The Most Priceless Guitar In The World

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by Charlie Doom

Call me petty, call me poor, but I play cheap guitars because I like the way they sound. There is definitely an ease and unspeakable beauty inherent in the expensive guitars; most notably their ability to stay tuned and lack of dead spots on the neck. But the drawback to expensive guitars is that they all sound like expensive guitars; they’re riddled with perfection. That’s where cheap guitars come in handy.

The first guitar I ever had was a $50, ¾ size Gremlin acoustic. After 16 years the black paint on the fretboard is peeling off. I’ve had to Superglue the plastic bridge back to the body at least a dozen times, and the machine heads rattle whenever you play an E chord. But that little guitar can play acoustic lead and the Delta Blues like it was the second coming – the tone and resonance are absolutely divine. There’s nothing else that sounds like it which is why that guitar has been stolen from me, twice. By the grace of Hendrix, and a few bloody noses later, I’ve gotten my guitar back.

I’ve gone through a lot for that little box of Korean-made balsa wood.

But my $50 Gremlin is special and so is my humble Yamaha Pacifica. Everyone who hears them always exclaims, “what kind of guitar are you playing?!” When I tell them that they’re cheap beginner’s guitars, they’re amazed and I’m validated. It’s a good trade.

When you purchase a guitar, what you’re really paying for is an experience — an emotional experience. It doesn’t matter how much your guitar costs because it’s all about the way it makes you feel when you play it. The point is, that feeling you get is not purchased with money, it’s purchased with time and effort. No matter which guitar you have in hand, what distinguishes you from everyone else is being able to find the strength in its weaknesses.

If you can do that, every guitar you touch will turn to gold.

A Brief Look at Priceless Guitars in Music History:

1. Mayonaise
by the Smashing Pumpkins
The signature feedback “whistle” in this now classic rock gem from the early nineties was attributed to a $65 guitar. Whenever Billy Corgan would stop playing, the guitar would whistle, so they incorporated it into the song.

2. “Blackie”
A.K.A. Eric Clapton’s Guitar
Eric Clapton built Blackie using parts from 3 different Strats way back in 1970.  It cost him a total of $300 and the ax has become one of the most famous guitars in the world; selling for almost a million dollars in 2004.

3. Stella Guitars
As played by Robert Johnson
The grandfather of rock and roll played a $12 guitar. That was cheap even by Depression-era standards. Back then, Stella guitars were sold in drugstores, next to the 5 cent soda fountain.

4. Jeff Healy’s Squier
Canadian Blues-Jazz Legend
Jeff Healy made a deep groove in the blues and jazz scenes of the 1980’s and beyond with a $150 Squier Stratocaster on his lap. Enough said.


5. The “Frankenstrat”

by Eddie Van Halen
Eddie built his guitar from scratch using anything, but top-shelf parts and equipment, such as the flawed ash body. It cost him a total of $130.



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Video Guitar Lesson: West Coast Blues – Uptown Stomp

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The full West Coast Blues instructional guitar course by David Blacker is now available for instant download!

Uptown Stomp – Introduction

Great West Coast Blues players can take a standard blues piece and turn it on its ear using rhythmic and melodic ideas from a number of related styles, delivering a unique and authentic sound. Infusing jazz and blues ideas into one cohesive style, “Uptown Stomp” is our first foray into the jazz/blues amalgam.

“Uptown Stomp” is unique in the way it suggests chord changes that don’t actually occur, “implying” chord substitutions. These implied chords are based on substitutions commonly found in both jazz and blues styles. Incorporating this implied chord-change technique into your lead work adds sophistication to your solos while opening up a new world of harmonic possibilities.

Uptown Stomp – Solo: Chorus 1

When it comes to swing and jump blues, there is a single name where both guitar styles converge–Duke Robillard. Duke is a treasure trove of classic phrasing, incorporating the moves of such iconic musicians as Charlie Christian, Tiny Grimes, T-Bone Walker and Charlie Parker. “Uptown Stomp” is heavily influenced by Duke and does its best to recreate some of his signature phrasing.

Uptown Stomp – Chorus 1 Breakdown

This solo features implied chord changes over a straight-ahead, uptempo swing-blues. Implying changes is a key element to this style, adding excitement and sophistication to otherwise standard blues progressions. Focus on chord tones on the downbeat of each change for effective note targeting. Also, playing with an uptown flare requires extending and alerting basic chords with chord tones such as the 6th, 9th, b9th, b5 and #5.

Uptown Stomp – Solo: Chorus 2

“Uptown Stomp’s” second solo adds chromaticism into the mix as well as the effective targeting of key altered scale tones like the #5 and b9. For a crash course on extended blues harmony licks, pick up a copy of Swing by Duke Robillard.

Uptown Stomp – Chorus 2 Breakdown

A key lick that highlights the change from the I to the IV chord appears in the fourth measure, creating tension through its use of the C’s #5. The b5 played just before the change to the IV chord voice leads perfectly into 9 of the IV chord–a half step down to the eighth fret on the B string. Be sure to check out the slide from b9 to the 9 over the G in the turnaround, creating a similar kind of tension.

Uptown Stomp – Solo: Chorus 3

West Coast players tend to cop licks and melodies from horn players more than fellow pickers, giving them a more sophisticated than usual approach to a blues progression. For extended listening in this vein, check out Up At Minton’s by Stanley Turrentine.

Uptown Stomp – Chorus 3 Breakdown

This tune’s third solo incorporates a slide into the major 7 played over the I chord, resolving to the 6 to add a jazzy feel, in addition to some tasty voice leading into the IV chord. Having some solid major-based melody licks gives you a much wider spectrum to impart different feels.

The full West Coast Blues instructional guitar course by David Blacker is now available for instant download!



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