full note value sounds wonderful against the chord. Try re-phrasing this idea for additional licks.

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