Jude Gold

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The Voodoo Blues Scale
by Steve Trovato

Blues Boomerangs: 12 Essential Turnarounds, Pt 1
by Andy Ellis

25 Blues Licks You Must Know, Part 1
by Andy Ellis

Fire And Flow Part 1
by Jude Gold

Eric Clapton: Eric's Essential Licks
by Andy Ellis

Down Home Grooves: The Memphis Sound
by Keith Wyatt

Jimi Hendrix: All The Way To 'Ladyland'
by Joe Gore

Barres Of The Stars
by Shane Theriot

Blue Sixths
by Jude Gold

25 Blues Licks You Must Know, Part 2
by Andy Ellis

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by Andy Ellis

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by Steve Trovato

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by Jude Gold

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by Bob Balsley

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by Joe Deloro

110 Essential Fingerings For A C Scale
by Frank Vignola

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by Andy Ellis

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by Keith Wyatt

The Art Of The Drone: Chords
by Reeves Gabrels

Power Picking: Supercharge Your Flatpicking With Classic Celtic Tunes
by Andy Ellis

Silent Night
by Acoustic Guitar Workshop

15 Days To Better Chops, Part 1
by Matt Blackett

Fat Sounds: New Orleans Style
by Keith Wyatt

Over The Top (Wild Stringdom/Edward Van Halen)
by Andy Aledort

Uber Jamming Part 1
by Jude Gold

Page: 1 2 >

Steve Lukather's Vicious Triplets

Steve Lukather's Vicious Triplets
by Jude Gold, performed by Brad Carlton

Publisher: Guitar Player Magazine

Category: Rock, Theory/Techniques

Description: One day, while perusing the used-vinyl bins in a local record store, I decided it was time to determine which of the Tubes played the amazing lead on their hit song, “Talk to Ya Later.” As it turned out, it was none of them. I should have known by the lava-thick distortion, screaming melodicism, and frothing vibrato that it was Steve Lukather. After all, not two weeks earlier, I’d discovered he tracked the dive-bombing solo at the end of Don Henley’s “Dirty Laundry.” And the more I read the liner notes of big rock and R&B albums from the ’80s and ’90s, the more Lukather’s name pops up. My next assignment? Dive headfirst into some albums by his charttopping band, Toto. While most people remember Toto’s Top 40 hit, “Rosanna,” guitar junkies know that the album version of this song features a huge bonus—a ripping Lukather solo during the fadeout jam. Ex. 1 gives you an idea of the snarling triplets he plays over funky grooves that, like “Rosanna”, have a swung sixteenth-note feel. It’s the first two pairs of bends and releases—each of which span a major third—that add teeth to this Eminor pentatonic phrase. Staying in the same rhythmic feel, but upping the melodic intrigue, Ex. 2 starts at the fourteenth position, outlining a Bm7chord over the Eminor backdrop. Cool “wrong notes” come at beat four of the only complete measure, where Lukather does his trademark chromatic sidestepping, using his 1st and 3rd fingers to shift down to the twelfth position for the final note. Have fun!

Length: 1:19; File Size: 715KB

Download Format: audio - MP3, tablature - PDF

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