The Punch-In
2Sep/10

7 Mistakes Every Beginner Guitarist Makes

by Corey Palmer

online guitar lessons truefireFor the beginning guitarist, it’s all too easy to run into pitfalls and stumbling blocks — especially when you’re trying to learn guitar on your own with online video guitar lessons. Obstacles of all sorts can cause you to form bad playing habits or prevent you from progressing to a higher playing level. Wost of all, they can cause you to get so discouraged that you give up trying.

To help fight the frustration, we asked teacher Corey Palmer to offer some tips for first-timers.

1. Not practicing correctly.

When you pick up your guitar to practice, do you just play what you already know — or do you work on new riffs and techniques? Often the best way to progress it to find a balance between playing what you already know and working on something new. Divide up your practice time between mastering the techniques you already know and challenging yourself with new learning material.

2. Trying to play beyond one’s ability.

You cannot expect to be able to shred out Steve Vai licks if you haven’t mastered Mary Had A Little Lamb yet (the nursery version, not the Stevie Ray Vaughan song). Trying to play far outside of your current ability will only bring frustration. You have the entire rest of your life to build your guitar playing up to a level of mastery — take your time and find your own path.

3. Choosing the wrong gear.

When you’re first starting out, it is easy to get caught up in what a guitar looks like or how much it costs. These days, well-made instruments are available at virtually every price point. The best thing to do when going shopping for that first guitar is to bring someone who knows the ins and outs of guitar shopping. Let them help you choose the best guitar for your budget and the playing style you’d like to learn.

4. Playing an out of tune instrument.

Learning to tune is your first job as a budding guitarist, and you should tune your instrument every time you pick it up. If you are always playing a guitar that is out of tune, your ear never really gets to learn what each of the notes and chords should sound like. Plus, an out-of-tune instrument will always sound bad no matter how well you’re playing.

5. Learning in a vacuum.

These days there’s an abundance of online guitar lessons, videos, guitar books, DVD’s and other materials that allow you to learn at your own leisure. Given all the available tools, you could gain a ton of chops and know-how. But someone who spends all his time learning in isolation can be at a total loss when it comes to performing or to playing with other people. Once you get a little comfortable with the instrument, seize every opportunity to interact with other musicians and with teachers. You’re sure to benefit from any constructive feedback, and there’s no better way to learn the dynamics of making music in a group.

6. Not warming up before playing.

Ever wondered why there are times when you pick up your guitar and cannot play something that you have played with ease before? The main cause is not warming up first. Try going through various finger exercises, running through scales, or just riffing on some licks that you’re familiar with. You’ll be surprised what a five-minute warm up session before beginning your practice will do for your playing.

7. Memorizing, but not applying.

Sure, you can memorize a ton of various riffs from other guitarists and play them all flawlessly. But are you actually thinking about how to apply what you learn to your own playing? The next time you learn a lick or phrase created by another player, try twisting and turning it until it becomes something of your own. It can make the difference between regurgitating someone else’s music by rote and becoming an actual musician.

Corey Palmer is a guitarist and teacher in Woodstock, New Brunswick, Canada. Now that you're a smarter beginner, get started with some of Corey's easy guitar songs to learn-- and stay away from those seven points!


14Jun/10

Go Daddy Go: 12 Classic Rockabilly Licks

You can trace rockabilly back to Merle Travis. In themid ’50s, when rockabilly pioneers such as Scotty Moore, Paul Burlison, Cliff Gallup, Joe Maphis, and Carl Perkins hot-rodded the basic Travis fingerpicking pattern, all hell broke loose. Thanks to the Stray Cats, rockabilly made a resurgence in the early ’80s.The riffs, chords, turnarounds, and endings in this lesson will give you a firm grasp of rockabilly basics.. Practice diligently, and before you know it, you’ll be ready to rock the joint all night long.

Audio guitar lesson:

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Tab, notation and Power Tab files available here.


19May/10

Blues Jam Survival Guide

The full Blues Jam Survival Guide course is packed with over 115 tips, 75 essential licks, 43 practice rhythm tracks, and tons of other valuable insight designed for the practicing guitarist and is now available for instant download.

Research and surveys say that glossophobia, more commonly known as the fear of public speaking, ranks as the #1 phobia ahead of death, spiders, heights and dozens of other common fears. The researchers obviously haven’t polled a lot of musicians because nothing strikes fear in the heart of a practicing guitar player more than jumping up on the stage and performing at their local blues jam.

jeff_scheetzA quick Google will reveal hundreds of books, courses and seminars for conquering the fear of public speaking but you’ll find very little that prepares you and helps you overcome the fear of participating in a public blues jam. And that’s precisely why we asked Jeff Scheetz to research and author the Blues Jam Survival Guide for TrueFire members and students.

Producer, recording artist and instructor extraordinaire, Scheetz has an extensive background as founder and leader of several highly popular blues and blues-rock jam bands. One of the most sought after instructors by students and professionals alike, Scheetz is eminently qualified to guide your blues jam aspirations. Here are his a selection of his valuable tips (all of Jeff's tips can be found in his full Blues Jam Survival Guide course):

1. Have a Good Attitude

Jam night etiquette is something everyone should be aware of. It is mostly simple things like having a good attitude, be prepared, paying attention, supporting the other jammers. These are simple little things that make a huge difference.

2. Pay Attention

Communication is key when jamming, especially when you are playing with people you don't know. So make sure you are always looking at the other players - to start with, as soon as you get plugged in, make eye contact with the other guys. Then while in the middle of the song, be watching the other guys to see who should take what solo when etc.

3. Prepare Your Songs

Make sure you know the key the song is in that you are going to jam on. Also, make sure you are doing the same "version" of the song that the band is doing. When practicing your songs at home, play with your guitar on a strap, with you standing up, just like you would on stage.

4. Know the Rules

Each jam night is run a little different. It is good to know the "pace" of the jam night - if it goes really fast, or if it is more casual. The best thing you can do to learn this is to go out to the jam night for a couple of weeks BEFORE you even take your guitar with you. Just go there to check it out and see how it all flows. This will also let you know if you need to bring your own instrument or use theirs, also see what songs would be good to play.

5. Seek Out the Jam Host

Sometimes you just need a push. The other guys at a jam night are a great help in this area. Find the jam host and let them know you are wanting to get up and jam, and be sure and let him know if it is your first time.

6. Don't Be Scared!

Stage fright can be a very real fear for some people. One thing that will help you is to realize you are among friends and people who are very forgiving. Jam nights are a GREAT place to get up on stage for the first time! Remember, if you really prepare then when you get up there it will all go smooth, so "over" practice the songs you are going to do until you have them down cold.

The full Blues Jam Survival Guide course is packed with over 115 tips, 75 essential licks, 43 practice rhythm tracks, and tons of other valuable insight designed for the practicing guitarist and is now available for instant download.


Filed under: Musings 1 Comment
18May/10

Guitar Lesson: Van Halen’s Tips For Beginner Guitarists

Eddie-Van-HalenEddie Van Halen opens the article by fessin' up about how much he stole, note for note, from Eric Clapton. Now here's your chance to rip off EVH. This audio guitar lesson runs you through blues progression, hammer-ons, pull-offs. slides, bends and a few of EVH's key licks, harmonics and tapping.

Audio guitar lesson:

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Tab, notation and Power Tab files available here.


7May/10

Video Guitar Lesson: West Coast Blues – Uptown Stomp

The full West Coast Blues instructional guitar course by David Blacker is now available for instant download!

Uptown Stomp - Introduction

Great West Coast Blues players can take a standard blues piece and turn it on its ear using rhythmic and melodic ideas from a number of related styles, delivering a unique and authentic sound. Infusing jazz and blues ideas into one cohesive style, "Uptown Stomp" is our first foray into the jazz/blues amalgam.

"Uptown Stomp" is unique in the way it suggests chord changes that don't actually occur, "implying" chord substitutions. These implied chords are based on substitutions commonly found in both jazz and blues styles. Incorporating this implied chord-change technique into your lead work adds sophistication to your solos while opening up a new world of harmonic possibilities.

Uptown Stomp - Solo: Chorus 1

When it comes to swing and jump blues, there is a single name where both guitar styles converge--Duke Robillard. Duke is a treasure trove of classic phrasing, incorporating the moves of such iconic musicians as Charlie Christian, Tiny Grimes, T-Bone Walker and Charlie Parker. "Uptown Stomp" is heavily influenced by Duke and does its best to recreate some of his signature phrasing.

Uptown Stomp - Chorus 1 Breakdown

This solo features implied chord changes over a straight-ahead, uptempo swing-blues. Implying changes is a key element to this style, adding excitement and sophistication to otherwise standard blues progressions. Focus on chord tones on the downbeat of each change for effective note targeting. Also, playing with an uptown flare requires extending and alerting basic chords with chord tones such as the 6th, 9th, b9th, b5 and #5.

Uptown Stomp - Solo: Chorus 2

"Uptown Stomp's" second solo adds chromaticism into the mix as well as the effective targeting of key altered scale tones like the #5 and b9. For a crash course on extended blues harmony licks, pick up a copy of Swing by Duke Robillard.

Uptown Stomp - Chorus 2 Breakdown

A key lick that highlights the change from the I to the IV chord appears in the fourth measure, creating tension through its use of the C's #5. The b5 played just before the change to the IV chord voice leads perfectly into 9 of the IV chord--a half step down to the eighth fret on the B string. Be sure to check out the slide from b9 to the 9 over the G in the turnaround, creating a similar kind of tension.

Uptown Stomp - Solo: Chorus 3

West Coast players tend to cop licks and melodies from horn players more than fellow pickers, giving them a more sophisticated than usual approach to a blues progression. For extended listening in this vein, check out Up At Minton's by Stanley Turrentine.

Uptown Stomp - Chorus 3 Breakdown

This tune's third solo incorporates a slide into the major 7 played over the I chord, resolving to the 6 to add a jazzy feel, in addition to some tasty voice leading into the IV chord. Having some solid major-based melody licks gives you a much wider spectrum to impart different feels.

The full West Coast Blues instructional guitar course by David Blacker is now available for instant download!