Jimi Hendrix on a 12-String Acoustic

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And this was just a rehearsal…

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Introducing Vicki Genfan’s Acoustic Rhythm Guitar Survival Guide

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Acoustic Rhythm Guitar Survival GuideIf you play acoustic guitar, cover popular songs, write your own tunes, perform solo or work in a band setting, or just like strumming on the front porch, this is a must-have TrueFire course of study. At the very least, you need to dig a little deeper here because the Acoustic Rhythm Guitar Survival Guide will blow your mind to Timbuktu and back again. Here’s why…

Unless you’re a top-notch session player, your rhythm chops likely suck wind. Please don’t be insulted–that’s true of almost ALL of us; pros and amateurs alike. That’s because most of us focus our attention on other aspects of our musicality. We’ll spend hours working on a killer lick, but only a fraction of that time working up a killer rhythm part. So naturally, we wind up playing those same old, tired rhythm moves over and over again.

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Arpeggios – Crucial or What?

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by Steve Elliott, Acoustic Guitar Workshop

In this guitar lesson, we are looking at arpeggios from a fingerstyle point of view and how to play them smoothly on an acoustic, or even an electric guitar.

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The Most Priceless Guitar In The World

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by Charlie Doom

Call me petty, call me poor, but I play cheap guitars because I like the way they sound. There is definitely an ease and unspeakable beauty inherent in the expensive guitars; most notably their ability to stay tuned and lack of dead spots on the neck. But the drawback to expensive guitars is that they all sound like expensive guitars; they’re riddled with perfection. That’s where cheap guitars come in handy.

The first guitar I ever had was a $50, ¾ size Gremlin acoustic. After 16 years the black paint on the fretboard is peeling off. I’ve had to Superglue the plastic bridge back to the body at least a dozen times, and the machine heads rattle whenever you play an E chord. But that little guitar can play acoustic lead and the Delta Blues like it was the second coming – the tone and resonance are absolutely divine. There’s nothing else that sounds like it which is why that guitar has been stolen from me, twice. By the grace of Hendrix, and a few bloody noses later, I’ve gotten my guitar back.

I’ve gone through a lot for that little box of Korean-made balsa wood.

But my $50 Gremlin is special and so is my humble Yamaha Pacifica. Everyone who hears them always exclaims, “what kind of guitar are you playing?!” When I tell them that they’re cheap beginner’s guitars, they’re amazed and I’m validated. It’s a good trade.

When you purchase a guitar, what you’re really paying for is an experience — an emotional experience. It doesn’t matter how much your guitar costs because it’s all about the way it makes you feel when you play it. The point is, that feeling you get is not purchased with money, it’s purchased with time and effort. No matter which guitar you have in hand, what distinguishes you from everyone else is being able to find the strength in its weaknesses.

If you can do that, every guitar you touch will turn to gold.

A Brief Look at Priceless Guitars in Music History:

1. Mayonaise
by the Smashing Pumpkins
The signature feedback “whistle” in this now classic rock gem from the early nineties was attributed to a $65 guitar. Whenever Billy Corgan would stop playing, the guitar would whistle, so they incorporated it into the song.

2. “Blackie”
A.K.A. Eric Clapton’s Guitar
Eric Clapton built Blackie using parts from 3 different Strats way back in 1970.  It cost him a total of $300 and the ax has become one of the most famous guitars in the world; selling for almost a million dollars in 2004.

3. Stella Guitars
As played by Robert Johnson
The grandfather of rock and roll played a $12 guitar. That was cheap even by Depression-era standards. Back then, Stella guitars were sold in drugstores, next to the 5 cent soda fountain.

4. Jeff Healy’s Squier
Canadian Blues-Jazz Legend
Jeff Healy made a deep groove in the blues and jazz scenes of the 1980’s and beyond with a $150 Squier Stratocaster on his lap. Enough said.


5. The “Frankenstrat”

by Eddie Van Halen
Eddie built his guitar from scratch using anything, but top-shelf parts and equipment, such as the flawed ash body. It cost him a total of $130.

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“Mississippi Blues” – Tim Sparks

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Tim Sparks has been redefining the acoustic guitar repertoire since he won the US National Fingerstyle Championship in 1993 with a ground-breaking arrangement of Tchaikovsky’s Nutcracker Suite. Since then, Sparks has continued to surprise, challenge, and thrill audiences with his diverse repertoire and stunning technique. Equally at home within the Country Blues, Ragtime, Jazz or World Music genres, Sparks’ extraordinary ability to adapt virtually any music to the solo guitar has earned him an international reputation as one of the most innovative guitarists working today.

Virtuoso acoustic wizard and fingerstyle master, Sparks presents Fingerstyle Roots, Rags & Blues, an insightful exploration of Early Americana Roots music and intensive fingerstyle study program for intermediate and advanced students. Fingerstyle Roots, Rags & Blues covers Delta Blues, Country Gospel, New Orleans, Ragtime, Early Jazz and the most amazing version of “The Mississippi Blues” that we’ve ever seen performed or heard here at TrueFire:

Mississippi Blues – Introduction

Mississippi Blues – Breakdowns 1 – 7

Mississippi Blues – Breakdowns 8 – 14

Mississippi Blues – Breakdowns 15 – 23

Mississippi Blues – Breakdowns 24 – 32

Mississippi Blues – Breakdowns 33 – 40

The full Fingerstyle Roots, Rags, & Blues guitar course is available for purchase on TrueFire.

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