The Great Divide: Who’s Getting Paid (and How Much) in the Music Industry

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Most people trying to learn guitar or taking guitar lessons are probably doing so because they either A) want to be a rock star or B) want to play guitar like a rock star. And naturally, most would prefer choice “A.” After all, becoming a rock star promises glitz and glam, women and booze, fame and fortune, right? Well… wrong. At least for the most part.

After taking a closer look at the music business and investigating how much money most musicians actually make when all is said and done, it seems keeping your day job and playing guitar on the side (choice “B”) is the most economical career decision. In fact, the pizza delivery guy who plays local gigs on the weekends might actually be richer than the lead guitarist of that band you just heard on the radio or saw on MTV (wait, do they even play music videos anymore? I think we meant YouTube). It all seems illogical, twisted, and just plain wrong, but unfortunately it’s the truth. We call it “The Great Divide.”

Now we here at TrueFire realize it’s not all about the money. In fact, if you’re in it for the money, you’re in it for all the wrong reasons and probably don’t deserve it. Making music is more than just a job, and many musicians willfully sacrifice career success in terms of dollars and cents for life success in terms of happiness and satisfaction. For that reason, musicians will always make music, bands will always tour, and young people will continue to learn how to play guitar and strive to be rock stars. In the end, music lives on. But wouldn’t it be nice if musicians actually got paid what they deserve!?

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Learn The Rules

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by Charlie Doom

It wasn’t until I started trying to learn guitar, taking guitar lessons, and writing my own songs that my entire perspective on music changed: not all pop music is bad, but most of it is. And invariably, what people subjectively consider “good music” is music made by real musicians; people who understand, with seeming impossible skill, how to wield the power of music.

And at some point I learned that even the most impossible thing are possible. There are little tricks, rules and guidelines to everything and if you follow them chances are you’ll turn out a little boring, but just fine nonetheless.

I had a professor back when I was in film school who once said, “You need to learn all the rules. You need to fall in love with them. You need to know where their birthmarks are. You need to know everything about them. That’s why you’re in school – to learn the rules so you can break them.”

It’s no coincidence that our latest course, Sweet Notes, covers just this sort of thing – dissecting the impossible reasons why our favorite guitarists sound so good and why it’s really not all that impossible to sound good yourself.

Learn this course. Fall in love with this course. Know where its birthmarks are and kiss them. Once you’ve learned all you can from it show it the door with a wad of cab money then go make your own magic. Don’t worry, it’ll understand.

Truth. Love. Music.

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Sweet Notes – The Art & Science of Chord Tones

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by Robbie Calvo

Sweet Notes is now available for instant download and on Data-DVD. Click here for details.

I have formulated this course from my years of experience as a guitar student and as an instructor and hope that the knowledge that I have gained on the journey so far will impart some gems of wisdom into the development of your playing. You should know that I will always consider myself to be a perpetual student of the guitar and the writing of these video guitar lessons alone has been invaluable to my development as a musician and guitarist. Thank you for helping me improve what I love to do!

The guitar lessons in this course are applicable to all genres of music and were designed to guide, inspire and stretch the capabilities of the guitarist regardless of playing ability.

The “Sweet Notes” concept in principle is incredibly simple to grasp but will take some time to really master across the whole fretboard. Once you understand and hear the power of approaching guitar improvisation with the Sweet Notes concept you will wonder how you ever got by without it. So without further delay let me explain to you what a “Sweet Notes” is and why you should care!

When we are learning to play lead guitar we are shown scale patterns and told that certain scales work over certain chords and progressions. This is a fabulous starting point but doesn’t really define the most important aspect of improvisation and the chord/scale relationship – the resolution points! For example; playing a G major scale over a G chord is really solid advice. This is usually where we are left to our own devices and end up wondering why the A, C, E and F# notes don’t sound so good when we end a run on those tones. That should work though, right?! The G chord is made up from notes of the G major scale? Well, yes it is, but if you were told however that you could use the G major scale but the best tones to resolve to, or end your licks and phrases on are the notes found in the G chord, G – B – D. This would eliminate years of searching and wondering why certain information just doesn’t add up and why other guitarists that you admire seem to have notes on their guitars that just don’t exist on yours! They exist and I am going to show you some incredible concepts that may just blow your mind!

So, my definition of a “Sweet Notes” is a note that is found in the scale being played and also in the chord that the scale is being played over. The ultimate definition then of a “Sweet Notes” is a ‘Chord Tone’ (a note that is in the chord).

So, the scale tones A – C – E – F# that we mentioned earlier from the G major scale could be considered stepping stones that add flavor to a journey. The chord tones G – B – D could be considered as ‘Home’ and great resting places at the end of a journey.

I can almost guarantee that when you ‘hear’ the “Sweet Notes” approach you will love how it sounds. New options will be opened up to you from scales you already know and you’ll be shocked at why it hadn’t been explained to you before. You will need to put some work into this and possibly break some habits but with some focused energy and some guidance from me, your playing will advance exponentially.

Sweet Notes is now available for instant download and on Data-DVD. Click here for details.

TrueFire’s Who’s Who of Guitar 2010: 100 Gifted Guitar Players You Should Know

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by Brad Wendkos, Founder of TrueFire

We’ve all seen and read with some degree of interest many of Top 10 or Top 100 lists that claim to represent the “best” or “greatest” guitarists in the land. Guitarists generally have a couple of issues with those lists; firstly, there’s no such thing as a “best” guitarist, nor is there any viable way to quantify a list of same. At best, the lists represent only the most popular and/or most commercially successful guitarists based on public polls or a consensus of music editors and writers.

The more disappointing characteristic of these lists is; a) they’re always packed with the usual suspects; and b) 80% or more of the artists on the list are rock or blues players. I’m sure we’d all agree that there are plenty of “great” players out there that; a) most of us have never heard of, and; b) play other styles of guitar.

Don’t get us wrong; we here at TrueFire are also enamored with Jimi, Eddie, B.B., Stevie Ray, Satch, etc., and we certainly wouldn’t disagree that these guitarists are indeed the most popular and successful players of our times, but we’d be hard pressed to agree that these are also the “best” or “greatest” guitarists walking the planet today.

We understand the whys and wherefores of lists like these — they sell magazines and online ads. And we’re cool with that. But how cool would it be to compile and share a list of accomplished players that might not be household names but clearly deserve wider recognition? So, with that end in mind and with your help, that’s what we hope to accomplish with TrueFire‘s Who’s Who of Guitar 2010.

This “Who’s Who” list might not sell ads or magazines at newsstand, but we’ll betcha dollars to donuts that the list will turn a lot of people on to some very happening guitarists and hopefully that exposure will in turn broaden awareness of those players and help them career-wise.

Here’s the plan…

We’re hoping to be able to identify roughly 100 “gifted” players that qualify for the 2010 list in the collective opinion of TrueFire folk (artists, students, members and friends).

We’ll accomplish this through a nomination process, followed by a consensus of which nominees deserve to be on the 2010 list.

We’ll use the following guidelines for the nomination and selection process:

1. The nominee must be living and actively performing, teaching and/or recording in 2010.

2. The nominee possesses extraordinary musical, technical and/or compositional skills on guitar and consistently demonstrates same across the major body of their work.

3. The nominee is NOT a widely recognized household name amongst the general population. For example, Eric Clapton, Jeff Beck and George Benson would not qualify but Tommy Emmanuel, Monte Montgomery and Frank Vignola would qualify even though they may be widely recognized amongst guitar players. However, the ideal nominations are “gifted” players that are largely unknown, even amongst most guitar players, such as Joscho Stephan, Guthrie Govan or Carl Verheyen.

4. Any TrueFire artist, student, member or friend of the ‘Fire can make a nomination by posting a comment in this blog post, on our Facebook page, our Twitter profile, our YouTube profile, or by starting a new thread in the Who’s Who forum using that player’s name as the title of the thread and including at least one link to an audio or video file so that others can see and/or hear their work. Any and all additional commentary, links, images, etc. would be appreciated by all I’m sure. See examples of nominations in the forum.

5. The final selections will be made by a consensus of TrueFire artists, educators, students, members and friends of the Fire. We’ll first seek feedback from TrueFire students and members directly in the thread or blog post. If the nominee gets at least 20 “ayes” with a minimum of “nays” or negative feedback, the nominee will then be presented to a panel of 12 artists who will likewise chime in on the nominations. If the panel likewise “ayes” the nominee, then the nominee makes the list.

6. We will not rank the Who’s Who list; rather we’ll present it in alphabetical form.

As this is our first project of this sort, the guidelines and process are subject to change based on practical application and your feedback. Please feel free to make suggestions and express your opinions anytime in the blog or in the forum.

What’s most important is that we all embrace the spirit of this initiative; this is NOT a competition – it’s purely a platform for discovering, celebrating and broadening exposure of those gifted guitar players that deserve wider recognition.

Let the discovery begin!

Guitabulary: Travis Style Picking

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Okay, time to head out to the country. You don’t become a true country guitar player without mastering Travis picking, where your thumb plays a steady rhythmic bass, while your index and middle fingers play the melody notes on the high strings. Off-beat treble notes create a syncopation that lends the style its signature. Happy serves up a basic version of the traditional “My Home’s Across the Blue Ridge Mountains,” and then gussies the tune up with some slides, hammers, pulls and, ultimately, twang.

Audio guitar lesson:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Tab, notation and Power Tab files available here.

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