7 Overlooked Jazz Guitar Albums
TweetEverywhere you look there are lists of “essential” albums that no self-respecting musician should be without. These contain different combinations of the largely the same material and although they are essential, I wanted to present some overlooked jazz guitar albums that are equally important. These seven albums by no means represent overlooked or under-appreciated players, but they are overshadowed by some of the artists' other work.
1. Jim Hall - "It's Nice To Be With You: Live in Berlin"
When most people talk about their favorite live Jim Hall album, the common answer is the 1975 session entitled "Jim Hall Live!". "Live in Berlin" takes place several years earlier mixes some of Hall's originals with standards such as "My Funny Valentine" and "Body and Soul." Joining Hall on this session is bassist Jimmy Woode and Drummer Daniel Humair.
Recommended Track: "Young One, For Debra", on this track Hall plays an overdubbed duet with himself that was written for his daughter, Debra.
2. Gary Burton Quintet - "Dreams So Real"
Gary Burton has a thing for discovering great young guitar players. On this 1975 session consisting entirely of Carla Bley's music, Burton's quintet includes Pat Metheny and Mick Goodrick. Once teacher (Goodrick) and student (Metheny), this recording is a great early example of the ECM sound. Bassist Steve Swallow and drummer Bob Moses fill out the group nicely. On this record you really can hear Metheny develop his own sound.
Recommended Track: "Syndrome", also know to Bley fans as "Wrong Key Donkey"
3. Jimmy Raney - "Live in Tokyo"
As one of the most underrated guitar players of the modern era, Jimmy Raney is an well of great melodic bop playing. This trio album from 1976 includes bassist Sam Jones and drummer Leroy Williams. Raney brings new life to standards such as "Cherokee" (which is totally burning), "Anthropology" and "Darn That Dream."
Recommended Track: "Stella by Starlight", here Raney proves that he is an accomplished solo guitarist worthy of being included with Joe Pass, Lenny Breau and George Benson.
4. John Abercrombie - "Timeless"
Few artists have been so closely identified with a label than John Abercrombie and ECM. Recorded in 1975, this was Abercrombie's debut as a leader for the label. The material includes four originals and two tunes by keyboardist Jan Hammer, who along with drummer Jack DeJohnette form the trio. Considering there isn't a bass player, Hammer fills out the space nicely with an organ, synthesizer, and piano.
Recommended Track: "Ralph's Piano Waltz", written for Ralph Towner this is Abercrombie's most well known tune.
5. Tuck Andress - "Reckless Precision"
This album is when musicians first took notice of Tuck Andress. You can usually find him playing duo with wife Patty Cathcart, but this album of instrumentals is for guitar nerds only. Opening with the Michael Jackson tune "Man in the Mirror", he instantly cemented his reputation as one of the foremost jazz guitarists around.
Recommended Track: "Somewhere Over the Rainbow/If I Only Had A Brain", here Andress gives a lesson on how to make sure the melody stands out in an arrangement.
6. Danny Gatton - "Redneck Jazz"
Guitar Player called Danny Gatton "The World's Greatest Unknown Guitar Player" and this album was recorded in 1978 and re-released in the 1990s. Gatton is featured on both guitar and banjo and his band includes the legendary pedal steel player Buddy Emmons. This is a great example of how jazz can evolve. Combining his many influences, Gatton creates a unique style (and genre) that combines his love for rock, country and jazz.
Recommended Track: "Rock Candy", this opener written by Jack McDuff exhibits the rapport between Gatton and Emmons.
7. Allan Holdsworth - "None Toon Soon"
Know as one of the finest fusion guitarists ever, Allan Holdsworth recorded this collection of standards in 1996. With his endless technique, Holldsworth delivers amazing interpretations of two Joe Henderson tunes ("Isotope" and "Inner Urge") in addition to Django Reinhardt's "Nuages." The frenetic style of Holdsworth is accompanied by bassist Gary Willis and drummer Kirk Covington.
Recommended Track: "Norwegian Wood", this Beatles tune is a great example of Holdsworth's synth work and features keyboardist Gordon Beck.
- Jason Shadrick is the Director of Marketing and Artist Relations for The National Guitar Workshop and has a Master’s Degree in Jazz Pedagogy from the University of Northern Iowa. He also has a great guitar blog, music.guitars.life, and will be a occasional contributor to The Punch-In.
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December 4th, 2009 - 17:13
This is a nice, informative piece. I would perhaps have included Gatton's "Relentless" in place of "Redneck Jazz", given a more straight ahead jazz orientation. Losing Emmons would besad, but, hey, you get Joey DiFrancesco, no small matter. And you can tell it's Gatton through all the bluesiness and jazziness, because there's always the specter of twang lurking and peeking around musical corners. I'll be looking at some of the others (I own several of them), but the trap is that there are already hundreds of items in the wish list queue, and listening to each new album seems to open up paths to dozens of other new and wonderful listening experiences. I'll turn sixty next March and have decided that I'm running out of time, even if they stop making new music now,and I feel fortunate that I can read at the same time as I listen to music, because they keep doing the same thing with books.
December 6th, 2009 - 16:32
gonna look this music up, thanks
December 8th, 2009 - 19:16
I'd leave out Holdsworth and replace him with Joe Pass. Listen to anything he's recorded and be amazed!
December 11th, 2009 - 17:40
Thank you.
I'll definitely check out Hall's "Live in Berlin".
I wonder how that Holdsworth album sound, mainstream and gentle?
(-;
Thank you!
December 16th, 2009 - 10:54
Here’s a couple I NEVER see mentioned – “High Contrast” by Gabor Szabo and Bobby Womack and “Darkness, Darkness” by Phil Upchurch – both all instrumental and on Blue Thumb and both produced by Tommy LiPuma –
Don’t be put off by Upchurch covering mor popsters like “Fire and Rain” or “You’ve Got a Friend” – remember the Crusaders w/ Larry Carlton and “So Far Away”? And, his covers of “Inner City Blues” and “Cold Sweat” pay the freight anyway…..
Szabo and Womack – can you say thai stick? You won’t regret this excursion…
January 10th, 2010 - 03:41
Very nice list. I can't disagree with a whole of these selections. Damn, Jim Hall is awesome. When I read this it instantly reminded me to get out one of my old Jim Hall records. I love his recording of, You'd be So Nice to Come Home To. What a great player.
Best regards,
Rob
Cool Archtop Guitars
February 1st, 2010 - 06:36
How about Tony Purrone. He is superior to every guitarist you mentioned