Kings of Tone

Learn how to tweak your gear, touch and tone to sound like the masters

Marty FriedmanTommy EmmanuelSteve VaiEric GalesEric Johnson

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Kings of Tone

About this course

From the very first moment we plug in our guitar, we begin our quest for the Holy Grail of Tone. With an Indiana Jones-like tenacity we explore the digital and analog landscape attempting to uncover the quintessential combination of guitar, strings, amps, pedals and other assorted doo dads. Rarely do we succeed. In fact, sometimes it seems that no matter what we try, or what we spend, the prize we seek eludes us. Most of us spend fortunes on gear and various rehabilitative treatments for GAS, the obsessive compulsive disorder affecting most guitar players (the most effective cure being TUMS aka Time to Unload My Stuff).

One of the key revelations we experience along the way is that it's not just gear that shapes tone; it's the tactile interaction between our flesh and the guitar itself. Larry Carlton is a great example; without touching a dial or a pedal, Larry's lines morph from clean, bell-like melodies to those sweet, singing, driven, lines he is so well-known for. Yes, he plays a $40k Dumble but really, it's all about "touch" and he'd be the first to tell you that.

Assuming you're willing to accept that "tone" stems from both gear and touch, then you just might be a click away from a treasure map to your Holy Grail of Tone. Kings of Tone examines twelve masters of tone revealing their gear and effects formulas (and how you can emulate same with your own gear) along with their singular approaches to "touch" and stylistic phrasing.

While our quest is ultimately about finding our own "voice" and signature sound, we must first study the masters, just as they studied those who came before them. Kings of Tone dissects the styles, touch, tones, amps, pedals, guitars and setups of Jeff Beck, Jimi Hendrix, Eric Clapton, Jimmy Page, Billy Gibbons, Dickey Betts, Duane Allman, The Edge, Angus Young, David Gilmour, Keith Richards and Mark Knopfler.

Your Professor of Tone is NYC session player and educator Jeff McErlain, whose standing-room-only workshops on the subject testify to his expertise stemming from years of tone exploration. "I hope to demystify the tonal qualities of these twelve players by sharing the insight I've gained over many years studying them and deconstructing their styles, touch and rigs."

Kings of Tone is NOT about learning to play the signature licks of these masters (although you will pick up many that you will add to your bag). Rather, you will learn how to "channel" their respective tones, rigs, styles and approaches so that you can develop your own "sound" more intelligently and/or emulate these players' tone when covering them in a live gig situation.

For each of the twelve Kings, McErlain walks you through a configuration of amp settings, pedals and other technical tweaks that you can use with your own gear to get you in their general ballpark tone-wise. Jeff then presents a series of lessons to convey the touch, feel and stylistic approach of the artist. Use this information to impersonate the tone of the artist or mix and match the gear and styling of different artists to innovate your own sound. Kings of Tone also includes tab, notation and Power Tab for all of the playing examples along with the practice rhythm tracks that Jeff used to demonstrate the examples.

Want to learn the ins and outs of tweaking amps and pedals? Yearning to learn how to play in the style of Beck, Hendrix, Gilmour, Clapton and the rest of the Kings covered herein? Ready to get a solid grip on the relationship between touch and tone? It's all here in Kings of Tone!

Jeff McErlain's Preferred Gear

Below is a list of Jeff McErlain's preferred gear including guitars, amps, pedals, accessories, and more. What you see in Jeff's lessons may or may not be this actual gear, but if you are trying to capture Jeff's sound and tone, the gear listed below is recommended by Jeff and it's a great place to start!

Guitars

Amps

Pedals

Accessories & More

What you'll learn

  • Perform double-stop bends with proper technique
  • Create staccato effects using pick-hand muting
  • Understand and replicate Angus Young's tone using Marshall-style amps
  • Understand the three core qualities that distinguish great guitar players: touch, tone, and phrasing
  • Recognize and understand different phrasing styles from choppy to smooth
Release date: 08/19/2010 • 6h 40m runtime
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Sample lessons
Jeff Beck
Jeff Beck
Guitar Selection
Jeff Beck
Jeff Beck
Stylistic Performance
Eric Clapton
Eric Clapton
Stylistic Performance
Duane Allman
Duane Allman
Stylistic Performance

What's included

137 lessons • 38 charts • 13 Jam Tracks

Kings of Tone
Let’s talk about some of my favorite players and how they get their tone. Or at least as close as we can get!

What makes a King of Tone? To me it is someone who is immediately recognizable as an artist by playing as little as one note. We can spot their tone, touch, feel, and vocabulary right away and we love them for that! For example when we hear Jimi Hendrix, or Jeff Beck, we know it’s them without question. Music is about finding your own voice, that being said it is essential that we study the masters, just as they studied who came before them. It’s an age old tradition that is proven to work. In this course I will take you on an in depth look at the styles, tones, amps, pedals, guitars, and setups of Jeff Beck, Jimi Hendrix, Eric Clapton, Jimmy Page, Billy Gibbons, Dickey Betts, Duane Allman, Angus Young, David Gilmour, Keith Richards, and Mark Knopfler.

So what is Kings of Tone about? First off, it is not how to play like Jimi note for note for example, (although I have included some pretty sweet licks!). What we will learn is how to channel twelve classic Kings of Tone at will. I will get into specifics on how to dial in your amp, tweak your pedals, and play stylistic licks of some of my favorite players. I will also discuss guitars, setups, and concepts used by each of these tone kings. Will you end up sounding like them? I don’t know, that’s not the point! The point is to understand their approach, tone, style and eventually make it your own. JUST LIKE THEY DID! Oh yeah, I include jam tracks as well.

I hope to demystify some of these players for you by sharing with you some of the insights I have gained by studying them over the years. I think you will find many of these segments extremely useful, for example the next time your band says the want a guitar part that sounds like The Edge, you will know what to do! Want to whip out a patented Keith Richards open G riff? You are good to go. Want to get into some David Gilmour space out sounds? Check! Want to know what scales Angus Young favors? I’m on it!

Use this course in anyway you want, the guitarists are in no particular order. Jump around and have fun. I hope you enjoy this course and I would love your feedback, please feel free to drop me a line at my website jeffmcerlain.com. I look forward to hearing from you! Enjoy!
Angus Young
Angus is the man! Like Madonna and Elvis he needs only one name and we think of him in the school boy outfit running around the stage like a madman. He is one of the greatest rock guitarists to come along. He also happens to be in one of the greatest rock bands of all time as well. Both Angus and his brother Malcolm are truly Kings of Tone, just check out Back In Black if you don't believe me.
Angus Young
It doesn't get much simpler than Angus' setup, guitar-cable-amp. That's about it. So how does he get all those great sounds? He plays the guitar. What do I mean by that? He is a touch player, his nuances come from how hard he picks, where he picks, his volume and tone knobs. I agree that AC/DC is not the most subtle band out there, nor are they trying to be, but Angus' playing can be very subtle.
Angus Young
We live in a golden era of amplifiers, can't afford an old Marshall? There are plenty of boutique builders, reissues, modeling amps, and inexpensive options out there. The trick to the classic Angus tone is a Marshall JTM45. This is one of the earliest models Jim Marshall made in the mid 1960's with four inputs and no master volume. Plug it in and crank it. If you have never had the opportunity to play an old school amp at volume, I highly suggest you do. Not only because it's fun, because you will get a feel for what it is like to play at that volume and experience how the guitar reacts to the amp. There is nothing else like it. The CHART button has amp settings and more.
Angus Young
The best Angus Young in a box pedal I have found is the Box of Rock by Zvex. In fact this pedal was designed to sound like a cranked JTM45 and I believe Mr. Vex has hit it out of the park on this one. It is my main OD pedal and I never go to a gig without it. There are many ways to get at this tone but keep in mind that Angus doesn't use a lot of gain. So set your pedal accordingly, also look for a pedal that cleans up as you lower your volume knob. To me this is essential in any dirt box.
Angus Young
There is nothing like a Gibson through a Marshall, it's the sound of rock 'n roll. Gibson perfected the humbucker pickup. Why humbucker? Well the pickup design "bucked" the hum one gets from single coil pickups like those found in a Stratocaster. If you have ever played a bar with a Strat and a neon sign nearby you know the hum I am talking about. The pickup is basically two single coil pickups of opposite polarity wired together in series, this cancels the electromagnetic field given off by transformers and other electrical equipment. The technological breakthrough was amazing, but the sound it produced was the real tonal breakthrough. That thick full sound was the Gibson sound.
Angus Young
Angus is pretty classic rock and roll in his approach by using the major and minor pentatonic scales. I highly recommend that you learn both of these scales in one position and see how they overlap each other. By seeing the relationship in each position you can really see how the scales work and how they can be mixed. I cannot stress this enough! Learn all the positions!

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Reviews

11 results

Dave58

Verified buyer

10/02/22

What an information!

This is a wealth of information. A course that every guitarist should have gone through. As a virtuoso guitarist and a freak when it comes to gear, Jeff is also a fantastic teacher. Here he explains how to get as close as possible to the tone with all his tips. The expiration date of this course will never be exceeded. Very highly recommended!

sslugger

Verified buyer

11/20/21

Different in a good way.

A very different sort of course but very educational. Lots on information about how the Greats get their sound. I just wish I could play like them !

jpetrie

Verified buyer

10/07/21

Jeff Is predictably excellent with his delivery, and I can finally understand why my favourite guitar players sound the way they do. Thoroughly recommend it!

lklind

Verified buyer

05/14/21

So much help to sail in that sound you’ve been looking for and not finding!

Artist21

Verified buyer

04/13/21

Superb!

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