Well I'm off and running on the first of three courses at the same time. Today I'm working on Acoustic Survival with Instructor Vickie Genfan.
After going through the neat introduction we go into the first progression.
The progression is a: I - V - vi - IV or the: One - Five - Six minor - Four progression
In this case the I/One = G
So counting on your fingers if the G = I/one counting from your thumb; then II/2/Index finger = A; III/3/Middle finger = B; IV/4 or Ring finger = C; and 5 or Pinky finger = D, your VImin/6 finger = E or E-minor because we are looking for a minor chord.
The progression in G would go: I/One = G; V/5 = D; VImin/6 = E_minor; IV/4 = C.
The G - D - EM - C is the progression that she uses in this first section. She notes that there are many, many popular songs that use this progression then she plays bits and pieces of several songs.
What makes all these songs different and unique is the different techniques used.
So the first Technique 1 is: Time Signature.
4/4 is the most common time signature and Vickie has us using different ones starting with the 3/4; 6/8; 5/4 etc.
Instead of counting she uses words; if you want to count them as words.
For one + two; she uses Ta-Ki; so instead of counting 1, 2, 3, 4 she would state: Ta-Ki, Ta-Ki.
For one, two, three; she uses Ga-Ma-La so a 6/4 measure would be Ga-Ma-La-Ga-Ma-La.
A 5/4 would be Ga-Ma-La-Ta-Ki
Do you get it? words instead of counting, that's all it is.
Make sure that you give a slight accent on the first syllable.
"Take each variation and just with words, repeat over and over so you begin to get the feel and flow of this pattern. Remember, that's all it is - a pattern. A pattern of 2 and 3, and these are patterns that our brain and body are already familiar with!
1 GA-ma-la-TA-ki GA-ma-la-TA-ki GA-ma-la-TA-ki GA-ma-la-TA-ki - Note: Accent on GA; TA; GA; TA etc.
2 TA-ki-GA-ma-la TA-ki-GA-ma-la TA-ki-GA-ma-la TA-ki-GA-ma-la
To apply this to a strumming pattern on the guitar, try playing the low bass note on the accented syllables and strumming on the quieter syllables. You can alternate the bass notes. Say the syllables out loud while you play.
Now, here's how we'd do it with 7/4:
GA-ma-la-TA-ki-TA-ki
or TA-ki-TA-ki-GA-ma-la"
Finally in Technique 1, you can have a 4/4 and add a few measures of a different time signature like 3/4 etc to mix the song up.
OK, why do I post all this information when its in the course.
Well its for my own good. I read my posts over and over again when people reply or I want to see what I said before replying. So I am reinforcing the information each time I visit.
It's not always about you OK, sometimes its about me when I post.
Question: In the example below, the measure below states 3/4 signature time, but measure one has one note, measures 2 -5 each have 4 strums. If it was 3/4 wouldn't it be 3 strums per measure? Could someone explain.
OK that about wraps it up for Technique 1 - Time Signatures; I'm going to spend some time practicing the different time signatures while playing the I - V - vi IV progression in the Key of G.
Is anyone else having problems when typing into Posts. I will start typing and then the typing area will jump into another paragraph in mid word etc. It is difficult to write. Maybe its a setting but it is very frustrating. You can barely get 2 words in a row before it jumps some place else and your typing into a sentence you wrote earlier.
Thus my posts have been delayed well I figure this out.
Mac
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