Barres of the Stars

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by Shane Theriot

1985Many guitarists know how to play barre chords, yet few tap into all of the magic a 1st-finger barre can offer. Great players often use the 1st finger like a mobile capo, holding down two or more strings while the other three fingers create riffs and chords.

Guitar Lesson

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Ex. 1 is a chordal shift in the style of Keith Richards, who has forged his own sound with 1st-finger barres. (Richards often uses an open- G tuning, but we’ve re-fingered the move for standard tuning.) This is a good way to give a I-IV progression new teeth, and it sounds great with a dirty tone. Once you’ve got the lick nailed, try shifting it down the neck in whole-steps.

Eric Johnson and Steve Vai like to revoice power chords by fretting the low root with the 3rd finger, as in Ex. 2. Sonically, these grips just seem to cut better, and they allow you to call in your second finger to fret low 7s, as in D5/C and C5/B.

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Wes Montgomery’s Magic Box

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wes-montgomeryMost guitarists recognize the E minor pentatonic scale – and with good reason. After all, it is the world’s most popular launching pad for rock solos and blues leads in the key of E. More advanced players know that the same notes also spell the G major pentatonic scale — G being the relative major of E minor. But if you take this scale and “fill in the blanks” with passing tones you’ll open up a world of melodic possibility. And without ever stepping out of this twelfth position “box,” you’ll have access to some of the most swingin’ guitar lines ever — namely, those played by the great Wes Montgomery.

Audio guitar lesson:

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Guitar Lesson: Van Halen’s Tips For Beginner Guitarists

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Eddie-Van-HalenEddie Van Halen opens the article by fessin’ up about how much he stole, note for note, from Eric Clapton. Now here’s your chance to rip off EVH. This audio guitar lesson runs you through blues progression, hammer-ons, pull-offs. slides, bends and a few of EVH’s key licks, harmonics and tapping.

Audio guitar lesson:

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Guitabulary: Diddie Wa Diddie

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More than 60 years after its recording, Blind Blake’s rambunctious Diddie Wa Diddie, a double-entendre ragtime blues, still stands as a fingerpicking classic. Blake’s musical vocabulary is prodigious, and his improvisational flair has seldom been matched. Each of the tune’s stanzas features a distinctively different accompaniment, and each of the three instrumental breaks is a minor masterpiece in itself.

Audio guitar lesson:

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Guitabulary: Bottleneck Breakdown

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Is there anything more seductively rootsy than metallic slide musings on a glimmering National steel guitar? In this two-part lesson, Brozman, one of the foremost authorities on the instrument, takes you on an exciting journey that demystifies a lot of slide techniques.

Audio guitar lesson:

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