50 Jazz Blues Licks: #3 Blue Mitchell IV-I on “Dapper Dan”

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50 Jazz Blues Licks is an exclusive series of video guitar lessons by David Hamburger covering the jazz blues styles of historically great guitarists like Geoge Benson, Kenny Burrell, Joe Pass, and many others. A new lick will be released each week, so be sure to subscribe and check back often!

Blue MitchellWhen I first put this track on in the car my wife’s immediate reaction was “is there anyone who doesn’t like this kind of music?!” Which is why we’re married, of course, but she has what I like to think is a pretty universal point. This tune, written by tenor saxophonist Harold Ousley (also the musician behind the outstandingly titled 1972 track “Uncle Funky”) appeared on Midnight Creeper, altoist Lou Donaldson’s 1968 follow-up to his Alligator Boogaloo of the previous year. Donaldson was a stone cold bebopper in the 1950s, and to this day his attitude is “I’m a Charlie Parker man, anything else is just another saxophone player.” But he was always interested in connecting with the public, so as tastes shifted, so did his music, and these great of-the-moment groove classics from the late 60s are the result. Both Lonnie Smith and George Benson are back along with drummer Leo Morris, and together they churn up a wickedly patient shuffle that doesn’t let up for the better part of six minutes. This lick over the IV chord comes from trumpeter Blue Mitchell’s solo.

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50 Jazz Blues Licks: #2 Kenny Dorham I-IV on “Riffin”

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50 Jazz Blues Licks is an exclusive series of video guitar lessons by David Hamburger covering the jazz blues styles of historically great guitarists like Geoge Benson, Kenny Burrell, Joe Pass, and many others. A new lick will be released each week, so be sure to subscribe and check back often!

Kenny DorhamTrumpeter Kenny Dorham has two of the highest-contrast bona fides imaginable in jazz: he was a working and recording member of Charlie Parker’s quintet, and at any given moment his composition “Blue Bossa” is being massacred by thousands of perplexed high school jazz students worldwide. (I say this with authority because I have walked the walk, duly massacring that lovely tune myself on more than one occasion in more than one classroom in my checkered, jazz-essaying past.) Less well known, certainly to me until recently, is that he led a group of his own with the fabulous sobriquet the Jazz Prophets, a group which included no less than Bobby Timmons on piano (composer of another great if somewhat less-frequently massacred classic, “Moanin’”) and, sitting in for a live 1956 recording at New York’s Cafe Bohemia, one Kenny Burrell on guitar. Kenny B. kicks off the track “Riffin’” with an extended solo on the blues, but this great chromatic lick comes from Dorham’s trumpet solo which follows. Read on for the full video guitar lesson…

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50 Jazz Blues Licks: #1 George Benson I-IV on “The Thang”

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50 Jazz Blues Licks is an exclusive series of video guitar lessons by David Hamburger covering the jazz blues styles of historically great guitarists like Geoge Benson, Kenny Burrell, Joe Pass, and many others. A new lick will be released each week, so be sure to subscribe and check back often!

George BensonGeorge Benson made “New Boss Guitar,” his first album as a leader, in 1964 when he was 21 years old. He already had at least three more solo records and a dozen sideman sessions with organist Jack McDuff under his belt by the time he played on alto saxophonist Lou Donaldson’s Blue Note classic Alligator Boogaloo in 1967. With Lonnie Smith also featured on organ, the title cut went on to be one of Donaldson’s big hits for the label. As he explained in an interview over forty years later, ”We made the date and we were three minutes short. I said we don’t have no more material. And the guy said just play anything for three minutes so we can fill out the time. So I just made the riff and naturally the guys could follow it. That’s the only damn thing that sold on the record. All that other stuff we had been rehearsing, our relatives wouldn’t even buy it. Music is a funny thing.” I’ll say. This lick comes from Benson’s solo on “The Thang,” an uptempo, riff-based swing tune from the same record. Read on for the full video guitar lesson…

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