“While My Guitar Gently Weeps” Clapton Isolated Guitar

submit to reddit

by Rich Maloof with hat tips to Bobby Owsinski and Rich Tozzoli

Eric Clapton & George HarrisonHere’s an absolute gem. It’s Eric Clapton’s isolated guitar track from George Harrison’s “While My Guitar Gently Weeps” off the The Beatles’ White Album. Didn’t know it was Clapton playing lead? It was a loosely held secret for a while, but Eric Clapton was one of the few ringers that The Beatles used on their records. Clapton was brought in because he was a close mate of Harrison’s, and since George wrote the song, he felt he had more say in who played on it.

Here are a few cool things to listen for:

1. Listen for the toe taps as EC keeps time.

2. There’s always been a question as to what gear Clapton used on the song, and none of the people at the session can remember exactly. Ken Scott (who engineered the session) told me that EC didn’t bring any gear with him, preferring to use The Beatle’s gear so he intentionally wouldn’t sound like himself. Regardless, it sure sounds like he’s using some sort of Gibson and a Marshall combo amp, although Ken says that The Beatles never used Marshalls and he never saw one in the studio. I suppose it could’ve been one the Fender’s that they used if it was cranked. At any rate, that’s one of the items that we’re trying to determine for Ken’s new book.

3. What struck me about the performance is how loose it is. It sounds like a single take as you hear EC switch between playing rhythm and lead. He never sounds sure of exactly what he’s playing though, and you can hear the odd flub, especially in the B section and the transition between sections.

Share your thoughts in the comments!

Tagged: , , , , , , ,

Robert Johnson On Speed?

submit to reddit

By Steve “Red” Lasner

robert johnson bluesMuch controversy has arisen about whether or not the recordings of Robert Johnson we have been listening to for years were speed altered. Some musicologists are convinced Johnson’s released recordings are 20% faster than those he performed in two solo sessions in 1936 and 1937, and they wonder how this happened, when it happened, and why it happened.

Many blame advances in technology, some claim it to be a conscious decision made during the mastering process, and others claim that there actually is no speed alteration. If the recordings indeed were sped up by 20%, slowing them down would result in a significant change in pitch and tempo that would have a serious impact on the history of the blues and all of the music and musicians influenced by Johnson. Is it possible that we have never heard what this very influential singer-guitarist truly sounded like?

You be the judge:

“Crossroad Blues” – Fast (original):

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

“Crossroad Blues” – Slow (revised):

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Steve “Red” Lasner has rubbed elbows and performed with many great and famous musicians including Buddy Miles, John Sebastian, Derek Trucks, Robben Ford and many more. In 2009 TrueFire released Red’s first instructional guitar course Blues Expose. Red continues to perform locally, nationally and internationally and continues to produce instructional material.

Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

‘What’s Your Blues Name?’ Chart Gives You The Nickname You Need

submit to reddit

Every great blues guitar player needs a great nickname. Whether you like it or not, one’s handle can have a significant impact on your musical career and legend. But what if you weren’t born with a name that fits the blues?

Well, luckily, a handy chart has been created to give everyone a blues name. Check it out below and be sure to share your new moniker in the comments!

What's Your Blues Name Chart

So, what’s your blues name?

Tagged: , ,

An Open Letter to Washington from Artists and Creators: Stop SOPA

submit to reddit

To help protect Internet innovation please visit: stopthewall.us

We, the undersigned, are musicians, actors, directors, authors, and producers. We make our livelihoods with the artistic works we create. We are also Internet users.

We are writing to express our serious concerns regarding the PROTECT IP Act (PIPA) and the Stop Online Piracy Act (SOPA).

As creative professionals, we experience copyright infringement on a very personal level. Commercial piracy is deeply unfair and pervasive leaks of unreleased films and music regularly interfere with the integrity of our creations. We are grateful for the measures policymakers have enacted to protect our works.

We, along with the rest of society, have benefited immensely from a free and open Internet. It allows us to connect with our fans and reach new audiences. Using social media services like Facebook, Twitter and YouTube, we can communicate directly with millions of fans and interact with them in ways that would have been unimaginable just a few years ago.

We fear that the broad new enforcement powers provided under SOPA and PIPA could be easily abused against legitimate services like those upon which we depend. These bills would allow entire websites to be blocked without due process, causing collateral damage to the legitimate users of the same services – artists and creators like us who would be censored as a result.

We are deeply concerned that PIPA and SOPA’s impact on piracy will be negligible compared to the potential damage that would be caused to legitimate Internet services. Online piracy is harmful and it needs to be addressed, but not at the expense of censoring creativity, stifling innovation or preventing the creation of new, lawful digital distribution methods.

We urge Congress to exercise extreme caution and ensure that the free and open Internet, upon which so many artists rely to promote and distribute their work, does not become collateral damage in the process.

Respectfully,
TrueFire, in addition to:
- Aziz Ansari
- Kevin Devine, Musician
- Barry Eisler, Author
- Neil Gaiman, Author
- Lloyd Kaufman, Filmmaker
- Zoë Keating, Musician
- The Lonely Island
- Daniel Lorca, Musician (Nada Surf)
- Erin McKeown, Musician
- MGMT
- Samantha Murphy, Musician
- OK Go
- Amanda Palmer, Musician (The Dresden Dolls)
- Quiet Company
- Trent Reznor
- Adam Savage, Special Effects Artist (MythBusters)
- Hank Shocklee, Music Producer (Public Enemy, The Bomb Squad)
- Johnny Stimson, Musician

To help protect Internet innovation please visit: stopthewall.us

Tagged: ,

Peter Frampton Reunited with Long-Lost Gibson Les Paul Guitar

submit to reddit

Press Release

Peter Frampton’s long-lost guitar was recently discovered after its disappearance in a plane crash 32 years ago. In 1980, a cargo plane carrying Frampton’s equipment for an upcoming show in Panama crashed, supposedly destroying all of the instruments on board including Frampton’s cherished 1954 Gibson Les Paul. Thanks to the unyielding work of two dedicated fans, one in Holland and one on the Dutch Caribbean island of Curaçao, as well as the CEO of the Curaçao Tourist Board, Frampton was reunited with the guitar in an emotional meeting last month in Nashville, TN.

The Curaçao Tourist Board helped acquire the guitar from an individual after hearing news that they may indeed have a lead on the long lost and beloved guitar. Together in Nashville, TN at the Gibson Custom Shop, with experts from Gibson Guitar and Peter Frampton, the team confirmed it was the original guitar long missing from Frampton’s collection.

Frampton’s custom guitar was given to him in 1970 by a man named Mark Mariana when Humble Pie played at the Fillmore West. Frampton borrowed Mariana’s guitar for the show and afterward tried to buy it from him, “But to my surprise he said he couldn’t sell it to me—he wanted to give it to me!” he notes.

Frampton played the guitar exclusively on Humble Pie’s Rock On and Rocking the Fillmore albums. The guitar also appeared on a number of sessions for other artists including George Harrison, Harry Nilsson, and John Entwistle. Most notably, Frampton played the guitar on the electrifying Frampton Comes Alive!, one of the top-selling live records of all time.

Frampton is ecstatic to have the guitar back in his hands once again. “I am still in a state of shock, first off, that the guitar even exists let alone, that it has been returned to me. I know I have my guitar back, but I will never forget the lives that were lost in this crash. I am so thankful for the efforts of those who made this possible. And, now that it is back I am going insure it for 2 million dollars and it’s never going out of my sight again! It was always my #1 guitar and it will be reinstated there as soon as possible—some minor repairs are needed. And, I just can’t wait to get Mark Mariana on the phone.”

Tagged:
Page 1 of 111234510...Last »