Guitabulary: John Lee Hooker

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Few guitarists become so strongly identified with a genre of music as John Lee Hooker and his timeless boogie. Hooker laid down his share of classics, such as “Boogie Chillen” (a.k.a. “Boogie Chillun”), “I’m in the Mood,” and “Boom Boom,” and inspired a host of musicians to elaborate on his insistent, hypnotic themes. ZZ Top (“La Grange”), one-hit wonder Norman Greenbaum (“Spirit in the Sky”), Booker T. & the MG’s (“Green Onions”), Stevie Wonder (“Higher Ground”), and even Steely Dan (“Black Friday”) are among those who paid homage to Hooker by reworking his swampy riffage. Andy Ellis guides your Hooker tour.

Audio guitar lesson:

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Tab, notation and Power Tab files available here.

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7 Tips For Flying With Your Guitar

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by Charlie Doom

guitar-cloud-miiishNowadays, things aren’t so simple when you’re traveling with a guitar. The dynamics — and the expenses — of airplane travel have changed so much that keeping your guitar safe, nearby, and in one piece has become a lot more difficult than it should be.

Sometimes you’ll get away with stashing your axe in the overhead bin; other times you’ll get a stern communiqué from an overworked flight attendant instructing you to commit your precious guitar to the frigid no-man’s-land of the airplane’s belly. On that occasion, by all means, make a case for stowing your guitar in the cabin or in a coat closet. Just remember that a taser to the throat is the TSA’s signature response to passenger disobedience, and it leaves a mark.

Yes, in some situations all you can do is swallow hard, send your guitar to the bottom, and brace yourself for the impending ulcers. To help you avoid that situation, we offer up these 7 Tips For Flying With Your Guitar, with special mention to international clinician, producer and session player Jeff McErlain for his insights.

1. Loosen the strings on your guitar

Temperature and pressure changes in flight can put enough strain on your guitar to snap that perfectly angled mahogany neck — unless your strings are loose. Whether you can fit your guitar in the overhead bin or have to nervously watch as it slips out of sight on the luggage belt, you should always loosen your strings before you close the case. Taut guitar strings have over 300lbs of tension – you don’t want that to work against you.

2. Stuff it like a turkey.

Guitars are fragile. Most of us know this. But a lot of people don’t. It’s a good idea to give your guitar some extra padding and support by stuffing a few t-shirts, socks or hotel towels into the cavities of your guitar case. Pay special attention to the headstock and neck – these are the most common break points. You want to minimize movement of your instrument within the case and at the same time provide some cushion to soften blows from the drops, falls, and throws of disgruntled airport employees.

3. Know which airlines allow guitars to be stowed as a carry-on.

To make it easier for you, we put together this list of airlines that are guitar friendly. If an airline is not on this list it’s because they don’t make stated carry-on exceptions for instruments or we couldn’t find any info on their site. It’s still a good idea to call ahead after checking airline websites for carry-on policies. They often have provisions for instruments.

American Airlines

United Airlines

Delta

Southwest Airlines (Southwest accepts instruments on a “conditional basis”; i.e, proceed at your own risk.)

* Knowing in advance what type of aircraft you’ll be flying in will help you decide how to pack your guitar. If you’re flying in a small commuter plane you should pack your guitar in a sturdy hard case because you will most definitely have to stow it below deck.

4. Get a travel guitar.

Why? Flexibility. Travel guitars aren’t just novelties anymore: you can get gig-worthy travel axes ranging from custom boutique jobbers to penny-pincher models. Here are a few brands to get you started:

Traveler Guitar.com ($299+)

Best Travel Guitars.com voted the Speedster model a 9.7 out of 10 for best travel guitar. Though it’s not recommended for gigs or serious sessions, Jeff McErlain says, “When I go on vacation for more than a few days, I’ll bring my Speedster, a pocket Pod and a pair of headphones. That’s all I need to survive, it’s great. ”

Voyage-Air Travel Guitars ($399 +)

Their motto is “go anywhere with Voyage-Air,” and they’re right. These fully featured electric and acoustic guitars fold in half (fitting into a specially made backpack) and are easily unpacked for your gig. Thom Bresh never leaves home without one.

First Act 34” Acoustic Guitar ($39.99)

Yes, this is a children’s model acoustic. Which means it’s small, lightweight, and dirty-faced affordable (in case it breaks or gets lost). Not to mention it has decent tone for the casual player. I’ve been known to take one on camping trips and to potentially dangerous field parties.

568115336_36edde541a5. Pack it up and ship it out.

Shipping is not always ideal for the uber-transient guitarist, but it’s a safe and viable option when you have no other choice. If you’re going to ship your guitar within the continental United States you can expect to spend about $25 (ground) with insurance. You definitely want insurance.

6. Invest in a good guitar case.

A good, sturdy guitar case will last you a long time and it’ll pay for itself the first time your guitar makes it out alive from the wilderness of the airport luggage bay. We’re not just talking dollars and cents here – peace of mind is a valuable commodity. Take a peek at these sheaths to see what’s out there:

Gig Bags
The strength of a gig bag isn’t in its nylon fabric; it’s in the negotiating power it gives you when you’re pleading your case to a stewardess.  Says Jeff, “The slim, smaller size of a gig bag means you can politely ask the flight attendant to put it in the coat check, which almost always works. And it’ll lend you extra sympathy points when you’re working the airport authorities: ‘This is a $3,000 guitar and there’s no doubt it will perish if you send it below! Couldn’t you please ask someone else if they could send their suitcase full of clothing to the bottom? Pretty please?’ Be polite, but don’t give in either.”

Also, carry a gig bag like a suitcase; you want to keep it inconspicuous, especially if it will be out of sight during the flight. BEWARE! Take a gig bag at your own risk. There is no guarantee that you will be able to sweet talk your way out of every situation. If you’re forced to send your guitar below deck in a gig bag, you might as well have stuffed it into a pillow case.

www.casextreme.com
These guys throw their guitar flight cases off roof tops and pummel them with iron hammers to prove their ruggedness. Not to mention, the company boasts a clientele of pro players as well as the U.S. military. While you could probably never take these cases as a carry-on, they do offer protection from the indigestion you’d otherwise suffer worrying about your guitar in the cargo hold. Get one of these and leave the Pepto at home.

SKB
SKB has been around for over 30 years and makes some of the best hardshell cases out there for transporting and protecting guitars. As a rule, form-molded, plastic cases will give you the most flexibility when traveling with your guitar — just don’t expect to stow it as a carry-on.  But if you have a good case, it’ll be rugged enough to go toe to toe with the burliest of luggage handlers.

Affordable-Cases
These are road cases, the kind you see roadies hauling out of tour buses and stacking backstage. Solid, rugged, and TSA-approved, they’re perhaps the best protection you can get for your guitar. Like those mentioned above, you’ll never get it past as a carry-on. These babies are stow-away only and are best deployed with a foul-mouthed ex-pat Briton roadie lugging it around for you.

7. Always be polite.

No matter how much you prepare, you can’t be ready for every scenario. Your guitar could get stolen or the flight might be too full to accommodate your carry-on case. But in those rare instances of doom and desperation, the best thing you can do is keep your cool and get smart.

Jeff says: “Sometimes I just lie. I’ll say, ‘They told me at the front desk that it was fine…’ Or I’ll make sure that I get a seat in the back of the plane so I can get on first and hide my guitar behind my neighbor’s bag in the overhead bin. No matter what, traveling with your guitar is a nerve-wracking experience. But when all else fails I explain that I’m willing to put it anywhere on the flight so long as it doesn’t go below. If you’re polite, respectful and make sure you stand your ground, you can get through almost anything.”

And remember, if you’re traveling with a guitar that’s not replaceable then you should get evaluated by a psychologist as to why you are traveling with it in the first place.

Charlie Doom is an award-winning screenwriter, filmmaker and musician. He has worked with artists such as Nokie Edwards, Larry Carlton, Johnny Winter, Joe Bonamassa and Slash among many others and is the director of the online guitar education Mecca, TrueFire TV.

Jeff McErlain is a New York City based guitarist, producer, songwriter, and instructor. He’s traveled the world conducting clinics and performing live, from South America to Asia. Check out Jeff’s latest guitar instructional DVD release, 50 Blues Licks You MUST Know!

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Rock Gets Religion: An Easter Special

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Rock & roll and religion: two strange bedfellows if ever there were a pair. Yet, there they are mingling together onstage, not only in the music of “shreddin’ for Jesus” contemporary Christian bands but in the lyrics of mainstreamers from U2 to Switchfoot to Johnny Cash, Van Morrison and Jars of Clay.

angel-cross-guitar-lSince the early 1970s — around the time Jesus Christ Superstar was a hit rock opera, with Deep Purple vocalist Ian Gillan in the title role — the acoustic guitar in particular has found a second home in the church. It makes sense, given the ties between folk and spiritual traditions. Pious players like Phil Keaggy, Doyle Dykes, Bruce Cockburn and Ed Gerhard could easily make you believe you’d be better off praying for talent than practicing for it. Come to think of it, composers and musicians have been looking skyward for divine inspiration longer than music historians can remember.

The subject is on our brain’s this week as TrueFire rolls out the 2010 Egg Hunt, one of our biggest and best events every year. In case you’ve never hit the hunt, the deals are pretty unreal. It’s a great opportunity to stock up on learning material and enjoy some very cool freebies, and for us it’s a chance to spread the love to players who might not otherwise be able to shell out for some of our lessons. And since it always falls in April, the savings help take a little sting out of tax day. Hope to see you there.

Meantime, here are some related videos to enjoy while you’re dipping that chocolate bunny head in peanut butter. To all of you good eggs out there, and to the bad ones too, happy Easter.

 

King’s X. The official vid for “It’s Love” (did it ever air?) from Faith Hope Love. If you ever had the chance to catch Ty Tabor ripping on this one live, you know what it sounds like in God’s headphones.

 

Phil Keaggy from yesteryear, playing an amazing “Amazing Grace” with the e-Bow and some well-placed delay. Check it out…

Killing two birds with one stone here. This our favorite pickin’ preacher, Doyle Dykes, playing a medley of songs by U2 — a group that’s alternately worn and torn religion from its sleeve over the years.

Sinead O’Connor’s 1992 performance on SNL, when she declared war on Pope John Paul II. Wait for it…

 

God meets Glam: Stryper! All hail dual lead guitarists Michael Sweet and Oz Fox.

A sermon from…Slayer?

And now for something completely different. Ed Gerhard plays the spiritual “Water Is Wide.”

 

Speaking of Monty Python, we’ll close out with some good advice.

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Weekly Kindling: A Web Comic, RIP Jim Marshall, and Guitar Murder

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Weekly Kindling is a new feature on The Punch-In and will feature the latest guitar news, tricks, tips, and inspiration. Check back at the end of every week or subscribe via email in the right sidebar.

Guitar-related Web Comic of the Week:

What’s Burning This Week:

>> Jim Marshall, Legendary Rock Photographer, Passes Away at 74
Jim Marshall, the photographer who captured some of rock & roll’s most unforgettable images including photos of Jimi Hendrix burning his guitar at Monterey Pop and Johnny Cash flipping the bird at San Quentin, died in his sleep last night in New York. He was 74. Read the full article.

>> Failed Guitarist Even Fails at Murder
A 37-year old musician accused of slamming his guitar into his girlfriend’s head, choking her until she passed out and saying, “I’m sorry, but I’ll have to kill you,” was jailed recently. Read the full article.

>> The Precocious Dakota Fanning and Kristen Stewart as The Runaways
Check out what Fanning and Stewart had to say about embodying rock icons and their relationships with their real life counterparts as well as Stewart’s hesitation to retell exactly how Joan Jett explained to rock out on the guitar. Here’s an excerpt from the actually-interesting interview:

Kristen, you play guitar yourself, but did Joan give you any tips on how to really embody the female guitarist?
Stewart: She’s got a really unique connection to the music, the way it comes out of her. The compulsion to make it, to create the sound isn’t something that all musicians have and the fact that she never started playing lead guitar – she wanted to play rhythm guitar, she wanted to keep the music going. So she was always telling me to connect like it’s coming through you and considering your guitar is right here [points to pelvic area], it really is a weird center. The only way that I can describe it and I’ve said it before, is like – she literally sort of told me – it was like – why am I doing this right now? The only way I can describe it and the way she told me to play like her and it’s the only way that feels right is to like – you have to @#$% your guitar. [Turns to publicist] I didn’t know how else to say that. I’m sorry!

Read the full article.

Random Inspiration of the Week:

>> The most fascinating guitarist in Africa: Ronnie

Let us know what you think of this video in the comments!

Featured TrueFire Guitar Lesson of the Week:

>> “Duffy’s Edge” from Guitar Cubed

Of the many things Guitar Cubed brings to the table that you might have otherwise dismissed, its major as a key center that might prove to be the biggest revelation to some (I know from my days in the jam session trenches it was all about minor and chugging E strings. Major was just too, well, major sounding! Man, did I miss out!). So far weve explored the muscle rock version of major through Stiff Upper Lip and the lighter jamband side with Granola. Now its time go a little alt-rock/arena rock with Duffys Edge as well as continue to dive into two-chord jams with a jam that exploits the mighty I-V change. Named after its two primary sources of inspiration Billy Duffy of the Cult and The Edge of U2, this jam is major all right—major rock star, that is! Check out the full course by Chris Buono.

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Course Blog: Blues Rock Road Trip – Part 1

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TrueFire Course Blogs are created by students who post summaries of their learning experience as they work through a particular TrueFire course. While an individual student starts and then leads a Course Blog, many other students join in the process. Participating students post additional information related to the course, which extends the overall educational quality of the learning experience. The following is an excerpt from the course blog by Wolfboy1 from the TrueFire Forum on Joe Deloro’s Blues Rock Road Trip:

Well, we’re off on a road trip!

When I got this course I was really interested to take a look at some “roots” rock and roll — the bedrock players, so to speak (and no, I don’t mean the Flintstones), from early icons like Bo Diddley and Chuck Berry  to later blues-fused heros like Hendrix, Clapton, Page, Richards, and Beck. Plus, I figured this course would have a strong rhythm component. I was influenced by the old Sarge Chris Buono back in SWAT Camp, and I added Road Trip and Road Trip 2 around the same time.

Chuck BerryI love Chuck Berry, and that’s right where we start off in this one: a standard 4-part lesson on Chuck’s style, with two rhythm and two lead lessons that are very Berry. Joe starts off referring to Chuck’s Chess Records days and how the Chicago record label had backing blues musicians playing a shuffle behind Chuck’s rhythm guitar, which he played more or less straight. Listed to the difference when Joe plays them. You gotta to know the blues shuffle…it’s fundamental.

As the Rock and Roll Hall of Fame puts it, “While no individual can be said to have invented rock and roll, Chuck Berry comes the closest of any single figure to being the one who put all the essential pieces together.” Chuck Berry was born in Missouri in 1926. By age 22 he’d spent several years in jail, gotten married, and worked as a factory worker, janitor and beautician. In early 1953 he started playing with Johnnie Johnson’s Trio, covering Nat “King” Cole and Muddy Waters and mixing it up with some country or hillbilly songs.

“Listening to Nat Cole prompted me to sing sentimental songs with distinct diction,” Berry once said. “The songs of Muddy Waters impelled me to deliver the down-home blues in the language they came from. When I played hillbilly songs, I stressed my diction so that it was harder and whiter. All in all, it was my intention to hold both the black and the white clientele by voicing the different kinds of songs in their customary tongues.”

Chess RecordsIn 1955 the band traveled to Chicago and Berry began stealing the limelight with his outlandish showmanship. Around this time he came to the attention of Muddy Waters, who suggested Chuck contact Leonard Chess of Chess Records, the label that Waters had recorded with throughout his career. Leonard was concerned about the decline in the popularity of Chicago blues and was beginning to look elsewhere for the next big thing.

Berry’s first track with Chess was “Maybellene,” a reworking of a classic country & western hit, released in August 1955. The song went to #5 and in doing so changed the course of music history. The song was significant not just because its musical style hinted at the rock and roll that was to follow, but also because it signaled the start of “black” music gaining widespread popularity with mainstream, young, white America.

In the Road Trip course introduction, Joe refers to the rhythms from “Johnny B. Goode” and “Roll Over Beethoven.” Here they are:

Johnny B. Goode
With Commentary:

With Go-Go Dancers:

Early 90s?

Roll Over Beethoven
Early On:

From 1972 (nice sideburns!):

50 Years Later (wearing down):

Wolfboy1 – Blues Rock Road Trip course blog – examining the history and technique behind Joe Deloro’s great blues-rock course.

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