Internet Bands: How to Record Around the World

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The Web has changed not only music commerce, but music creation and production as well. The pairing of broadband lines and computer-based recording has made for the very real and very exciting capability to record with musicians from around the globe and even form so-called Internet bands. The concept is simple and really easy to launch on your own.

To build a band, you first need to find other musicians who want to collaborate on a recording, and a good place to start is in music chat rooms. You could post a request and see if any of the respondents share your goals, and then see if they have audio samples to share. If you like what you hear, you’ve got your band started. Another option is to check out musician pages on social networking sites, and then ping a player you like to see if he/she is open to working together.

Next, everyone who participates should have a high-speed connection plus some way of digitally recording and exporting audio. They don’t have to be wired like Real World Studios, but they need a computer running some kind of sequencer/recorder (Garageband, Live, Sonar, Pro Tools, Logic,  etc). Whatever the system, make sure you can import and export compatible file types (wav, aiff).

Here’s a basic scenario: Musician #1 will start a song, laying down a drum-loop beat and a rhythm guitar part. Once that’s mixed down to an MP3 file, it can be emailed to Musician #2. That player imports the MP3 into his DAW and then records a new part on a separate track (without mixing in the loop and guitar). Once completed, Musician #2 exports his new track to a file and mails it back to Musician #1, who imports it into the master session. When files are really big, you might need to swap them using a content-delivery service (yousendit, MegaUpload) in place of email. 

After you get the hang of that basic process, you can start exchanging files with any musician in the band or recording project. Today, lots of bands are cutting complete albums using this exact method. Some players are even using sophisticated VNC programs to control the mice on each other’s computers, allowing for collaboration on a mix. Better still, these two musicians can talk to each other during mixdown using Skype.

Whether you want to form a full-blown band or just find someone to fly in a keyboard part, you can find a ton of musicians who make their services available online with a simple search. Clearly, there are some great creative possibilities that a few years ago were only a dream. You could start a band right now from where you’re sitting.

— Pete Prown

Guitarist/Writer Pete Prown has written hundreds of guitar articles and is a contributing editor at Vintage Guitar magazine. Pete’s latest CD release, Sir Clive and the Raging Cartographers, is a manic chunk of guitar-fired surf and psychedelia.

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Wednesday’s Daily Kindling

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Fuel for the Fire:

Fuel for the Fire:
I don’t think anybody steals anything; all of us borrow.
- BB King
Musings:
Les Paul’s funeral, public viewing and memorials have been scheduled. He will be buried Friday, August 21st, at a private ceremony in his hometown of Waukesha, Wisconsin’s Prairie Home Cemetery. http://su.pr/70hdHF
Les Paul’s life in pictures. http://su.pr/5ieMRd
Great read. The Edge, Jimmy Page, Noel Gallagher discuss the end of the guitar? http://su.pr/4De4BK
Since its introduction at the Summer NAMM tradeshow in 2008, the Moog Guitar has received numerous industry honors including Guitar Player Magazine’s 2009 Reader’s Choice Award, Electronic Musician Magazine’s 2009 Editor’s Choice Award, 2008 Summer NAMM “Best In Show” honors, a 2008 “Best of What’s New Award” from Popular Science magazine and a 2009 Mix Foundation TEC Award nomination. Learn more here – http://su.pr/6hR8CC
A cool interview here with Jimmy Page. He says, “My Les Paul guitar is my mistress and wife.” http://su.pr/1NIlwFuel for the Fire:

“I don’t think anybody steals anything; all of us borrow.”
- BB King

Musings:

Les Paul’s funeral, public viewing and memorials have been scheduled. He will be buried Friday, August 21st, at a private ceremony in his hometown of Waukesha, Wisconsin’s Prairie Home Cemetery. http://su.pr/70hdHF

Les Paul’s life in pictures. http://su.pr/5ieMRd

Great read. The Edge, Jimmy Page, Noel Gallagher discuss the end of the guitar? http://su.pr/4De4BK

Since its introduction at the Summer NAMM tradeshow in 2008, the Moog Guitar has received numerous industry honors including Guitar Player Magazine’s 2009 Reader’s Choice Award, Electronic Musician Magazine’s 2009 Editor’s Choice Award, 2008 Summer NAMM “Best In Show” honors, a 2008 “Best of What’s New Award” from Popular Science magazine and a 2009 Mix Foundation TEC Award nomination. http://su.pr/6hR8CC

A cool interview here with Jimmy Page. He says, “My Les Paul guitar is my mistress and wife.” http://su.pr/1NIlw0

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Welcome

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Players, welcome to The Punch-In.

Developed for musicians and by musicians, this is a one-of-a-kind space on the web.

Most blogs, sites, wikis, and tweets offer a subjective take on the world, and that’s great. The web is the ultimate equalizer: every soul with a laptop and Wi-Fi access has the opportunity to voice opinions and respond to whatever’s out there. But the Punch-In is a response to what is not out there.

We looked around and couldn’t find a contemporary, knowledgeable take on the interests and challenges concerning musicians today. The lion’s share of career advice, for example, is about getting signed to a record label. That was the musician’s Holy Grail for decades, but guess what? The music industry has been husked and hollowed out, a casualty of its own inability to evolve. In the New York and L.A. office buildings where fat cats used to give little guys a shot at the big time, tumbleweeds roll through the empty halls. The Holy Grail has left the building.

It’s a lousy time for the music industry but it’s an excellent time for music. With no margins on what can or “should” be available to the public, musicians from every corner of the globe are self-releasing their projects. Never before has so much diverse music been so widely accessible, and listeners are exploring on their own.

Technology is bringing down all kinds of barriers on the creative side, too. A guitarist from Fargo can collaborate with a songwriter from Kyoto and send a 24-bit/96kHz recording of his solo by email. Desktop software is making it possible to manipulate audio in a way that, ten years ago, would’ve cost you studio time plus a $20k fee to Brian Eno.

The Punch-In isn’t just a whiz-kid guide to new technology — after all, the really important parts about making music are timeless.

We’ll talk about the inspiration behind composition and the exhilaration of a great jam. We’ll talk about failure and success and the countless stops in between. We’ll share our best finds. We’ll bring to bear all the resources at our disposal — including pro players, instructors, producers, engineers, publishers, instrument makers, new-industry experts, software developers, and more — to help you become the musician you want to be.

In the 17+ years that TrueFire has been offering music instruction in leading-edge media, we’ve never before stepped out from behind the curtain. We’re incredibly proud of the people we’ve worked with and grateful to have friends of the fire in 206 countries (and counting). We’ve made our mark as music educators and learn so much in return from the hundreds upon hundreds of players we meet at shows, on tours, in clinics, at universities, and as customers. And one of the core learnings for us is that knowing your way around an instrument is just one part of being a musician. To make good on our mission to educate and inspire, we offer the Punch-In.

We’re especially interested in what you want to hear about, so be sure to log in and make the Punch a two-way conversation. Turn up and be heard! Thanks for being a part of it.

—Rich Maloof

The Punch-In is edited by Rich Maloof, who has a long history with TrueFire as artist, educator, and producer. Rich’s body of work as a published author and Editor in Chief of Guitar magazine has been distributed and translated internationally.

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