Robert Johnson On Speed?

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By Steve “Red” Lasner

robert johnson bluesMuch controversy has arisen about whether or not the recordings of Robert Johnson we have been listening to for years were speed altered. Some musicologists are convinced Johnson’s released recordings are 20% faster than those he performed in two solo sessions in 1936 and 1937, and they wonder how this happened, when it happened, and why it happened.

Many blame advances in technology, some claim it to be a conscious decision made during the mastering process, and others claim that there actually is no speed alteration. If the recordings indeed were sped up by 20%, slowing them down would result in a significant change in pitch and tempo that would have a serious impact on the history of the blues and all of the music and musicians influenced by Johnson. Is it possible that we have never heard what this very influential singer-guitarist truly sounded like?

You be the judge:

“Crossroad Blues” – Fast (original):

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“Crossroad Blues” – Slow (revised):

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Steve “Red” Lasner has rubbed elbows and performed with many great and famous musicians including Buddy Miles, John Sebastian, Derek Trucks, Robben Ford and many more. In 2009 TrueFire released Red’s first instructional guitar course Blues Expose. Red continues to perform locally, nationally and internationally and continues to produce instructional material.

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Words of Wisdom from Thelonious Monk

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by Brad Wendkos

Thelonious MonkJazz saxophonist Steve Lacy was a diehard follower of Thelonious Monk. He wasn’t just a fan, either; Lacy became known for his recorded renditions of Monk tunes and later played in Monk’s band of the early ’60s.

When the master spoke, Lacy listened — and even wrote down Monk’s words of wisdom.

Stay with us here, because another great saxophonist and music educator, Jamey Aebersold, recently shared some of Lacy’s handwritten notes with the good folks at Steve Maxwell Drums, who in turn posted the notes on their website.

And we now share some favorites with you. We found the following seven bits of Monk wisdom particularly ageless and profound.

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7 Mistakes Every Beginner Guitarist Makes

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by Corey Palmer

online guitar lessons truefireFor the beginning guitarist, it’s all too easy to run into pitfalls and stumbling blocks — especially when you’re trying to learn guitar on your own with online video guitar lessons. Obstacles of all sorts can cause you to form bad playing habits or prevent you from progressing to a higher playing level. Wost of all, they can cause you to get so discouraged that you give up trying.

To help fight the frustration, we asked teacher Corey Palmer to offer some tips for first-timers.

1. Not practicing correctly.

When you pick up your guitar to practice, do you just play what you already know — or do you work on new riffs and techniques? Often the best way to progress it to find a balance between playing what you already know and working on something new. Divide up your practice time between mastering the techniques you already know and challenging yourself with new learning material.

2. Trying to play beyond one’s ability.

You cannot expect to be able to shred out Steve Vai licks if you haven’t mastered Mary Had A Little Lamb yet (the nursery version, not the Stevie Ray Vaughan song). Trying to play far outside of your current ability will only bring frustration. You have the entire rest of your life to build your guitar playing up to a level of mastery — take your time and find your own path.

3. Choosing the wrong gear.

When you’re first starting out, it is easy to get caught up in what a guitar looks like or how much it costs. These days, well-made instruments are available at virtually every price point. The best thing to do when going shopping for that first guitar is to bring someone who knows the ins and outs of guitar shopping. Let them help you choose the best guitar for your budget and the playing style you’d like to learn.

4. Playing an out of tune instrument.

Learning to tune is your first job as a budding guitarist, and you should tune your instrument every time you pick it up. If you are always playing a guitar that is out of tune, your ear never really gets to learn what each of the notes and chords should sound like. Plus, an out-of-tune instrument will always sound bad no matter how well you’re playing.

5. Learning in a vacuum.

These days there’s an abundance of online guitar lessons, videos, guitar books, DVD’s and other materials that allow you to learn at your own leisure. Given all the available tools, you could gain a ton of chops and know-how. But someone who spends all his time learning in isolation can be at a total loss when it comes to performing or to playing with other people. Once you get a little comfortable with the instrument, seize every opportunity to interact with other musicians and with teachers. You’re sure to benefit from any constructive feedback, and there’s no better way to learn the dynamics of making music in a group.

6. Not warming up before playing.

Ever wondered why there are times when you pick up your guitar and cannot play something that you have played with ease before? The main cause is not warming up first. Try going through various finger exercises, running through scales, or just riffing on some licks that you’re familiar with. You’ll be surprised what a five-minute warm up session before beginning your practice will do for your playing.

7. Memorizing, but not applying.

Sure, you can memorize a ton of various riffs from other guitarists and play them all flawlessly. But are you actually thinking about how to apply what you learn to your own playing? The next time you learn a lick or phrase created by another player, try twisting and turning it until it becomes something of your own. It can make the difference between regurgitating someone else’s music by rote and becoming an actual musician.

Corey Palmer is a guitarist and teacher in Woodstock, New Brunswick, Canada. Now that you’re a smarter beginner, get started with some of Corey’s easy guitar songs to learn– and stay away from those seven points!

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Duke Robillard: Beyond I-IV-V

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A master of many blues styles, Duke Robillard garners particular acclaim for his jump and swing playing. When he recently performed at a San Francisco music festival, Andy Ellis seized the opportunity to take a lesson in uptown blues. Robillard’s music is full of jazzy turnarounds and sneaky substitutions, so he was asked to explain how he transforms a typical I-IV-V, 12-bar progression into something with more harmonic pizzazz.

Audio guitar lesson:

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Tab, notation and Power Tab files available here.

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“Mississippi Blues” – Tim Sparks

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Tim Sparks has been redefining the acoustic guitar repertoire since he won the US National Fingerstyle Championship in 1993 with a ground-breaking arrangement of Tchaikovsky’s Nutcracker Suite. Since then, Sparks has continued to surprise, challenge, and thrill audiences with his diverse repertoire and stunning technique. Equally at home within the Country Blues, Ragtime, Jazz or World Music genres, Sparks’ extraordinary ability to adapt virtually any music to the solo guitar has earned him an international reputation as one of the most innovative guitarists working today.

Virtuoso acoustic wizard and fingerstyle master, Sparks presents Fingerstyle Roots, Rags & Blues, an insightful exploration of Early Americana Roots music and intensive fingerstyle study program for intermediate and advanced students. Fingerstyle Roots, Rags & Blues covers Delta Blues, Country Gospel, New Orleans, Ragtime, Early Jazz and the most amazing version of “The Mississippi Blues” that we’ve ever seen performed or heard here at TrueFire:

Mississippi Blues – Introduction

Mississippi Blues – Breakdowns 1 – 7

Mississippi Blues – Breakdowns 8 – 14

Mississippi Blues – Breakdowns 15 – 23

Mississippi Blues – Breakdowns 24 – 32

Mississippi Blues – Breakdowns 33 – 40

The full Fingerstyle Roots, Rags, & Blues guitar course is available for purchase on TrueFire.

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