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We have a harmonica course coming soon, and if you’re looking for some inspiration to try the instrument, well, look no further…
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We have a harmonica course coming soon, and if you’re looking for some inspiration to try the instrument, well, look no further…
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We are excited to announce that we are offering up an all-expenses-paid trip to Florida to one lucky TrueFire Student! Better yet, entry is totally FREE!
We’ll pay for your round trip airfare, your hotel for 2 nights, give you money for food and drinks while you’re here, and reserve a seat for you in the exclusive, sold-out Robben Ford Live Workshop, which we are hosting on April 15th at a venue near our headquarters in St. Petersburg, Florida.
All you have to do to enter is like us on Facebook and fill out a quick form. To be eligible to win, you must live in the continental U.S., and you must be a TrueFire Student. If you’re not already a TrueFire Student, click here to sign up for free.
Feel free to share this contest with friends, and be sure to check back on April 1st for an announcement of the winner!
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Our world of music is a bit emptier with the loss of Howard Morgen. Guitarist, educator, arranger, composer – Howard Morgen touched many of our lives as much with his human warmth as with his incredible musical intelligence.
While we grieve the loss of our friend (after a long, heroic battle with leukemia), let us celebrate the life of this extraordinary musician and the legacy he has left to all of us in the world of music.
Many of us first came under Howard’s spell from his columns that graced so many magazines, including Guitar Player, Guitar World, Acoustic Guitar, Fingerstyle Guitar, and Just Jazz Guitar. He had a great knack for making the most complex concepts crystal clear while infusing us with the confidence that we really could play fingerstyle, or jazz, or even better – his unique combination of both.
His books of arrangements of Gershwin, Ellington, Paul Simon, and various others formed the backbone of repertoire for guitarists from hobbyists to pros, and many of us spent hours listening to his Gershwin CD and trying to get that magic touch that made his recordings so personal.
It was our good fortune that Howard Morgen, a brilliant performing artist, chose to devote so much of his time to teaching. Howard shared his expertise at a time that relatively few players of his stature did. He authored books that detailed his concepts of arranging for solo guitar, playing solo arrangements, to help bring our own playing to life.
His inimitable style – like an old friend who is happy to pass on their musical discoveries – as well as his vast knowledge drew untold numbers of students from magazine readers to attendees at his master classes to his college classes in New York City to his private students (who included such luminaries as Paul Simon, Edie Brickell, Carly Simon, and Christine Lavin).
No matter where we learned them, we will all carry his lessons in our hands, hearts and music forever. Howard, we love you and will miss you dearly.
- Brad Wendkos; on behalf of all of Howard’s friends, students and fellow educators at TrueFire
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by Rich Maloof with hat tips to Bobby Owsinski and Rich Tozzoli
Here’s an absolute gem. It’s Eric Clapton’s isolated guitar track from George Harrison’s “While My Guitar Gently Weeps” off the The Beatles’ White Album. Didn’t know it was Clapton playing lead? It was a loosely held secret for a while, but Eric Clapton was one of the few ringers that The Beatles used on their records. Clapton was brought in because he was a close mate of Harrison’s, and since George wrote the song, he felt he had more say in who played on it.
Here are a few cool things to listen for:
1. Listen for the toe taps as EC keeps time.
2. There’s always been a question as to what gear Clapton used on the song, and none of the people at the session can remember exactly. Ken Scott (who engineered the session) told me that EC didn’t bring any gear with him, preferring to use The Beatle’s gear so he intentionally wouldn’t sound like himself. Regardless, it sure sounds like he’s using some sort of Gibson and a Marshall combo amp, although Ken says that The Beatles never used Marshalls and he never saw one in the studio. I suppose it could’ve been one the Fender’s that they used if it was cranked. At any rate, that’s one of the items that we’re trying to determine for Ken’s new book.
3. What struck me about the performance is how loose it is. It sounds like a single take as you hear EC switch between playing rhythm and lead. He never sounds sure of exactly what he’s playing though, and you can hear the odd flub, especially in the B section and the transition between sections.
Share your thoughts in the comments!
Comment on this post | Tags: beatles, eric clapton, George Harrison, guitar, guitar track, solo, the beatles, white album