Behind the Scenes: Larry Carlton in the TrueFire Studio

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This week we were lucky enough to have our good friend and guitar idol Larry Carlton in the TrueFire Studio to shoot his upcoming course in which he will show you how to play 10 of his greatest hits, such as “Room 335″ and “Hello Tomorrow”. We had a blast putting together this project and can’t wait to share it with you. In the meantime, check out the clips below for a sneak peek behind the scenes:

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Larry Carlton’s Blues Guitar Motifs

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This guitar lesson is likely responsible for more blues guitar epiphanies than any other single guitar lesson on the planet. Larry Carlton shares insight and an ear-opening performance example for improvising blues solos with blues motifs off his 335 Blues course.

A short musical phrase or idea, a motif, can establish the foundation for an entire solo. This lesson illustrates how a solo can grow by working with a motif and then playing it in other positions, using other harmonies, and adding slight nuances. A good motif is like the first brick in a solid foundation. Put it in place and keep stacking bricks until you’ve built something beautiful. Of course, you don’t have to stay glued to one motif for an entire solo.

Get tab for this guitar lesson on Mr 335 TV or TrueFire TV.

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Fireside Chat: Larry Carlton

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Larry CarltonIt stands as no reminder that a guitar is made of wood, glue and metal. It is not a living thing. But when the 18-time Grammy nominated legend of guitar, Larry Carlton picks up his iconic Gibson ES-335, it certainly seems alive. In fact, it seems magical.

I saw it first hand a few years ago. Sitting three feet away from him, Larry picked up his guitar and played a single note. For the following three minutes and thirty-two seconds our raging planet was at peace. Not a single shot was fired, not a last breath was exhaled and not a belly shuddered with hunger. I wish that happened when I played the guitar.

Being able to suspend your disbelief through music is just one part of Larry Carlton’s magic, and it’s also what has made him one of the most recorded and celebrated guitarists of all time. Whether you believe it is Larry Carlton or his beloved guitar that holds the magic, to hear him play you cannot deny there is something bigger involved. That’s why I asked him to share some insight and to talk about his new 335 Improv course for this month’s featured chat by the fire.  - Charlie Doom

1. First off, if you weren’t a musician, what would you be and why?
I hope the questions get easier than that, because as you probably know I started playing the guitar when I was so young; I was 6 years old when I started taking guitar lessons. It’It’s all I’ve ever done. I never had another kind of job – even in high school – I always played guitar. There was never a consideration of what I might be if I weren’t a musician. So honestly, I have no answer for that!

2. Honestly, how many hours a day do you practice?
Wow, this is really going to be truthful isn’t it? That’s a tough question because I hate answering it “honestly,” but I don’t have a practice regimen and I never have – at least since I was in my 20’s doing session work. I really feel guilty about that because I know I could improve my chops if I took more time to practice. But I tour and play the guitar over 150 days a year and so that really helps keep my chops up pretty good. And I’m always listening and thinking about things that I know are not as strong in my playing as I would like them to be, and I try to work on those when playing live. I do notice improvement every year in my playing, but it’s without a practice routine. Please do not follow in my footsteps regarding that.

3. What are you listening to lately?
I just returned from a five week tour in Europe and found myself listening to a lot of Joe Pass from the early 60’s in my hotel room. He always inspired me with how melodic his solos were and just how much chops he had (I don’t have those kind of chops at all!). I get inspired listening to how cleanly Joe could play his solos and how much sense they made. So, yeah, I’d say I’ve been listening to Joe lately.

4. How would you describe the music business today?
Obviously, the music business has changed in many major ways. One example is how the music business used to be run and motivated by radio airplay. You would make a record, if the program directors liked the song, they would play it. If the audience liked the song and it became a hit, or even somewhat of a hit, you would go on tour to promote the album. Today Radio has very little to do with most artists’ careers today. It’s mostly live gigs that promote an artist and their music. Today I advise younger artists to promote their CDs by going out and doing as many live gigs as possible to build their following and promote their music.

5. Stranded on a desert island, which guitar would you take?
I would take a very small bodied acoustic guitar with me, as I would probably not be playing a lot of lead guitar. But with a small acoustic guitar, I could explore more beautiful guitar voicings and maybe even experiment with alternate guitar tunings. I also love the sound of piano voicings when they’re played on the guitar, but they’re very difficult to voice on the fretboard and so we’re very limited to which ones we can play that will sound as tightly clustered as they do on the piano. I’d spend a lot of time on the island working out voicings!

6. Let’s talk about what’s going on with you right now, your new course, and what’s next?
I am very excited about the new TrueFire course, 335 Improv, which is the deepest I’ve ever gone into the subject of improvisation and I’m very happy with the way the course presents my approach. I also have a live DVD with my trio in the can, which I’m really excited about because we had a great show that night and I think friends and fans will really enjoy it. We also have another DVD filmed in HD featuring myself and my good buddy Robben Ford playing acoustic guitar “unplugged” in Paris.

Questions submitted to TrueFire via Facebook, Twitter, and our Forum.

7. What was it about the 335 that called to you? – Hutch82
When I first started getting calls in 1969 for recording sessions, I was carrying at least three different guitars to the session – a Tele for country music, a Les Paul for rock n’ roll and pop oriented things and my ES-175 for more jazz or legitimate guitar playing for the sessions. I never knew what they were going to ask me to do. Truthfully, picking the ES-335 as my main guitar was just a practical decision at that time. I’m a very versatile player and I needed a guitar that was likewise versatile to cover all of the bags that I was working on at the time. The 335 fit the bill perfectly for me!

8.  Any advice for session musicians? – Leedelta
Put your ego away! When you go into a recording session – be a servant. You’re there to help someone make their music. The session isn’t really about what you think, although you want to give all you can as far as your ideas are concerned, but it’s up to the producer and the artist to decide how they want their song to be presented to the world. So be humble and be a servant.

9. For the tune “Room 335″, what did you come up with first; the chords or the main riff? – jimiclaptoncarl
The chords came from a track I played on for Steely Dan called “Peg” – those chords are the first four chords of “Peg” pretty much. I really liked the sound of them and when the time came to record a new album that sequence of chords came back to me. I wrote the melody on top of that sequence. Then I changed the bridge so it wouldn’t sound like “Peg,” but I do consider those opening chords to be inspired by Steely Dan.

10. How is it different recording in a studio for an album vs. playing live for an album? – 19Echo19
This can be a very short answer because it’s the honest truth – I’ve never worked out a solo in my life. For a record or a live performance it’s always improvised and that’s the part of making music that I probably enjoy the most, the improvisational part.

Visit Larry Carlton online at for news and updates or watch tons of performances, interviews and lessons on Mr. 335 TV. Below is a clip from Larry’s brand new guitar course, 335 Improv

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TrueFire Tag Jam #1: Make Music with Larry Carlton

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TrueFire Tag JamsJump in to TrueFire’s monthly Tag Jams and make some music with fellow students, educators and even a few surprise guest artists — all from the comfort of your desktop!

Sound like fun? Just download or stream the monthly rhythm track, lay down a short solo over that track on an audio or video file, and then send the file back to us. We’ll do a nice slice and dice using everybody’s contribution and then publish the file for your listening pleasure.

We’re kicking off Tag Jams with a jam track from Larry Carlton’s 335 Blues. Larry lays down some pretty tasty comping over a Stormy Monday kind of progression in the key of A. First check out Larry Carlton’s solo to get a feel then follow the directions below for recording and submitting your own solo.

Larry Carlton’s Solo:

Record Your Own Solo:
Now record your own solo–this is your chance to lay down a track with Larry Carlton! Feel free to solo
over one, two or all three choruses. Here’s the jam track:

Tag Jam #1

Click here to download the jam track

Recording Tip:
If you’re not familiar with desktop recording software and techniques, no worries — just stream the audio file above through the speakers of your computer, plug your guitar into your amp, and play over the track while you record yourself with a webcam or microphone connected to your computer.

Submission Instructions:
If you decide to record a video, upload it to YouTube (or any other video site) and send the link to If you go with just audio, upload it to SoundCloud (or any other audio site) and send the link to


Additional Help:
If you have any questions at all about TrueFire Tag Jams, head on over to the dedicated forum thread.

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Larry Carlton’s Money Notes

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If you like this guitar lesson, be sure to check out Larry Carlton’s interactive guitar courses 335 Blues and 335 Improv.

Larry CarltonBefore Larry Carlton, session guitarists were a highly skilled, but anonymous subset of the 6-string community. A few studio cats—such as Howard Roberts and Tommy Tedesco—had developed name recognition through solo albums and GP columns, but it was Larry Carlton who first brought star power to the gig.

In the ’70s and early ’80s, Carlton’s sweet, singing tone and soaring lines inspired a generation of pickers to attend music school so they, too, could play rock and blues with a jazzbo’s finesse. Arguably, Carlton’s licks did more than any enrollment drive to entice guitarists to attend Musician’s Institute and Berklee College of Music.

Armed with his trademark sunburst Gibson ES-335 and a Sho-Bud volume pedal, Larry Carlton played on more than 3,000 sessions for artists as diverse as Michael Jackson, John Lennon, and Dolly Parton. Carlton’s phrases on Joni Mitchell’s Court and Spark, Steely Dan’s Royal Scam, Donald Fagen’s The Nightfly, and the theme for Hill Street Blues epitomize the golden age of studio guitar.

Larry CarltonWith his first major-label album, Larry Carlton, the fleet-fingered guitarist began a second, parallel career as a solo instrumentalist in 1978. These days, he tours, cuts his own records on his new record label 335 Records, and does very selective sessions. He has racked up 19 Grammy nominations over the years and recently picked up his 4th Grammy win for his collaboration with Tak Matsumoto on Take Your Pick.

Unlike scale-oriented guitarists, Larry Carlton typically builds his distinctive solos around wide interval jumps. In a May ’79 Guitar Player cover story, he touched on his “chord-over-chord” approach to soloing.

Now, more than three decades later, we take you deep inside his intriguing technique. Read on for the full guitar lesson including audio, tab, charts, and more…

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