Please click the button below to refresh this page to see the new sales!
  Refresh Page
Already a Student? Log In
Close Join Free
× We use cookies to enhance your user experience. By using TrueFire, you accept our use of cookies.
Accept
{{startLoopTime}}
{{endLoopTime}}
Purchase this course to view this lesson and the associated materials.
Purchase this course or upgrade to All Access to view this lesson and the associated materials.
Purchase this course to view this lesson and the associated materials.
Purchase this course or upgrade to All Access to view this lesson and the associated materials.
                  
Soundslice
  Back to {{course.title}}

Video Lessons

You don't have any playlists yet! Click the    button below the video to create a playlist or add it to My Favorites.
  {{playlist.title}}   Recently Watched
{{udText}}
{{udText}}
{{startLoopTime}}
{{endLoopTime}}
Purchase this course to view this lesson and the associated materials.
Purchase this course or upgrade to All Access to view this lesson and the associated materials.
Purchase this course to view this lesson and the associated materials.
Purchase this course or upgrade to All Access to view this lesson and the associated materials.
                  
Soundslice

Course Progress

{{courseProgress}}%
{{courseProgress}}%

Chart

  Report a Tab Error or Other Issue
This chart is too large to view in browser. Click the Download Chart (PDF) button above to download the chart.

Please log in or quickly create an account to access the free tab, notation, and jam track for this lesson.

{{lesson.title}} - {{lesson.subtitle}}

Watch the Open G Exercise 4 online guitar lesson by Richard Gilewitz from Fingerscapes

Simply put the 1st note of the piece could realistically be treated as a 16th note but there seems to be a great effect by 'popping' that 1st note in a sense by striking it more forcefully with the right hand 'a' finger while releasing the pressure immediately on the left hand finger following the strike. The trick is to keep the finger touching the string upon the release thus avoiding extraneous sounds. This also makes a strong announcement of a piece of music which demonstrates confidence from the player. Pay carefull attention in measure 8 when the 'm' finger is actually utilized 3 times in a row. This seems to be somewhat unavoidable and I don't like using the same finger twice in a row let alone 3 times. However, you are only dealing with 1/8th notes and you can actually create a nice 'vamp' sound. Play the final chord as a broken chord wherein you create a slight roll with the right hand separating the picking fingers in time.

On Sale! Save {{course.promo.Discount}}% with code "{{course.promo.Code}}" - Hurry, this expires in 11 days, {{promoTime}}

Download This Course

Lifetime Access (Disc + Download + Streaming) Lifetime Access (Download + Streaming)
Price
Your Price ({{item.discount_percentage}}% Off)  
Price

Get a Private Lesson

Get 1-on-1 instruction and a personalized assessment from {{course.educator}}

Learn More  
{{privateLessonQuantity}}  -  + Quantity

Discussions ({{lesson.comments.length}})

Enjoy more discussions on TrueFire's Discord server!

Use the form below to submit an issue you may have discoverd with our tabs, charts, or other content. Thank you!

Cancel Submit Report
On Sale! Save {{course.promo.Discount}}% with code "{{course.promo.Code}}" - Hurry, this expires in 11 days, {{promoTime}}

We've updated and consolidated the web player settings to make it easier for you to customize your experience. Hit the settings cog icon at the top of the video lesson list to open up the control panel, where you can turn autoplay on or off, choose your video quality, set your default view, and choose which lessons to display (free, in progress, completed, etc.). If you have questions have any issues, please contact our help team at help@truefire.com. Practice smart, play hard!

Download on theApp Store Get it onGoogle Play
ignited we stand!™

© 1998-2023 TrueFire, Inc.