The Punch-In
16Jun/10

Robert Johnson On Speed?

By Steve "Red" Lasner

robert johnson bluesRobert Leroy Johnson was an American blues singer and musician. His landmark recordings from 1936–1937 display a remarkable combination of singing, guitar skills, and songwriting talent that have influenced generations of musicians. Johnson's shadowy, poorly documented life and death at age 27 have given rise to much legend.

Johnson's songs, vocal phrasing and guitar style have influenced a broad range of musicians, including Eric Clapton, who has called Johnson "the most important blues singer that ever lived." Johnson was inducted into the Rock & Roll Hall of Fame as an "Early Influence" in their first induction ceremony in 1986. He was ranked fifth in Rolling Stone's list of 100 Greatest Guitarists of All-Time.

Now, much controversy has arisen about whether or not the recordings of Robert Johnson we have been listening to for years were speed altered. Some musicologists are convinced Johnson's released recordings are 20% faster than those he performed in two solo sessions in 1936 and 1937, and they wonder how this happened, when it happened, and why it happened.

Many blame advances in technology, some claim it to be a conscious decision made during the mastering process, and others claim that there actually is no speed alteration. If the recordings indeed were sped up by 20%, slowing them down would result in a significant change in pitch and tempo that would have a serious impact on the history of the blues and all of the music and musicians influenced by Johnson. Is it possible that we have never heard what this very influential singer-guitarist truly sounded like?

You be the judge:

"Crossroad Blues" - Fast (original):

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"Crossroad Blues" - Slow (revised):

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Steve "Red" Lasner has rubbed elbows and performed with many great and famous musicians including Buddy Miles, John Sebastian, Derek Trucks, Robben Ford and many more. In 2009 TrueFire released Red's first instructional guitar course Blues Expose. Red continues to perform locally, nationally and internationally and continues to produce instructional material.


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4Jun/10

Daily Kindling: Steven Tyler, Aerosmith, and Bad Band Breakups

Steven Tyler AEROSMITHAs I'm sure many of you were already aware, there was a rumor floating around this week that Steven Tyler was leaving Aerosmith. The rumor spread quickly after Joe Perry tweeted (that's right, Joe Perry is on Twitter and you should be too) that Aerosmith was "looking for a new singer to work with" and told several news outlets that Tyler had quit, at as far as he could tell. Many brought up the fact that Tyler did not have the physical ability at the age of 61 that he once had, citing the fact that the band canceled the remainder of its summer tour this year when Tyler fell off a stage and was injured during a performance in South Dakota.

All those rumors were quashed, however, when Steven Tyler and Joe Perry made a surprise appearance at a New York City venue and Tyler told the crowd: "I am not leaving Aerosmith," according to Rolling Stone and Billboard magazines. That seems to have put an end to speculation about the Tyler's future with Aerosmith, but it also got me thinking about band breakups that didn't turn out so well. Check a few of them out below and see the full list over at Spinner.

Feel free to share your own bad band breakup story in the comments!

Pink Floyd
ThePinkFloyd"Original bandleader Syd Barrett was an early casualty in 1968, addled by drug-fueled mental illness. Roger Waters (left) departs in 1985, just after releasing 'The Final Cut' -- practically a Waters solo album with the other Floyd members as sidemen. Waters declared the band "a spent force" and then sued David Gilmour and Nick Mason for carrying on with the Pink Floyd name." - Spinner

The Beatles
the-beatles65"In 1969, the Beatles' final year together, John Lennon got sick of Paul McCartney, George Harrison felt snubbed, and everyone but John resented Yoko Ono's omnipresence. The 'Let It Be' sessions the Fab Four were recording early that year as a documentary and an album were an infamous disaster; the results were released posthumously in both formats in 1970." - Spinner

Sex Pistols
sexpistols"Sid Vicious' debilitating addiction to drugs spawned increasingly violent and unpredictable behavior. Johnny Rotten couldn't stand to be around the heroin-addled Vicious, calling him a "waste of space," and Rotten constantly feuded with the group's manager, Malcolm McLaren. When Rotten declared he was leaving the band while on tour in California in 1978, they abandoned him in Los Angeles with no money and no plane ticket home to England." - Spinner

The Mamas and the Papas
MamasAndPapas260-715401"The marriage of members John and Michelle Phillips was rocked by her affair with bandmate Denny Doherty; Jill Gibson, a "secret" replacement for Michelle Phillips, was briefly employed before Michelle was welcomed back. In 1968, "Mama" Cass Elliot quit when Phillips insulted her in front of Mick Jagger." - Spinner

The Eagles
the_eagles-1127"Original members Randy Meisner and Bernie Leadon departed in the mid-'70s. In 1980, Glenn Frey and Don Felder came to blows backstage during a concert; Frey and Don Henley mixed the swan-song LP 'Eagles Live' from opposite coasts; by the end of the year they were no more. Henley declared the group will reunite "when hell freezes over." (The band's live album of its 1994 reunion tour is titled 'Hell Freezes Over.')" - Spinner

The Doors
The+Doors"In 2002, years after the 1971 death of Jim Morrison and the initial dissolution of the Doors a year later, keyboard player Ray Manzarek and guitarist Robby Krieger formed a group they called the Doors of the 21st Century, with the Cult's Ian Astbury as frontman. A year later, Doors drummer John Densmore (left), who did not participate in the reunion, successfully sued the reconstituted band from using the Doors name." - Spinner

Boston
Boston"By 1979, Boston mastermind Tom Scholz's perfectionism led impatient mates to record under the name of guitarist Barry Goudreau. CBS marketed the project under the name Almost Boston; the inevitable lawsuits followed. The recent suicide of Boston singer Brad Delp (left) is attributed in part to his disappointment over the band's problems." - Spinner

Check out Spinner to see their full list of 20 bitter band breakups.


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2Jun/10

Re-Think the Band: Unconventional Live Lineups

by Rich Tozzoli

Playing live can be addictive. But a lot of players never get to experience the feeling of satisfying a crowd — and satisfying themselves — because they’re waiting to form that perfect band before taking their songs public.

Though a classic band setup like guitar + bass + drums + vocals (maybe with a second guitarist or keyboardist, too) can be great, there’s a lot to be said for finding an alternative approach. Opening up your mind and your music to unconventional live situations can be hugely rewarding. Why wait around for a dream band when you can be playing out right now?

A recent gig: Guitar + Drums + Vocals
For starters, you could just find a drummer and a singer, and skip the bass player. No offense meant to bass players, but in a trio format such as that, you (the guitarist) are in total control of all the music. There’s a lot of responsibility, but it’s also very liberating.

I began playing out recently with a similar lineup. The singer laid down some keyboard pads on just a few songs, and the drummer played a small kit. He also streamed loops out of a laptop. At first, it took a little getting used to, from a guitarist’s point of view. I quickly came to realize that playing root-based chords low on the neck (generally not above III or V position) were essential to a full sound. For example, it worked best to play a Gmin7 chord in III position with the root on the 6th string, whereas with a bass player I might have played the chord up in X position with the root on the 5th.  Just as important, I literally tailored my guitar and amp configuration to provide me the most bass response. The lineup was definitely a “learn as you go” situation.  [Stay tuned for the upcoming article Right Rig for the Gig, which explores gear options for live situations — Ed.]

A few things became quite clear after the first few shows:

•  This is a great way to play out. If the drummer and I felt like taking it somewhere during a song, there was no bass player to worry about following us.

•   Not one person in any crowd complained there was no bass.

•   Rehearsals, costs and band politics were kept to a bare minimum.

•  I became a better player, because I couldn’t solo in the traditional sense. I would step out for just a measure at a time, and also found that it helped to draw more doublestops into my soloing for a fuller sound.

•  I used a ridiculously simple setup: 1x12" amp, an octave pedal for extra bass, and a Malekko Chicklet for some extra wet reverb on slow songs.   http://www.malekkoheavyindustry.com/index.php/chicklet

•   It truly was liberating.

That type of band lineup won’t suit everyone, but it does serve the idea of breaking out of tradition.  Here are some other very workable live stage scenarios.

Guitar + Laptop
Run pre-produced tracks behind yourself, or trigger loops on the fly with a pedalboard and a suitable program such as like Ableton LIVE. You then control the tempo and feel of every song. Take the time at home to make interesting rhythm tracks and then stretch out live on top of them.

Guitar + Drums
Why not just gig out with you and a drummer? Worked for the White Stripes. If the drummer is good and can follow you, you’ll be leading the way the whole night. This will leave a lot of room for both of you to improvise. It also works wonders for your sense of time and syncopation.

Guitar + Vocals
How about the classic guitar + vocals? It could be electric, by the way — you don’t have to take the classic troubador-with-acoustic route. You could also get something very interesting going with two electrics; either with complementary rhythm parts, or with one playing rhythm and the other laying down ambient pads and fills.

Guitar + Triggered Loops
It can be exciting for both the crowd and the player to hear loops created live, and then to have those loops become backing tracks. If you’re good at multiple instruments, you could even make like RicoLOOP, the one-man looping band.

Guitar + Bass + Laptop
Audio software is so advanced now that well-programmed parts and loops can make for excellent accompaniment on the live stage. You could easily gig with just bass, guitar and a laptop streaming some cool parts. This way, you can have the bass player lock in with the grooves, and you can take care of the melodies, rhythms and leads.

Anything Goes!
Every arrangement will have its fair share challenges, but at the very least you’ll be out there playing and not sitting at home waiting for the perfect lineup. We saw Kanye West on Letterman with one keyboard and a five-man drum corps (and Autotune on his vox), and he killed. Or look at the late, great Morphine: drummer, bari sax, and a vocalist playing slide on a two-string bass. There’s no shortage of inspiring examples.

Unconventional band make-ups can be creatively inspiring, too. Guaranteed, if you start writing and arranging with an unusual setup in mind, your music will take many unforeseen twists and turns. So step out of convention and hit the stage with something different. You may even break ground on a whole new style.

Rich Tozzoli is a Grammy-nominated engineer, mixer, producer and composer. He has worked with artists such as Ace Frehley, Al Di Meola and David Bowie, among many more, and is the author of Pro Tools Surround Sound Mixing. Rich is also a lifelong guitarist and composer. His work can be heard regularly on FoxNFL, HBO, and Discovery Channel, and he's recently released the full-length CD, Rhythm Up.


Filed under: Musings 2 Comments
30Apr/10

Weekly Kindling: TrueFire Toon #2, Top 30 Guitarists, Top 10 Slow Solos, and Juiced Blues

Weekly Kindling is a new feature on The Punch-In and will feature the latest guitar news, tricks, tips, and inspiration. Check back at the end of every week or subscribe via email in the right sidebar.

TrueFire Toon #2:

What's Burning:

>> 30 on 30: The Greatest Guitarists Picked by the Greatest Guitarists - 30 of the greatest living guitarists said who they would pick as the greatest guitarists of all time. The full list from Guitar World:
- ANGUS YOUNG by Joe Perry
- CHUCK BERRY by Angus Young
- STEVE VAI by Tom Morello
- TONY IOMMI by James Hetfield
- ERIC CLAPTON by Edward Van Halen
- JIM McCARTY by Ted Nugent
- KEITH RICHARDS by Steven Van Zandt
- JIMMY HERRING by Alex Skolnick
- RITCHIE BLACKMORE by Phil Collen
- GLENN TIPTON & K.K. DOWNING by Zakk Wylde
- LESLIE WEST by Martin Barre
- JEFF BECK by David Gilmour
- JIMI HENDRIX by Joe Satriani
- BRIAN MAY by Steve Vai
- MARTY FRIEDMAN by Jason Becker
- EDWARD VAN HALEN by Richie Kotzen
- YNGWIE MALMSTEEN by George Lynch
- MICK TAYLOR by Slash
- RANDY RHOADS by Frank Hannon
- ZAKK WYLDE by Ron "Bumblefoot" Thal
- B.B. KING by Billy Gibbons
- MALCOLM YOUNG by Scott Ian
- GEORGE HARRISON by Elliot Easton
- ULI JON ROTH by Kirk Hammett
- NEIL YOUNG by Nancy Wilson
- FRANK ZAPPA by Dweezil Zappa
- PETE TOWNSHEND by Ace Frehley
- ALVIN LEE by Mick Mars
- PETER GREEN by Rich Robinson
- RON ASHETON by Kim Thayil
- Read the full article.

>> The Top 10 Slow Guitar Solos - Spitting out sixteenth notes at 200 beats per minutes isn’t always the most winning approach; sometimes, a lead calls for a little less hands and a little more heart. So let’s step back, take a breather and examine some of rock guitar’s greatest slow burns. The full list from GuitarWorld:

1. “’Cause We’ve Ended As Lovers” – Jeff Beck

2. “Something” – The Beatles

3. “The Messiah Will Come Again” – Roy Buchanan

4. “Brothers In Arms” – Dire Straits

5. “Parisienne Walkways” – Gary Moore

6. “Shine On You Crazy Diamond” – Pink Floyd

7. “Since I’ve Been Loving You” – Jimmy Page

8. “The Thrill Is Gone” – B.B. King

9. “Riviera Paradise” – Stevie Ray Vaughan

10. “Bell Bottom Blues” – Derek and the Dominos

Read the full article.

TrueFire Guitar Lesson of the Week

>> Juiced Blues by Chris Buono


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27Apr/10

7 Tips For Flying With Your Guitar

by Charlie Doom

guitar-cloud-miiishNowadays, things aren’t so simple when you’re traveling with a guitar. The dynamics -- and the expenses -- of airplane travel have changed so much that keeping your guitar safe, nearby, and in one piece has become a lot more difficult than it should be.

Sometimes you’ll get away with stashing your axe in the overhead bin; other times you’ll get a stern communiqué from an overworked flight attendant instructing you to commit your precious guitar to the frigid no-man's-land of the airplane's belly. On that occasion, by all means, make a case for stowing your guitar in the cabin or in a coat closet. Just remember that a taser to the throat is the TSA’s signature response to passenger disobedience, and it leaves a mark.

Yes, in some situations all you can do is swallow hard, send your guitar to the bottom, and brace yourself for the impending ulcers. To help you avoid that situation, we offer up these 7 Tips For Flying With Your Guitar, with special mention to international clinician, producer and session player Jeff McErlain for his insights.

1. Loosen the strings on your guitar

Temperature and pressure changes in flight can put enough strain on your guitar to snap that perfectly angled mahogany neck -- unless your strings are loose. Whether you can fit your guitar in the overhead bin or have to nervously watch as it slips out of sight on the luggage belt, you should always loosen your strings before you close the case. Taut guitar strings have over 300lbs of tension – you don’t want that to work against you.

2. Stuff it like a turkey.

Guitars are fragile. Most of us know this. But a lot of people don’t. It’s a good idea to give your guitar some extra padding and support by stuffing a few t-shirts, socks or hotel towels into the cavities of your guitar case. Pay special attention to the headstock and neck – these are the most common break points. You want to minimize movement of your instrument within the case and at the same time provide some cushion to soften blows from the drops, falls, and throws of disgruntled airport employees.

3. Know which airlines allow guitars to be stowed as a carry-on.

To make it easier for you, we put together this list of airlines that are guitar friendly. If an airline is not on this list it’s because they don’t make stated carry-on exceptions for instruments or we couldn’t find any info on their site. It's still a good idea to call ahead after checking airline websites for carry-on policies. They often have provisions for instruments.

American Airlines

United Airlines

Delta

Southwest Airlines (Southwest accepts instruments on a "conditional basis"; i.e, proceed at your own risk.)

* Knowing in advance what type of aircraft you'll be flying in will help you decide how to pack your guitar. If you're flying in a small commuter plane you should pack your guitar in a sturdy hard case because you will most definitely have to stow it below deck.

4. Get a travel guitar.

Why? Flexibility. Travel guitars aren’t just novelties anymore: you can get gig-worthy travel axes ranging from custom boutique jobbers to penny-pincher models. Here are a few brands to get you started:

Traveler Guitar.com ($299+)

Best Travel Guitars.com voted the Speedster model a 9.7 out of 10 for best travel guitar. Though it's not recommended for gigs or serious sessions, Jeff McErlain says, "When I go on vacation for more than a few days, I'll bring my Speedster, a pocket Pod and a pair of headphones. That's all I need to survive, it's great. "

Voyage-Air Travel Guitars ($399 +)

Their motto is “go anywhere with Voyage-Air,” and they’re right. These fully featured electric and acoustic guitars fold in half (fitting into a specially made backpack) and are easily unpacked for your gig. Thom Bresh never leaves home without one.

First Act 34” Acoustic Guitar ($39.99)

Yes, this is a children’s model acoustic. Which means it’s small, lightweight, and dirty-faced affordable (in case it breaks or gets lost). Not to mention it has decent tone for the casual player. I’ve been known to take one on camping trips and to potentially dangerous field parties.

568115336_36edde541a5. Pack it up and ship it out.

Shipping is not always ideal for the uber-transient guitarist, but it’s a safe and viable option when you have no other choice. If you’re going to ship your guitar within the continental United States you can expect to spend about $25 (ground) with insurance. You definitely want insurance.

6. Invest in a good guitar case.

A good, sturdy guitar case will last you a long time and it’ll pay for itself the first time your guitar makes it out alive from the wilderness of the airport luggage bay. We're not just talking dollars and cents here – peace of mind is a valuable commodity. Take a peek at these sheaths to see what’s out there:

Gig Bags
The strength of a gig bag isn't in its nylon fabric; it's in the negotiating power it gives you when you're pleading your case to a stewardess.  Says Jeff, "The slim, smaller size of a gig bag means you can politely ask the flight attendant to put it in the coat check, which almost always works. And it'll lend you extra sympathy points when you're working the airport authorities: 'This is a $3,000 guitar and there's no doubt it will perish if you send it below! Couldn't you please ask someone else if they could send their suitcase full of clothing to the bottom? Pretty please?' Be polite, but don't give in either."

Also, carry a gig bag like a suitcase; you want to keep it inconspicuous, especially if it will be out of sight during the flight. BEWARE! Take a gig bag at your own risk. There is no guarantee that you will be able to sweet talk your way out of every situation. If you're forced to send your guitar below deck in a gig bag, you might as well have stuffed it into a pillow case.

www.casextreme.com
These guys throw their guitar flight cases off roof tops and pummel them with iron hammers to prove their ruggedness. Not to mention, the company boasts a clientele of pro players as well as the U.S. military. While you could probably never take these cases as a carry-on, they do offer protection from the indigestion you'd otherwise suffer worrying about your guitar in the cargo hold. Get one of these and leave the Pepto at home.

SKB
SKB has been around for over 30 years and makes some of the best hardshell cases out there for transporting and protecting guitars. As a rule, form-molded, plastic cases will give you the most flexibility when traveling with your guitar -- just don't expect to stow it as a carry-on.  But if you have a good case, it'll be rugged enough to go toe to toe with the burliest of luggage handlers.

Affordable-Cases
These are road cases, the kind you see roadies hauling out of tour buses and stacking backstage. Solid, rugged, and TSA-approved, they’re perhaps the best protection you can get for your guitar. Like those mentioned above, you’ll never get it past as a carry-on. These babies are stow-away only and are best deployed with a foul-mouthed ex-pat Briton roadie lugging it around for you.

7. Always be polite.

No matter how much you prepare, you can’t be ready for every scenario. Your guitar could get stolen or the flight might be too full to accommodate your carry-on case. But in those rare instances of doom and desperation, the best thing you can do is keep your cool and get smart.

Jeff says: "Sometimes I just lie. I'll say, 'They told me at the front desk that it was fine...' Or I'll make sure that I get a seat in the back of the plane so I can get on first and hide my guitar behind my neighbor's bag in the overhead bin. No matter what, traveling with your guitar is a nerve-wracking experience. But when all else fails I explain that I'm willing to put it anywhere on the flight so long as it doesn't go below. If you're polite, respectful and make sure you stand your ground, you can get through almost anything."

And remember, if you're traveling with a guitar that's not replaceable then you should get evaluated by a psychologist as to why you are traveling with it in the first place.

Charlie Doom is an award-winning screenwriter, filmmaker and musician. He has worked with artists such as Nokie Edwards, Larry Carlton, Johnny Winter, Joe Bonamassa and Slash among many others and is the director of the online guitar education Mecca, TrueFire TV.

Jeff McErlain is a New York City based guitarist, producer, songwriter, and instructor. He's traveled the world conducting clinics and performing live, from South America to Asia. Check out Jeff's latest guitar instructional DVD release, 50 Blues Licks You MUST Know!


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