3 Questions – Joe Satriani

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blog_joe-satrianiWhere does your melodic sensibility come from?
I grew up listening to every kind of music: classical, jazz, Motown, rock and roll, funk, blues, rock and heavy metal. I absorbed it all and tried to remember the good bits. I like a strong melody, interesting chords and a good groove. I always thought I was part Chuck Berry, Jimi Hendrix, Jimmy Page, Jeff Beck and Allan Holdsworth…my list of influences is long. But I wear my influences on my sleeve — it’s my way of telling the truth, musically, and also saying of thank you to those who blazed the trail.

What gear did you use on your breakthrough album, Surfin’ with the Alien?   
I used a Kramer Pacer made from spare parts and two guitars I assembled from Boogie bodies and ESP parts. On the title track, I plugged the Kramer into a Vox wah and a Chandler Tube Driver into a Marshall half-stack. We used an Eventide 949 Harmonizer for the pitch-shift effect.

What current bands or guitarists do you listen to?
Deftones, the Killers, Jack White, Ned Evett, Wolfmother and Beck. But having said that, I just found a great collection of the Carter Family on iTunes that I’ve been listening to quite a bit. I still listen to Eric Clapton and Jimi Hendrix a lot, too. Billy Gibbons is a big influence on me — his writing with ZZ Top is so revolutionary. Nobody writes contemporary blues like Billy.

From a 2007 interview by Pete Prown

Guitarist/Writer Pete Prown has written hundreds of guitar articles and is a contributing editor at Vintage Guitar magazine. Pete’s latest CD release, Sir Clive and the Raging Cartographers, is a manic chunk of guitar-fired surf and psychedelia.

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Learn The Rules

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by Charlie Doom

It wasn’t until I started trying to learn guitar, taking guitar lessons, and writing my own songs that my entire perspective on music changed: not all pop music is bad, but most of it is. And invariably, what people subjectively consider “good music” is music made by real musicians; people who understand, with seeming impossible skill, how to wield the power of music.

And at some point I learned that even the most impossible thing are possible. There are little tricks, rules and guidelines to everything and if you follow them chances are you’ll turn out a little boring, but just fine nonetheless.

I had a professor back when I was in film school who once said, “You need to learn all the rules. You need to fall in love with them. You need to know where their birthmarks are. You need to know everything about them. That’s why you’re in school – to learn the rules so you can break them.”

It’s no coincidence that our latest course, Sweet Notes, covers just this sort of thing – dissecting the impossible reasons why our favorite guitarists sound so good and why it’s really not all that impossible to sound good yourself.

Learn this course. Fall in love with this course. Know where its birthmarks are and kiss them. Once you’ve learned all you can from it show it the door with a wad of cab money then go make your own magic. Don’t worry, it’ll understand.

Truth. Love. Music.

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Free Download from Larry Carlton and Tak Matsumoto

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Three-time Grammy winner, Larry Carlton and Takahiro “Tak” Matsumoto, the most renowned guitarist in all of Asia, teamed up to compose, record, and release “Take Your Pick“, an extraordinary collection of 12 original instrumentals already being hailed as “one of the most significant collaborations of contemporary guitar of all time.”

Larry and Tak invite you to download their new single for free and help spread the word about “Take Your Pick” — If you like what you hear, please call or email your local radio station and ask them to download the whole album from AirPlay Direct and play it on the station. In today’s new music business, YOUR opinion really counts! You can easily find your local radio stations and favorite internet stations at www.radio-locator.com.

Just enter your name and email on Larry Carlton’s website and you will receive a secure link to download the single, “Tokyo Nights”.

*Important! Please add larrycarlton@truefire.com to your safe senders list. Look for the email with instructions and more gifts from Larry & Tak!

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Life Lessons From GWAR

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by Charlie Doom

GWAR has perhaps been more successful at offending people than taking over the world, but that hasn’t stopped the self-proclaimed “Scumdogs of the Universe” from trying to do both. I had a chance to interview the band in person at the 2010 Bonnaroo music and arts festival in Manchester, TN, but was declined with a rubber-sheathed middle finger to the face. However, I am a persistent bastard with a fearless work ethic who doesn’t stop until he gets his way….

Are you improving as a band?
That’s for other’s to say. We know we’re great already.

How do you push yourselves creatively?
The only thing we’re pushing are our fat cocks right down society’s windpipe.

You’ve been rocking for almost two decades, what does it take for a working musician to earn a buck these days?
More like 20 million decades, if such a measure of time exists — which it does not! As far as making a buck, I wouldn’t know anything about that. I don’t own any money. But it is different — back then [when we started] there wasn’t any crack.

On tour, what do you never leave home without?
1) Beaver Butts
2) Turd-Burglar’s
3) Whopper Kings
4) All These Things

Can you give us a glimpse into the creative process; how you get from an idea to a finished song?
No, I can’t. No, I won’t is more like it. It’s none of your business.

Four bands every aspiring space rocker should know? Motorhead because they rule. Kiss because they don’t. Thin Lizzy because they rock. And GWAR because of our fat cocks.

How to make it as a musician? First, get born. Second, get metal. Third, get bent.

Recipie for Metal? It has to be really loud with lots of guitars, drums and some dude screaming his head off. Throw in a bunch of amps and shit. And add electricity! But, no, there is no law to it.

Any plans for planet Earth? I suppose we will continue on with the titanic celebrations that accompany our two-year long 25th anniversary Slay-a-bration so, we are getting ready to sack America and Europe… again!

Best career advice you’ve ever recieved? Find a good drummer and don’t be afraid to quit at any moment!

The sci-fi themed shock rockers, GWAR, formed in 1984 and have “enslaved” a cult-like legion of fans with their brand of technical thrash metal and outrageous stage performances. As to why they wear the latex monster suits — read their bio.  – Charlie Doom

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The Most Priceless Guitar In The World

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by Charlie Doom

Call me petty, call me poor, but I play cheap guitars because I like the way they sound. There is definitely an ease and unspeakable beauty inherent in the expensive guitars; most notably their ability to stay tuned and lack of dead spots on the neck. But the drawback to expensive guitars is that they all sound like expensive guitars; they’re riddled with perfection. That’s where cheap guitars come in handy.

The first guitar I ever had was a $50, ¾ size Gremlin acoustic. After 16 years the black paint on the fretboard is peeling off. I’ve had to Superglue the plastic bridge back to the body at least a dozen times, and the machine heads rattle whenever you play an E chord. But that little guitar can play acoustic lead and the Delta Blues like it was the second coming – the tone and resonance are absolutely divine. There’s nothing else that sounds like it which is why that guitar has been stolen from me, twice. By the grace of Hendrix, and a few bloody noses later, I’ve gotten my guitar back.

I’ve gone through a lot for that little box of Korean-made balsa wood.

But my $50 Gremlin is special and so is my humble Yamaha Pacifica. Everyone who hears them always exclaims, “what kind of guitar are you playing?!” When I tell them that they’re cheap beginner’s guitars, they’re amazed and I’m validated. It’s a good trade.

When you purchase a guitar, what you’re really paying for is an experience — an emotional experience. It doesn’t matter how much your guitar costs because it’s all about the way it makes you feel when you play it. The point is, that feeling you get is not purchased with money, it’s purchased with time and effort. No matter which guitar you have in hand, what distinguishes you from everyone else is being able to find the strength in its weaknesses.

If you can do that, every guitar you touch will turn to gold.

A Brief Look at Priceless Guitars in Music History:

1. Mayonaise
by the Smashing Pumpkins
The signature feedback “whistle” in this now classic rock gem from the early nineties was attributed to a $65 guitar. Whenever Billy Corgan would stop playing, the guitar would whistle, so they incorporated it into the song.

2. “Blackie”
A.K.A. Eric Clapton’s Guitar
Eric Clapton built Blackie using parts from 3 different Strats way back in 1970.  It cost him a total of $300 and the ax has become one of the most famous guitars in the world; selling for almost a million dollars in 2004.

3. Stella Guitars
As played by Robert Johnson
The grandfather of rock and roll played a $12 guitar. That was cheap even by Depression-era standards. Back then, Stella guitars were sold in drugstores, next to the 5 cent soda fountain.

4. Jeff Healy’s Squier
Canadian Blues-Jazz Legend
Jeff Healy made a deep groove in the blues and jazz scenes of the 1980’s and beyond with a $150 Squier Stratocaster on his lap. Enough said.


5. The “Frankenstrat”

by Eddie Van Halen
Eddie built his guitar from scratch using anything, but top-shelf parts and equipment, such as the flawed ash body. It cost him a total of $130.

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