Bar Room Blues

Bar Room Blues: “Chain of Fools”

Bar Room Blues is an exclusive series of video guitar lessons by Steve “Red” Lasner covering classic blues songs from historically great guitarists like B.B. King, T-Bone Walker, Buddy Guy, and many others. A new lesson will be released each week, so be sure to subscribe and check back often! Also, if you want more guitar lessons like these, be sure to check out Red’s Guitar Sherpa class.

“Chain of Fools” is a song written by Don Covay. Aretha Franklin first released the song as a single in 1967 and subsequently it appeared on many of her albums. It reached number one on the U.S. R&B chart, staying there for four weeks, and went to number two on the pop chart in January 1968. It won the Grammy Award for Best Female R&B Vocal Performance, and later a Grammy Hall of Fame Award. In 2004, this song was ranked #249 on Rolling Stone’s list of The 500 Greatest Songs of All Time. The trademark tremolo guitar licks at the introduction were played by Joe South.

“Chain Of Fools” is actually an unauthorized rewrite of the gospel song “Pains Of Life”, released earlier in 1967 by Elijah Fair & The Sensational Gladys Davis Trio. “Pains Of Life” has the same melody as the later song, as well the chorus “Pain Pain Pain”, which is echoed as “Chain Chain Chain” in the Franklin recording.

Originally in the key of C, the guitarist tuned down, I believe 2 whole steps to a C and plays an E7 shape that would be a C7 in that tuning. Most often the song is played in Cm due to the strength of the minor 3rd implied in the song. In this lesson we are in the key of Cm but I also demonstrate what might be done in C7.

In this video guitar lesson, I show you how to play this classic song on guitar in your own style. Check it out:

Video Guitar Lesson

Jam Track

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Tagged: bar room blues, chain of fools, guitar lesson, Red Lasner, song

Modern Blues Licks

Comment on this post
February 3rd 2012

Modern Blues Licks: #6 Warren Haynes

Modern Blues Licks is a preview video lesson series for Corey Congilio‘s upcoming course, 50 Modern Blues Licks You MUST Know. Check in every week for a new modern blues lick video lesson, and be on the lookout for the full course with tab, jam tracks and more in the near future. Also check out Corey’s latest course, 50 Texas Blues Licks You MUST Know — it’s killer! Subscribe for updates!

I first heard Warren Haynes when he joined the Allman Brothers Band and debuted on the album Seven Turns. In my opinion there was no better choice to share the stage with Dickey Betts. Warren does many things well. He writes captivating riffs, plays a mean slide guitar and can play some tasty stuff over just about any kind of groove.

I got the lick from the song Man In Motion. The lick is in E minor pentatonic but, the trick is the rhythm he’s playing. The fingering is tricky so, take this one slowly. This could be a good warmup too. Good stuff here!

Video Guitar Lesson

50 Jazz Blues Licks

Comment on this post
January 25th 2012

50 Jazz Blues Licks: #28 Jimmy Forrest

50 Jazz Blues Licks is an exclusive series of video guitar lessons by David Hamburger covering the jazz blues styles of historically great guitarists like George Benson, Kenny Burrell, Joe Pass, and many others. A new lick will be released each week, so be sure to subscribe and check back often!

When I lived in New York I spent most of my radio time with WBGO, the Newark-based 24-hour jazz station where, among other things, Bob Porter hosted the show “Portraits in Blue.” No matter who Porter profiled on any given week, I was always transfixed by the opening theme, which I eventually discovered was a track by saxophonist Jimmy Forrest called “The Bolo Blues,” which appeared on a1961 Prestige album called Out of the Forrest. Speaking anachronistically, it’s the 1950s version of a slow jam – when the lights dim and the downtempo, gutbucket sax licks start wafting through the window, you know the star of the film is about to get lucky, or get shot trying. Forrest was best known for another blues, “Night Train,” which was adapted from an earlier Duke Ellington tune and has an equally classy cultural role as the embodiment of the mid-century stripper groove. All that steaminess aside, however, Forrest was also a badass uptempo purveyor of bebop, as evidenced by his playing on organist Jack McDuff’s 1961 record The Honeydripper – check out the solo he tears off on the opening blues and you’ll see what I mean. Grant Green and McDuff are no slouches on this album either, but Forrest’s playing on tracks like this and on “Sunkenfoal” from 1959’s All The Gin Is Gone is at once gritty and dazzling, no mean feat.

Video Guitar Lesson

If you like these guitar lessons, be sure to also check out Frank Vignola’s Jazz Up Your Blues, which showcases essential jazz blues vocabulary and techniques, Mark Stefani’s Jazzed Blues Assembly Lines, which takes you on a sonic learning tour through the funky rhythm and blues stylings and fretboard concepts of top jazz blues players, and of course all of David Hamburger’s courses.

Tagged: 50 jazz blues, david hamburger, guitar lesson, jazz blues, jazz blues licks, jimmy forrest

50 Jazz Blues Licks

Comment on this post
January 18th 2012

50 Jazz Blues Licks: #27 Eddie Costa

There have been any number of piano/guitar/bass trios in jazz. Tenor guitarist Tiny Grimes described his position in keyboard wizard Art Tatum’s group as “low man on the Tatum pole,” and Nat Cole, who found himself leading such a group inadvertently when his drummer failed to show one night, was so successful with the format that Ray Charles did his level best to imitate the sound of the Cole group on his own first recordings (and came damn close). But the Tal Farlow trio with Eddie Costa on piano and Vinnie Burke on bass turned the idea sideways by featuring Farlow’s near-continuously unspooling lines that blurred Charlies Christian and Parker into his own inventive style. But far from being a mere vehicle for the formidable guitarist, the trio placed equal emphasis on deft, imaginative arrangments of well-chosen standards and on Costa’s own unique musical personality, which included frequent use of octaves, an unusual predilection for the lower register of the keyboard and a linear sensibility that had no trouble matching Farlow’s for intensity. My favorite of the Farlow trio records, simply titled Tal, has been reissued as part of The Complete Verve Sessions, and handful of those tunes also turn up on Tal Farlow’s Finest Hour; both include the blues “Chuckles,” which has plenty of soloing from both Costa and Farlow.

Video Guitar Lesson

Tagged: 50 jazz blues, david hamburger, eddie costa, guitar lesson, jazz blues, jazz blues licks

Bar Room Blues

Comment on this post
January 17th 2012

Bar Room Blues: “Key to the Highway”

“Key to the Highway” is a blues standard first recorded by blues pianist Charlie Segar in 1940. The song was also recorded by Jazz Gillum and Big Bill Broonzy in 1941, and it was later a R&B record chart success for Little Walter in 1958. Since then, a variety of artists have interpreted it, including Eric Clapton, who has recorded several versions of the song.

In this video guitar lesson, I show you how to play this classic blues song on guitar in your own style. Check it out:

Video Guitar Lesson

Jam Track

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.