The Punch-In
2Sep/10

7 Mistakes Every Beginner Guitarist Makes

by Corey Palmer

online guitar lessons truefireFor the beginning guitarist, it’s all too easy to run into pitfalls and stumbling blocks — especially when you’re trying to learn guitar on your own with online video guitar lessons. Obstacles of all sorts can cause you to form bad playing habits or prevent you from progressing to a higher playing level. Wost of all, they can cause you to get so discouraged that you give up trying.

To help fight the frustration, we asked teacher Corey Palmer to offer some tips for first-timers.

1. Not practicing correctly.

When you pick up your guitar to practice, do you just play what you already know — or do you work on new riffs and techniques? Often the best way to progress it to find a balance between playing what you already know and working on something new. Divide up your practice time between mastering the techniques you already know and challenging yourself with new learning material.

2. Trying to play beyond one’s ability.

You cannot expect to be able to shred out Steve Vai licks if you haven’t mastered Mary Had A Little Lamb yet (the nursery version, not the Stevie Ray Vaughan song). Trying to play far outside of your current ability will only bring frustration. You have the entire rest of your life to build your guitar playing up to a level of mastery — take your time and find your own path.

3. Choosing the wrong gear.

When you’re first starting out, it is easy to get caught up in what a guitar looks like or how much it costs. These days, well-made instruments are available at virtually every price point. The best thing to do when going shopping for that first guitar is to bring someone who knows the ins and outs of guitar shopping. Let them help you choose the best guitar for your budget and the playing style you’d like to learn.

4. Playing an out of tune instrument.

Learning to tune is your first job as a budding guitarist, and you should tune your instrument every time you pick it up. If you are always playing a guitar that is out of tune, your ear never really gets to learn what each of the notes and chords should sound like. Plus, an out-of-tune instrument will always sound bad no matter how well you’re playing.

5. Learning in a vacuum.

These days there’s an abundance of online guitar lessons, videos, guitar books, DVD’s and other materials that allow you to learn at your own leisure. Given all the available tools, you could gain a ton of chops and know-how. But someone who spends all his time learning in isolation can be at a total loss when it comes to performing or to playing with other people. Once you get a little comfortable with the instrument, seize every opportunity to interact with other musicians and with teachers. You’re sure to benefit from any constructive feedback, and there’s no better way to learn the dynamics of making music in a group.

6. Not warming up before playing.

Ever wondered why there are times when you pick up your guitar and cannot play something that you have played with ease before? The main cause is not warming up first. Try going through various finger exercises, running through scales, or just riffing on some licks that you’re familiar with. You’ll be surprised what a five-minute warm up session before beginning your practice will do for your playing.

7. Memorizing, but not applying.

Sure, you can memorize a ton of various riffs from other guitarists and play them all flawlessly. But are you actually thinking about how to apply what you learn to your own playing? The next time you learn a lick or phrase created by another player, try twisting and turning it until it becomes something of your own. It can make the difference between regurgitating someone else’s music by rote and becoming an actual musician.

Corey Palmer is a guitarist and teacher in Woodstock, New Brunswick, Canada. Now that you're a smarter beginner, get started with some of Corey's easy guitar songs to learn-- and stay away from those seven points!


1Sep/10

Stairway to Heaven: How to Make it Big as a Musician

By Charlie Doom
Illustration by Eric Hunter

Want to make it big? We asked some of the biggest guitarists on the planet for their best career advice.

Joe SatrianiKnow Your Instrument
You have to know all the notes on the guitar, you’ve got to know all the scales, you have to know all the ‘chords’ and make sure you do that stuff as much as possible.” – Joe Satriani

Larry CarltonLose Your Ego
"Put your ego away! When you go into a recording session - be a servant. You’re there to help someone make their music. The session isn’t really about what you think, although you want to give all you can as far as your ideas are concerned, but it’s up to the producer and the artist to decide how they want their song to be presented to the world. So be humble and be a servant." - Larry Carlton

Mike SternDon't Give Up
"Just keep playing. Don't give up -- no matter what happens. It's a joy to play music and there are challenges. No one can ever take that from you but yourself. So, keep playing and play from the heart." - Mike Stern

Brian AubertNever Compromise
"Don't compromise on anything and don't listen to anybody who tells you how to do things or how to get successful because all that's bullshit. There is no equation to how it works."  - Brian Aubert

Richie KotzenTake the Money
"The only deals with companies I've ever made that really worked in my favor were the ones that offered significant advances. It is the only tangible commitment they can make to you in the beginning. Most of the time if someone is talking big that’s all they’re doing – talking. If someone says, 'Well, we want you to be involved, but we have a limited budget…' start looking for the door." - Richie Kotzen

Brian BellBe a Consummate Musician

"If you're going to pursue guitar, then do it with everything you have. You must become a servant to the music -- a slave to your passion. Music has to become your life." - Brian Bell

Wayne CoyneTake the Road Less Traveled
"It can be scary to leave your life behind you -- your friends and family, everything that comforts and encourages you. But it's a choice you've got to make at some point. Do you stay where you're at or do you take the road less traveled? I say, take the road less traveled and never look back." - Wayne Coyne

Robben FordMake Sure You're Always Learning
"Listen to other instruments, learn chords and songs and learn to play some blues for god'sake." - Robben Ford

Embrace the Power of Quitting
George Lynch"Don't quit your day job." - George Lynch

"Find a good drummer and don't be afraid to quit at any moment!" - GWAR

What advice do you have?


Filed under: Guitar Lessons 2 Comments
27Aug/10

Free The Music: Live Venue Music vs. the PROs

by Steve "Red" Lasner

Free The MusicI go to blues jam sessions hosted by local music venues occaisionally, where seasoned musicians, students and beginners are encouraged to participate. They play mostly traditional pieces: "The Thrill is Gone," "Stormy Monday," "The Sky Is Cryin'" and many other traditional blues guitar songs. Apparently, if anyone other than your mother and best friend are listening, it is deemed "public performance" and therefore requires a license.

Copyright law requires that any venue where music is performed publicly, from cheerleading competitions and mortuaries to nightclubs and stadiums, have a performance license, and recorded music is subject to license fees as well. The three US-based Performance Rights Organization (PROs) — ASCAP, BMI, and SESAC — collect the fees and distribute them to their members. The problem is that because the PROs want licencing fees for these performances so badly, local music scenes and countless up-and-coming musicians are becoming victims by way of committing a victim-less crime. Local live music venues are receiving threatening letters, casual jam sessions are experiencing a crackdown, and amateur guitar players are losing opportunities to build up their performance chops due to these ridiculous and excessive demands for licenses.

With the music industry in steep decline, PROs are ramping up their pursuit of the little guys, who acknowledge that songwriters are entitled to compensation but are angry and frustrated at what they see as unfair targeting of small businesses and non-profits that make little to no money from the music they present. The PROs have been criticized for years for their aggressive stance. For example, in the mid-1990s, ASCAP bowed to public outcry after attempting to collect licensing fees from the Girl Scouts for singing campfire songs. They now charge the Girl Scouts a symbolic $1 a year.

Small business owners who host live music are required to buy licenses from the PROs or be subject to lawsuit. Each PRO files about hundreds of lawsuits every year, but the good news is that it is usually a last resort, often following years of attempts to enforce compliance with the law. Fewer than 10 percent of these copyright infringement suits actually go to trial because once business owners get attorneys, they find out they don’t have a prayer of winning. Penalties in court range from $750 all the way up to $30,000 per song. These threats make it very difficult small business owners to survive, and the amateur musicians suffer as a result.

In the end, I think the law is fairly clear, albeit perhaps a bit outdated, and the PROs really are just doing their jobs (unfortunately). The severity of the consequences is certainly up for debate, and while songwriters and artists certainly should be paid something for their original work, the PROs should not be desroying the live music scene in order to do so.

So what should be done? If it was up to me, I would say to hell with the PROs, let's start a revolution and free the music, but obviously that is not a viable option. A compromise seems necessary, but how? Really, it is David vs. Goliath out there, and I just hope this story ends the same way.

Check out guitar lessons by Steve "Red" Lasner's in his latest course, Blues Expose.


26Aug/10

Jeff McErlain Performance Videos

Description unnecessary.

"Scratch My Back"

"Highlands"

"Do You Remember"

Check out Jeff's latest video guitar lessons in Kings of Tone.


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24Aug/10

2010 TrueFire Survey Results

According to our 2010 Survey, odds are you are a 50 year-old intermediately-skilled male guitarist who has been playing mostly blues and rock guitar for 10 or more years, usually at home alone for about 3 - 5 hours per week. Your favorite color is blue, your first pet's name was Buddy, and you drive a black Ford F-150.

Ok, we made that last part up, but all jokes aside we really learned a ton about the TrueFire community via our survey, and we wanted to A) thank you again for taking the time out to provide us with information that we believe will help us in our never ending quest to improve the TrueFire experience and B) share some of the results with you so that you too could learn a little something about your fellow TrueFiremen (and women). Without further ado, here are a few colorful graphs that show some selected results from our survey. Feel free to share your thoughts in the comments!








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